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Bad Movie of the week: Fantastic Four

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STUDIO: 20th Century Fox

DIRECTOR: Josh Trank

RATING: PG-13 (for sci-fi action violence, and language)

STARRING: Michael B. Jordan, Miles Teller, Kate Mara, Jamie Bell, Toby Kebbell, Tim Blake Nelson, Reg E. Cathey

GENRE: Action, Sci-Fi, Adventure

 

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This week we are going to look at 2015 reboot of the Fantastic Four. Fox Studios, once again proves to be the Meg Griffin of the Marvel movie They put out something as awesome X-Men: First Class and   X-Men: Days of Future Past and then give you Fantastic Four (not to be confused with their two horendously offensive to my nerd senses previous attempts at this franchise). They have their moment and it looks like they’re on to something but then Peter and the rest of the family (Disney in this case) just remind us that Meg (Fox Studios) just isn’t cool enough to take their spotlight. They just seem to not get how this superhero/comic movie thing works on a consistent basis.

 

With the amazing cast in place you’d think anything they threw out would be at least decent. You’d think that, but you would be sadly mistaken. Michael B.Jordan and Miles Teller are two of my favorite actors on the scene today with consistent strong performances in all they do. But the downright dreary and sad attempt at making this film more Dark Knight Return sesque in tone and sensibility is a detriment, not a help to the script and by extension the actors. Yes, there’s darkness in the source material but they seemed to skimp on the more fun aspects of Marvels first family. Ever since Nolan struck gold with his Batman films grittiness everybody’s jumping on the darkness bandwagon. It works for some but not all superheroes need to be depressing versions of their comic book selves with uber tragic back stories. It just drains the fun out of some things and that does not make for a good viewing experience.

 

The build up to the FF getting their powers took over half the movie it felt like. Then once they did we see them already in control after a brief moment of instability. I wouldve taken an 80’s montage of them learning to control their new found abilities. But no such luck. Then of course the villain is rushed in to an introduction with a plan already set in to motion immediately. The problem he presented was squealched in about five minutes by a dysfunctional team that not once used their powers to work together. Plus, Dr. Doom’s powers looked far more powerful than anything the four of them could throw at him. It just didnt make sense.

 

End of the day this reboot is trash. Not because of the actors but because of no real direction with the story,eye rolling continuity issues and (what seemed to be confirmed by Director Josh Trask on Twitter and quickly deleted) studio interference. Fox needs to either give up the ghost on these productions or for the love of God partner full time with Disney on these things as they haven’t missed this wide of the mark ever on a Marvel film. The characters they hold hostage (and the comic loving community) would be better served by an alliance of the two.

 

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‘Mufasa: The Lion King’ Will Leave You Breathless

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“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.

The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.

The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.

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Is ‘Kraven the Hunter’ a Total Letdown?

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“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.

Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.

Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.

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A Brief Review and History of A Year Without a Santa Claus

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A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.

The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.

Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.

Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.

The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.

For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.

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