DC movies are generally not reviewed well by me. I have a beef with the reliance on CGI for everything in them. The seemingly Marvel lite dialog in the scripts since they noticed no one wants Superman or the entire Justice League to feel like Christopher Nolan directed their cinematic endeavors.
But, it seems that DC is beginning to turn a corner and right the ship of the DCEU. First with a fantastic Wonder Woman film and now with a grand adventure under the sea in Aquaman.
In all honesty I’ve never liked Jason Momoa’s version of Aquaman. Not necessarily because of him but, because he’s a giant frat boy. It grates after a bit to be frank. I did notice though that he was allowed to be a bit toned down from the version we got in Justice League but, there’s enough yelping and woowhoos to remind me of that iteration.
Maybe, the plan is to reduce this aspect of him as he adjusts more to being Atlantean royalty. All I know is, it needs to progressively wane from his being as it is a part of the reason this movie isn’t higher rated. As far as action is concerned this film has the superhero fighting down to a science. I was never bored or felt like “oh that’s been done before whilst watching events on the battlefield unfold.
The one-on-one fights were choreographed well and the large battles felt chaotic and grand. Amber Heard as Mera is there. Not distracting nor does she really add anything to the proceedings she’s just…there. The love story of Arthur Curry and Mera is integral to the Aquaman mythos but, in this particular script it feels forced and unnatural. Willem Dafoe plays Vulko, Aquaman’s trainer and friend. He’s a good guy but, with that signature smile I just kept waiting for him to turn on our hero.
Dolph Lundgren continues to make his comeback, with yet another appearance in another big movie. First Creed 2 and now Aquaman. He plays Mera’s father and king to one of the underwater kingdoms. Ocean Master/Orm was an OK but, whiny villain. With his “everyone loves my half brother but, I wanna be King” schtick that we’ve seen in many a film. The true all-star of the baddies in this one was Black Manta, played by actor Yahya Abdul-Mateen II. He, rules the screen whenever he’s on it. Bringing an “it’s about to go down!” factor whenever he’s present. It felt like more focus should’ve been placed on him as he has a legitimate beef with the Aquaman.
I absolutely loved how they built the world in this movie as it brought a feel to how large and varied the world Atlantis inhabits is.The film has been called “Underwater Thor” and I feel like it lives up to that nickname through making it feel like a world within the world away from the world of mankind. I really dug that aspect and fully expect them to dive deeper into the other locals and kingdoms going forward.
All in all with the cast holding down the fort whilst Momoa(Aquaman) and Abdul-Mateen II(Black Manta)chewing up scenery and stealing the spotlight I had fun watching Aquaman’s first foray into solo hero work. I loved the world they’re building and hope the franchise and even future Justice League films utilize the varied and plush world they’ve given us. Solid to fantastic action sequences and an awesome Julie Andrews feature Aquaman is my favorite DC film since Christian Bale hung up the pointy ears and cape. I give it 4.25 out of 5.
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‘Mufasa: The Lion King’ Will Leave You Breathless
“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.
The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
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Is ‘Kraven the Hunter’ a Total Letdown?
“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.
Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
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A Brief Review and History of A Year Without a Santa Claus
A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.
The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.
Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.
Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.
The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.
For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.