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And The winner is the 2015 Emmy Awards

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Outstanding Drama Series

Better Call Saul • AMC
Downton Abbey • PBS
Game of Thrones • HBO
Homeland • Showtime
House of Cards • Netflix
Mad Men • AMC
Orange Is the New Black • Netflix

Outstanding Comedy Series

Louie • FX
Modern Family • ABC
Parks and Recreation • NBC
Silicon Valley • HBO
Transparent • Amazon
Unbreakable Kimmy Schmidt • Netflix
Veep • HBO

Outstanding Lead Actress in a Drama Series

Claire Danes, Homeland • Showtime
Viola Davis, How to Get Away with Murder • ABC
Taraji P. Henson, Empire • Fox
Tatiana Maslany, Orphan Black • BBC America
Elisabeth Moss, Mad Men • AMC
Robin Wright, House of Cards • Netflix

Outstanding Lead Actor in a Drama Series

Kyle Chandler, Bloodline • Netflix
Jeff Daniels, The Newsroom • HBO
Jon Hamm, Mad Men • AMC
Bob Odenkirk, Better Call Saul • AMC
Liev Schrieber, Ray Donovan • Showtime
Kevin Spacey, House of Cards • Netflix

Outstanding Supporting Actor in a Drama Series

Jonathan Banks, Better Call Saul • AMC
Ben Mendelsohn, Bloodline • Netflix
Jim Carter, Downton Abbey • PBS
Peter Dinklage, Game of Thrones • HBO 
Michael Kelly, House of Cards • Netflix
Alan Cumming, The Good Wife • CBS

Outstanding Directing for a Drama Series

Tim Van Patten, Boardwalk Empire, “Eldorado” • HBO
David Nutter, Game of Thrones, “Mother’s Mercy” • HBO
Jeremy Podeswa, Game of Thrones, “Unbowed, Unbent, Unbroken” • HBO
Lesli Linka Glatter, Homeland, “From A to B and Back Again” • Showtime
Steven Soderbergh, The Knick, “Method and Madness” • Cinemax

Outstanding Supporting Actress in a Drama Series

Joanne Froggatt, Downton Abbey • PBS
Lena Headey, Game of Thrones • HBO
Emilia Clarke, Game of Thrones • HBO
Christina Hendricks, Mad Men • AMC
Uzo Aduba, Orange Is the New Black • Netflix
Christine Baranski, The Good Wife • CBS

Outstanding Writing for a Drama Series

Joshua Brand, The Americans, “Do Mail Robots Dream of Electric Sheep?” • FX
Gordon Smith, Better Call Saul, “Five-O” • AMC
David Benioff and David Weiss, Game of Thrones, “Mother’s Mercy” • HBO
Matthew Weiner, Mad Men, “Lost Horizon” • AMC
Matthew Weiner, Mad Men, “Person to Person” • AMC

Outstanding Variety Talk Series

The Colbert Report • Comedy Central
The Daily Show with Jon Stewart • Comedy Central 
Jimmy Kimmel Live! • ABC
Last Week Tonight with John Oliver • HBO
Late Show with David Letterman • CBS
The Tonight Show Starring Jimmy Fallon • NBC

Outstanding Writing for a Variety Series

The Colbert Report • Comedy Central
The Daily Show with Jon Stewart • Comedy Central 
Inside Amy Schumer • Comedy Central
Key & Peele • Comedy Central
Last Week Tonight with John Oliver • HBO

Outstanding Directing for a Variety Series

The Colbert Report • Comedy Central
The Daily Show with Jon Stewart  Comedy Central
Inside Amy Schumer • Comedy Central
Late Show with David Letterman • CBS
The Tonight Show Starring Jimmy Fallon • NBC

Outstanding Variety Sketch Series

Drunk History • Comedy Central
Inside Amy Schumer • Comedy Central
Key & Peele • Comedy Central
Portlandia • IFC
Saturday Night Live • NBC

Outstanding Limited Series

American Crime • ABC
American Horror Story: Freak Show • FX
The Honorable Woman • SundanceTV
Olive Kitteridge • HBO
Wolf Hall • PBS

Outstanding Lead Actor in a Limited Series or a Movie

Timothy Hutton, American Crime • ABC
Ricky Gervais, Derek Special • Netflix
Adrien Brody, Houdini • History
David Oyelowo, Nightingale • HBO
Richard Jenkins, Olive Kitteridge • HBO
Mark Rylance, Wolf Hall • PBS

Outstanding Lead Actress in a Limited Series or Movie

Felicity Huffman, American Crime • ABC
Jessica Lange, American Horror Story: Freak Show • FX
Queen Latifah, Bessie • HBO
Frances McDormand, Olive Kitteridge • HBO
Emma Thompson, Mrs. Lovett • PBS
Maggie Gyllenhaal, The Honorable Woman • SundanceTV

Outstanding Supporting Actor in a Limited Series or Movie

Richard Cabral, American Crime • ABC
Denis O’Hare, American Horror Story: Freak Show • FX
Finn Wittrock, American Horror Story: Freak Show • FX
Michael Kenneth Williams, Bessie • HBO
Bill Murray, Olive Kitteridge • HBO
Damian Lewis, Wolf Hall • PBS

Outstanding Directing for a Limited Series, Movie or Dramatic Special

Ryan Murphy, American Horror Story: Freak Show, “Monsters Among Us” • FX
Dee Rees, Bessie • HBO
Hugo Blick, The Honorable Woman • SundanceTV
Uli Edel, Houdini • History
Tom Shankland, The Missing • Starz
Lisa Cholodenko, Olive Kitteridge • HBO
Peter Kosminsky, Wolf Hall • PBS

Outstanding Supporting Actress in a Limited Series or Movie

Regina King, American Crime • ABC
Sarah Paulson, American Horror Story: Freak Show • FX
Angela Bassett, American Horror Story: Freak Show • FX
Kathy Bates, American Horror Story: Freak Show • FX
Mo’Nique, Bessie • HBO
Joe Kazan, Olive Kitteridge • HBO

Outstanding Writing for a Limited Series, Movie or Dramatic Special

John Ridley, American Crime, “Episode One” • ABC
Christopher Cleveland, Bettina Gilois and Horton Foote, Bessie • HBO
Stephen Merchant, Gene Stupnitsky and Lee Eisenberg, Hello Ladies: The Movie • HBO
Hugo Blick, The Honorable Woman • SundanceTV
Jane Anderson, Olive Kitteridge • HBO
Peter Straughan, Wolf Hall • PBS

Outstanding Reality Show Competition

The Amazing Race • CBS
Dancing with the Stars • ABC
Project Runway •
Lifetime
So You Think You Can Dance • ABC
Top Chef • Bravo
The Voice • NBC

Outstanding Lead Actress in a Comedy Series

Lily Tomlin, Grace and Frankie • Netflix
Amy Schumer, Inside Amy Schumer • Comedy Central
Edie Falco, Nurse Jackie • Showtime
Amy Poehler, Parks and Recreation • NBC
Lisa Kudrow, The Comeback • HBO
Julia Louis-Dreyfus, Veep • HBO

Outstanding Lead Actor in a Comedy Series

Anthony Anderson, Black-ish • ABC
Matt LeBlanc, Episodes • Showtime
Don Cheadle, House of Lies • Showtime
Louis C.K., Louie • FX
William H. Macy, Shameless • Showtime
Will Forte, The Last Man on Earth • Fox
Jeffrey Tambor, Transparent • Amazon

Outstanding Directing for a Comedy Series

Christopher Miller and Phil Lord, The Last Man on Earth, “Pilot” • Fox
Louis C.K., Louie, “Sleepover” • FX
Mike Judge, Silicon Valley, “Sand Hill Shuffle” • HBO
Jill Soloway, Transparent, “Best New Girl”  • Amazon
Armando Iannucci, Veep, “Testimony” • HBO

Outstanding Supporting Actor in a Comedy Series

Andre Braugher, Brooklyn Nine-Nine • Fox
Adam Driver, Girls • HBO
Keegan-Michael Key, Key & Peele • Comedy Central
Ty Burrell, Modern Family • ABC
Titus Burgess, Unbreakable Kimmy Schmidt • Netflix
Tony Hale, Veep • HBO

Outstanding Writing for a Comedy Series

David Crane and Jeffrey Klarik, Episodes, “Episode 409” • Showtime
Will Forte, The Last Man on Earth, “Alive in Tucson” • Fox
Alec Berg, Silicon Valley, “Two Days of the Condor” • HBO
Jill Soloway, Transparent, “Pilot” • Amazon
Armando Iannucci, Simon Blackwell, and Tony Roche, Veep, “Election Night” • HBO

Outstanding Supporting Actress in a Comedy Series

Niecy Nash, Getting On • HBO
Julie Bowen, Modern Family • ABC
Allison Janney, Mom • CBS
Kate McKinnon, Saturday Night Live • NBC
Mayim Bialik, The Big Bang Theory • CBS
Gaby Hoffman, Transparent • Amazon
Jane Krakowski, Unbreakable Kimmy Schmidt • Netflix
Anna Chlumsky, Veep • HBO

 

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Did JD from Scrubs Have a Dark Past?

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TW: Discussions of child abuse and neglect.

The sitcom Scrubs ran from 2001- 2010 delighting viewers with the escapades of daydreaming Dr ‘JD’ Dorian and his friends. Unlike most TV sitcoms Scrubs perfectly balanced the comedic and the tragic. Being set in a teaching hospital with most of the main cast being doctors; there was plenty of fodder for some truly heart-wrenching storylines.

Like with most sitcoms, if you look under the jolly veneer (and have too much time on your hands) a much darker story emerges. In Scrubs, I would argue, this may be the past of its titular protagonist JD (played by Zach Braff). Some fans (ok, me) speculate that not only did JD have a less than ideal childhood but an abusive one.

Hints of this could be interpretated throughout the series:-

1. Attachment to Dr Cox

 One of the most popular aspects of the series is the oddly touching relationship between mentor and mentee: Dr Cox (John C McGinley) and JD. It’s perfectly normal to admire and want to emulate an older colleague. But JD’s admiration of Dr Cox always seemed to go a step further. JD looked to the older doc as not only a mentor but a father figure. 

JD explicitly states this throughout the series. Most notably in the finale; when during his much sought after hug JD claims Dr Cox smells “like a father figure”. This is odd as Dr Cox is only about 13 years JD’s senior. We know JD’s biological father (played by the late John Ritter) was pretty much absent during JD’s childhood. Is this yearning for a parental figure a way to fix JD’s damaged childhood?

As loathe as I am to criticise a fan favourite but Dr Cox openly mocks and belittles JD, almost never referring to his protégé by name. Instead by a vast archive of disparaging nicknames. The show does establish that there is love and respect om both sides, from Dr Cox deep down (deep, deep down). But why does JD not only put up with as well as seek out this treatment? Very masochistic. Or, has JD been subconsciously taught that taunts and aggression equate to love?

2. Feels Affinity with Dr Cox and Elliot

The show establishes early on that Dr Cox had an abusive homelife as a child. He openly reminisces about his parents being violent alcoholics. Is this the real reason that JD clamours for Dr Cox’s attention? Does JD see Dr Cox as an inspiration of someone who came from a similar background to his and became a well-respected doctor and family man?

Is the same true of JD’s on/off girlfriend, future wife and fellow doctor; Elliot? The show establishes that Elliot’s parents are mentally, emotionally, and financially abusive. Are JD and Elliot drawn to one another (partly) because they are both traumatised by their past? Even when it is proven time and time again that they are not suited.

3. Hostile Relationship with Older Brother

 JD’s older brother Dan (Tom Cavanagh) appears several times in the show. Despite regularly visiting his kid brother, JD makes clear that these visits are not welcomed. JD’s ire is uncharacteristic as he’s shown as an ardent people pleaser throughout the show. Yes, Dan did bully JD throughout their childhood, though it’s unclear whether this was normal sibling rivalry or more.

In Series 3 Episode 5 ‘My Brother, Where Art Thou?’ JD attempts to cut off contact with Dan claiming that Dan never looked out for him. Even as children of divorce why is JD so upset his brother didn’t protect or “come through” for him? In the same scene JD comments about how their mother “married anyone that rang the doorbell”. Reading into this (hey, it’s what we’re here for) did Dan not protect JD from these multiple husbands?

4. Audience Never Actually See JD’s Mother

To me this is the most obvious that something is suspicious about the Dorian matriarch. Despite seeing every other cast members mother (except Dr Cox but its implied that his parents are dead) we never see JD’s. He, at the very least, seems to have a good relationship with his mother. Mostly speaks highly of her and she calls often. It doesn’t follow the trope many sitcoms use; having a character the audience never physically sees being used for comedic effect.

We hear JD’s mum (Barbara) speak in a flashback (Series 3 Episode 21 ‘My Self-Examination’). While Barbara was tucking young JD into bed she was saying some quite toxic things to her child, like how no women will ever be good enough for him. It is clear this scene is supposed to be somewhat creepy as Barbara is stroking the child’s face in an inappropriate manner. Adult JD even refers to his mum as “sexy” in the same episode. Very Freudian but in the light of everything else we are discussing: very disturbing!

5. JD’s Mother Drank

Linked to number 4 JD admits in Series 8 Episode 2 ‘My Last Words’ JD admits his mum “drank a lot”. Does this statement answer some questions about JD’s odd childhood?

6. JD is a People Pleaser

As we have already mentioned JD is a pathological people pleaser (what’s that like?). As a doctor he goes above and beyond for his patients. He does everything from finding patients estranged family members (Series 4 Episode 11 ‘My Unicorn’) to shaving his head in solidarity with a chemo patient (Series 5 Episode 15 ‘My Extra Mile’). Of course this is all very commendable but JD particularly enjoys the gratitude. Why does he need this validation? Is this a coping mechanism from a turbulent background who had to go above and beyond to get the love that should have been unconditional?

7. Extremely Tactile

 Another of JD’s character traits is he extremely tactile. This is of course played up for comedy with his ‘sneak hugs’ (Series 6 Episode 13 ‘My Scrubs’) delivered to the stand-offish Dr Cox or the fact he has his friends on a ‘hugging schedule’ (Series 5 Episode 8 ‘My Big Bird’). Is this someone trying to seek the love and affection he never received in childhood? Or reassure himself that the people he loves won’t disappear?

8. Self-Sabotaging

A common reaction to childhood trauma is self-sabotaging behaviour. In his romantic relationships JD has this in spades. Throughout the run of the show JD has more romantic partners than the rest of cast put together. It is acknowledged that JD goes from relationship to relationship with alarming speed and breaks them off for shallow reasons. Again, he may be trying to seek the love and security he never had in childhood.

JD’s damaged psyche is put on full display when after spending the majority of the series chasing Elliot she finally leaves her loving boyfriend for him. JD immediately decides he doesn’t want her anymore to many fans outrage (Series 3 Episode 20 ‘My Fault’).

9. No Therapy

As well as never actually seeing his mother, we never see JD engaged in any kind of therapy. All of the other characters attend various types of therapy throughout the series. JD does not, despite arguably needing it the most. Is JD perhaps too scared of what therapy might uncover or not want to deal with his trauma head on?

10. Overactive Imagination

During Scrubs entire run (except the final series thou shalt not be named) hinges on JD’s overactive imagination. His outlandish fantasies make for excellent comedy and unique sequiturs to break up the storylines. But what if this was yet another coping mechanism for the hapless leading man? 

Children from challenging background often disappear into elaborate fantasy worlds in order to escape their surroundings. Is this a habit JD could never quite kick? It would explain why he doesn’t seem to have a lot of control of his daydreaming despite being an adult. It is a comfort and a way to deal with the difficult stuff life throws at him.

If any or all of these speculations are true Scrubs goes from being a mere half-hour sitcom to a story of one man’s triumph over his dark past. Despite his flaws and failings JD has still made something of himself and is surrounded by his chosen family; all of whom love him for who he is. This is extremely inspiring.

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‘Mufasa: The Lion King’ Will Leave You Breathless

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“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.

The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.

The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.

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Is ‘Kraven the Hunter’ a Total Letdown?

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“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.

Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.

Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.

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