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‘Another Life’: Pass The Psychotropic Condiments Please!

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Reviewed by Alicia Glass

After a mysterious alien artifact lands on earth and all attempts at communication have thus far failed, Captain Niko Breckinridge is tasked with sending the earth spaceship Salvare to discover the point of origin of said artifact!

Normally, everyone would be thrilled to see Starbuck back in action out in space. Except this time, Katee Sackoff is Niko Breckinridge instead of Starbuck, and Niko is rather unpredictable and ruthless. The entire crew of the Salvare seems to live in fear of angering Captain Niko, and apparently with good reason, for when mutiny rears its ugly head in the early days of pre-arrival crisis aboard the ship, Niko responds with merciless, and final, efficiency. She may suffer pangs of guilt after the act, but that doesn’t change the fact that one of her first actions as Captain Niko, was to execute her mutinous second-in-command.

The rest of the crew of the Salvare really doesn’t fare any better, and as they begin to suffer from their Lost in Space –style adventures trying to find the alien artifact homeworld, breakdowns in thinking and order happen and chaos ensues!

It sure doesn’t help that the newly-awoken Cas (Elizabeth Ludlow) was the secret lover of Ian Yerxa (Tyler Hoechlin), the ambitious second who got himself fried in the mutiny attempt by Niko. Or that the ships very own super-sophisticated imprinted AI William (Samuel Anderson) is clearly in love with Captain Niko, and has been in denial about it for some time. The representative of the human government, Sasha Harrison (Jake Abel), ostensibly sent to foster human-whatever relations when they find where the artifact came from, is utterly superfluous and therefore completely useless. Young August, lead engineer of the Salvare, has strange priorities and takes delight in having naked times with shy fellow engineer Oliver (Alex Ozerov) and bold hacker Javier (Alexander Eling), usually at the same time. The crews microbiologist Bernie (A.J. Rivera) has aspirations to be an amateur chef, and doesn’t seem to see anything wrong with including strange newly-found psychotropic plants with the Salvare crews food as a condiment! Zayn Petrossian (JayR Tinaco) is the ships androgynous medic and psychologist, who manages to demonstrate unawares that connection and attraction between persons doesn’t have to be limited to any kind of gender.

Back home on Earth, Niko’s husband Erik Wallace (Justin Chatwin) has been tearing his hair out for months, trying to figure some way of talking to the alien artifact and getting it to respond in some understandable manner. Burdened by his far-too-intelligent daughter Jana (Lina Renna), who’s only interested in when her mother will be coming back to Earth, Erik has to contend with snoopy snarky reporter Harper Glass (Selma Blair) as well, and he’s appropriately beleaguered by all the women in his life. Even after a desperate attempt at alien communication actually works, kind of, Erik is still beset by roadblocks, especially from Egan Harrison (Martin Donovan), Sashas politician father.

The complete lack of discipline evinced by the crew of the Salvare is mildly to be expected, given their never-done-before mission and general humanity in close quarters. But the absurdity that goes on around the freaking alien artifact back on Earth, the severe lack of security and apparent dearth of common sense and decency, combined with the idiocy out in space, make for a poorly-written waste of your TV time. Better pass those psychotropic condiments.

The show has already been confirmed for a Season 2, so here’s hoping the first outing will actually be some lessons learned to carry over!

 

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‘Mufasa: The Lion King’ Will Leave You Breathless

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“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.

The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.

The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.

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Is ‘Kraven the Hunter’ a Total Letdown?

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“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.

Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.

Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.

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A Brief Review and History of A Year Without a Santa Claus

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A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.

The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.

Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.

Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.

The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.

For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.

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