THE EE RISING STAR AWARD (VOTED FOR BY THE PUBLIC)
Jack O’Connell (WINNER)
Gugu Mbatha-Raw
Margot Robbie
Miles Teller
Shailene Woodley
OUTSTANDING BRITISH FILM
“The Theory of Everything,” James Marsh, Tim Bevan, Eric Fellner, Lisa Bruce, Anthony Mccarten (WINNER)
“’71,” Yann Demange, Angus Lamont, Robin Gutch, Gregory Burke
“The Imitation Game,” Morten Tyldum, Nora Grossman, Ido Ostrowsky, Teddy Schwarzman, Graham Moore
“Paddington,” Paul King, David Heyman
“Pride,” Matthew Warchus, David Livingstone, Stephen Beresford
“Under the Skin,” Jonathan Glazer, James Wilson, Nick Wechsler, Walter Campbell
BEST FILM
“Boyhood,” Richard Linklater, Cathleen Sutherland (WINNER)
“Birdman,” Alejandro G. Inarritu, John Lesher, James W. Skotchdopole
“The Grand Budapest Hotel,” Wes Anderson, Scott Rudin, Steven Rales, Jeremy Dawson
“The Imitation Game,” Nora Grossman, Ido Ostrowsky, Teddy Schwarzman
“The Theory of Everything,” Tim Bevan, Eric Fellner, Lisa Bruce, Anthony Mccarten
LEADING ACTOR
Eddie Redmayne, “The Theory of Everything” (WINNER)
Benedict Cumberbatch, “The Imitation Game”
Jake Gyllenhaal, “Nightcrawler”
Michael Keaton, “Birdman”
Ralph Fiennes, “The Grand Budapest Hotel”
LEADING ACTRESS
Julianne Moore, “Still Alice” (WINNER)
Amy Adams, “Big Eyes”
Felicity Jones, “The Theory of Everything”
Reese Witherspoon, “Wild”
Rosamund Pike, “Gone Girl”
DIRECTOR
“Boyhood,” Richard Linklater (WINNER)
“Birdman,” Alejandro G. Inarritu
“The Grand Budapest Hotel,” Wes Anderson
“The Theory of Everything,” James Marsh
“Whiplash,” Damien Chazelle
SUPPORTING ACTOR
J.K. Simmons, “Whiplash” (WINNER)
Edward Norton, “Birdman”
Ethan Hawke, “Boyhood”
Mark Ruffalo, “Foxcatcher”
Steve Carell, “Foxcatcher”
SUPPORTING ACTRESS
Patricia Arquette, “Boyhood” (WINNER)
Emma Stone, “Birdman”
Imelda Staunton, “Pride”
Keira Knightley, “The Imitation Game”
Rene Russo, “Nightcrawler”
ORIGINAL SCREENPLAY
“The Grand Budapest Hotel,” Wes Anderson (WINNER)
“Birdman,” Alejandro G. Inarritu, Nicolas Giacobone, Alexander Dinelaris Jr, Armando Bo
“Boyhood,” Richard Linklater
“Nightcrawler,” Dan Gilroy
“Whiplash,” Damien Chazelle
CINEMATOGRAPHY
“Birdman,” Emmanuel Lubezki (WINNER)
“The Grand Budapest Hotel,” Robert Yeoman
“Ida,” Lukasz Zal, Ryzsard Lenczewski
“Interstellar,” Hoyte Van Hoytema
“Mr. Turner,” Dick Pope
ANIMATED FILM
“The Lego Movie,” Phil Lord, Christopher Miller (WINNER)
“Big Hero 6,” Don Hall, Chris Williams
“The Boxtrolls,” Anthony Stacchi, Graham Annable
ADAPTED SCREENPLAY
“The Theory of Everything,” Anthony Mccarten (WINNER)
“American Sniper,” Jason Hall
“Gone Girl,” Gillian Flynn
“The Imitation Game,” Graham Moore
“Paddington,” Paul King
OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER
Stephen Beresford (Writer), David Livingstone (Producer), “Pride” (WINNER)
Elaine Constantine (Writer/Director), “Northern Soul”
Gregory Burke (Writer), Yann Demange (Director), “’71”
Hong Khaou (Writer/Director), “Lilting”
Paul Katis (Director/Producer), Andrew De Lotbiniere (Producer), “Kajaki: The True Story”
ORIGINAL MUSIC
“The Grand Budapest Hotel,” Alexandre Desplat (WINNER)
“Birdman,” Antonio Sanchez
“Interstellar,” Hans Zimmer
“The Theory of Everything,” Johann Johannsson
“Under the Skin,” Mica Levi
DOCUMENTARY
“Citizenfour,” Laura Poitras (WINNER)
“20 Feet From Stardom,” Morgan Neville, Caitrin Rogers, Gil Friesen
“20,000 Days on Earth,” Iain Forsyth, Jane Pollard
“Finding Vivian Maier,” John Maloof, Charlie Siskel
“Virunga,” Orlando Von Einsiedel, Joanna Natasegara
FILM NOT IN THE ENGLISH LANGUAGE
“Ida,” Pawel Pawlikowski, Eric Abraham, Piotr Dzieciol, Ewa Puszczynska (WINNER)
“Leviathan,” Andrey Zvyagintsev, Alexander Rodnyansky, Sergey Melkumov
“The Lunchbox,” Ritesh Batra, Arun Rangachari, Anurag Kashyap, Guneet Monga
“Trash,” Stephen Daldry, Tim Bevan, Eric Fellner, Kris Thykier
“Two Days, One Night,” Jean-Pierre Dardenne, Luc Dardenne, Denis Freyd
MAKE UP & HAIR
“The Grand Budapest Hotel,” Frances Hannon (WINNER)
“Guardians of the Galaxy,” Elizabeth Yianni-Georgiou, David White
“Into the Woods,” Peter Swords King, J. Roy Helland
“Mr. Turner,” Christine Blundell, Lesa Warrener
“The Theory of Everything,” Jan Sewell
COSTUME DESIGN
“The Grand Budapest Hotel,” Milena Canonero (WINNER)
“The Imitation Game,” Sammy Sheldon Differ
“Into the Woods,” Colleen Atwood
“Mr. Turner,” Jacqueline Durran
“The Theory of Everything,” Steven Noble
PRODUCTION DESIGN
“The Grand Budapest Hotel,” Adam Stockhausen, Anna Pinnock (WINNER)
“Big Eyes,” Rick Heinrichs, Shane Vieau
“The Imitation Game,” Maria Djurkovic, Tatiana Macdonald
“Interstellar,” Nathan Crowley, Gary Fettis
“Mr. Turner,” Suzie Davies, Charlotte Watts
BRITISH SHORT ANIMATION
“The Bigger Picture,” Chris Hees, Daisy Jacobs, Jennifer Majka (WINNER)
“Monkey Love Experiments,” Ainslie Henderson, Cam Fraser, Will Anderson
“My Dad,” Marcus Armitage
EDITING
“Whiplash,” Tom Cross (WINNER)
“Birdman,” Douglas Crise, Stephen Mirrione
“The Grand Budapest Hotel,” Barney Pilling
“The Imitation Game,” William Goldenberg
“Nightcrawler,” John Gilroy
“The Theory of Everything,” Jinx Godfrey
SOUND
“Whiplash,” Thomas Curley, Ben Wilkins, Craig Mann (WINNER)
“American Sniper,” Walt Martin, John Reitz, Gregg Rudloff, Alan Robert Murray, Bub Asman
“Birdman,” Thomas Varga, Martin Hernandez, Aaron Glascock, Jon Taylor, Frank A. Montaño
“The Grand Budapest Hotel,” Wayne Lemmer, Christopher Scarabosio, Pawel Wdowczak
“The Imitation Game,” John Midgley, Lee Walpole, Stuart Hilliker, Martin Jensen
SPECIAL VISUAL EFFECTS
“Interstellar,” Paul Franklin, Scott Fisher, Andrew Lockley (WINNER)
“Dawn of the Planet of the Apes,” Joe Letteri, Dan Lemmon, Erik Winquist, Daniel Barrett
“Guardians of the Galaxy,” Stephane Ceretti, Paul Corbould, Jonathan Fawkner, Nicolas Aithadi
“The Hobbit: The Battle of the Five Armies,” Joe Letteri, Eric Saindon, David Clayton, R. Christopher White
“X-Men: Days of Future Past,” Richard Stammers, Anders Langlands, Tim Crosbie, Cameron Waldbauer
Streaming
Top Five anime in 2024
As an anime enthusiast and entertainment journalist, I’ve curated a list of the top five must-see anime series of 2024. These selections showcase the diversity and creativity that define the medium, offering compelling narratives and stunning animation.
Delicious in Dungeon
This series combines culinary arts with fantasy adventure, following a group of dungeon explorers who cook and eat the monsters they defeat. The unique premise and mouth-watering depictions of fantasy cuisine make it a standout this year. Kaiju No. 8
Set in a world plagued by kaiju attacks, the story centers on a protagonist who gains the ability to transform into a kaiju himself. The series offers a fresh take on the kaiju genre, blending action with deep character development.
Kaiju No. 8
Set in a world plagued by kaiju attacks, the story centers on a protagonist who gains the ability to transform into a kaiju himself. The series offers a fresh take on the kaiju genre, blending action with deep character development. Solo Leveling
Adapted from the popular web novel, this anime follows a weak hunter who becomes the world’s strongest after a mysterious system grants him unique abilities. Its dynamic animation and gripping storyline have captivated audiences worldwide.
Solo Leveling
Adapted from the popular web novel, this anime follows a weak hunter who becomes the world’s strongest after a mysterious system grants him unique abilities. Its dynamic animation and gripping storyline have captivated audiences worldwide. The Elusive Samurai
Set in feudal Japan, this historical series follows a young samurai who uses his agility and wit to survive in a turbulent era. The anime’s blend of historical context and engaging action sequences has garnered critical acclaim.
The Elusive Samurai
Set in feudal Japan, this historical series follows a young samurai who uses his agility and wit to survive in a turbulent era. The anime’s blend of historical context and engaging action sequences has garnered critical acclaim. Dragon Ball Daima
The latest installment in the iconic Dragon Ball franchise, this series introduces new transformations and challenges for Goku and his friends. Its high-octane battles and nostalgic elements appeal to both longtime fans and newcomers.
Dragon Ball Daima
The latest installment in the iconic Dragon Ball franchise, this series introduces new transformations and challenges for Goku and his friends. Its high-octane battles and nostalgic elements appeal to both longtime fans and newcomers. These anime series exemplify the innovation and storytelling prowess that continue to drive the medium’s global popularity. Whether you’re a seasoned otaku or new to anime, these titles are essential viewing for 2024.
Movie
Mechanic Rocky
“Mechanic Rocky” is a 2024 Indian Telugu-language action comedy film that marks the directorial debut of Ravi Teja Mullapudi, who also penned the script. Produced by Ram Talluri under SRT Entertainments, the film features Vishwak Sen in the titular role, with Meenakshi Chaudhary and Shraddha Srinath as the female leads. The technical crew includes Manojh Reddy Katasani handling cinematography, Anwar Ali in charge of editing, and Jakes Bejoy composing the music.
The narrative centers on Rakesh, affectionately known as Rocky, a cheerful mechanic who operates his family’s auto repair shop. His life takes a tumultuous turn when he becomes entangled with two women, Apsara and Priya, both of whom develop romantic interests in him. Complications escalate as Ranki Reddy, a ruthless land grabber portrayed by Sunil, sets his sights on Rocky’s garage, leading to a series of confrontations that blend action, drama, and elements of comedy.
Vishwak Sen delivers a commendable performance, embodying Rocky with a blend of charm and intensity that resonates well with the audience. Meenakshi Chaudhary and Shraddha Srinath provide solid support, each bringing depth to their respective roles. Sunil’s portrayal of the antagonist adds a compelling layer to the film, enhancing the overall narrative.
The film’s music, composed by Jakes Bejoy, complements the storyline effectively, with tracks like “Gulledu Gulledu” and “Oo Pillo” standing out for their catchy tunes and engaging choreography.
Critically, “Mechanic Rocky” has received mixed reviews. The Times of India describes it as “an underdog tale blending drama, action, and redemption,” highlighting its genre-blending approach. Great Andhra notes that the film “feels like two different films,” with a tedious first half and a more engaging second half. 123telugu.com echoes this sentiment, stating that while the second half is gripping, the first half is dull, ultimately calling it a “decent watch.”
In conclusion, “Mechanic Rocky” offers a blend of action, comedy, and drama, with strong performances and engaging music. However, its uneven pacing and predictable plot developments may detract from the overall experience for some viewers. As an entertainment journalist and Indian cinema enthusiast, I would rate “Mechanic Rocky” a 6 out of 10, acknowledging its strengths while noting areas where it could have delivered more effectively.
Movie
Nosferatu
Rating: 8/10
Director: Robert Eggers
Writer: Robert Eggers
Studio: Focus Features
Cast: Bill Skarsgård (Count Orlok), Lily-Rose Depp (Ellen), Nicholas Hoult (Thomas Hutter)
Robert Eggers’ Nosferatu (2024) is a stunning reimagining of F.W. Murnau’s 1922 silent horror classic, blending a gothic atmosphere with Eggers’ meticulous attention to historical authenticity. The film succeeds in delivering an eerie, slow-burn horror experience that respects its source material while bringing a modern edge to the genre.
Bill Skarsgård shines as the grotesque and unsettling Count Orlok, his performance capturing the monster’s primal terror with chilling intensity. Opposite him, Lily-Rose Depp brings emotional depth to Ellen, combining vulnerability and quiet strength as she navigates Orlok’s dark obsession. Nicholas Hoult’s portrayal of Thomas Hutter adds a grounded, human element to the supernatural narrative, providing a strong counterbalance to the horror.
The film is a visual triumph, with cinematographer Jarin Blaschke’s use of chiaroscuro lighting creating a hauntingly gothic ambiance reminiscent of German Expressionism. Every frame is a masterpiece, enriched by intricate period-accurate production design and costumes. Robin Carolan’s haunting score enhances the foreboding tone, immersing audiences in the shadowy world of 19th-century Europe.
Eggers’ direction is deliberate, favoring atmosphere and tension over jump scares. This methodical approach may challenge viewers seeking more conventional horror pacing but rewards patience with an experience steeped in dread and unease.
However, the film’s stylized nature can create a sense of emotional detachment for some audiences, and its slow pacing may not resonate universally. Despite these minor critiques, Nosferatu stands as a testament to Eggers’ commitment to crafting meaningful, atmospheric cinema.
For fans of gothic horror and classic cinema, Nosferatu is a must-see that revitalizes a seminal narrative with artistry and reverence.