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Bad movies of the week: After Earth

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MPAA Rating: PG-13 (for sci-fi action violence and some disturbing images)

Runtime: 89min.

Director: M. Night Shyamalan

Studio: Columbia Pictures (Sony)

Genre: Sci-Fi

Stars: Will Smith, Jaden Smith, Sophie Okonedo

 

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This week we look at the 2013 box office bomb After Earth.  Earth has finally been ruined, It’s no longer inhabitable by mankind and we have to move on to the stars. Nova Prime has become our new home world but, a new threat is out to drive us in to extinction. The Rangers are established to fight this new threat and General Cypher Raige is a legend in their ranks. His son wants nothing more than to prove he is a soldier to the Cypher. After crash landing on the now hostile planet Earth where everything has evolved to kill humans he will get his chance.

When I saw this film was directed by the once celebrated and now very much maligned, M. Night Shyamalan I slightly threw up a little in my mouth. Filled with visions of hours wasted on horrible two hour long PSA’s on environmentalism disguised as a horror movie (The Happening) and multiple groan inducing, twist endings I figured there’s no way this movie will be good. It turns out that I was regrettably correct.

The movie is supposed to be an epic sci-fi space adventure about a workaholic father, a son who’s searching for his approval, and their journey to redemption on a post-human planet Earth. What we get is Will Smith trying to continue the push to make his son the next him. Sure, Will is fine most times as Cypher Raige but, as a fearless soldier he is stunted from giving the emotional performance required for this type of story to work. Jaden Smith also has good moments. The problem is, far too often is his dialogue ruined by the contrived accent he tries to add to words. It sounds British or South African, either way it sounds terrible. There was a few times too many Jaden screamed leave me alone for no reason it seemed which after a few instances drew laughter from the crowd which is never a good sign if the movie is not a comedy.

The suit that Jaden’s character, Kitai wears becomes a character in itself as it changes color depending on the situation. This actually helps to convey emotion and add tension to scenes as you see danger coming before the character does. That was one of the few highlights and good ideas used in the film. Zoe Kravitz (daughter of Lenny Kravitz) as the daughter of Cypher and sister to Kitai is pretty good in her limited role. Also, it’s not that long of a film clocking in at 100 minutes which is a good thing. Here’s hoping that After Earth becomes an afterthought in cinema history.

 

 

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‘Mufasa: The Lion King’ Will Leave You Breathless

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“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.

The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.

The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.

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Is ‘Kraven the Hunter’ a Total Letdown?

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“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.

Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.

Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.

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A Brief Review and History of A Year Without a Santa Claus

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A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.

The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.

Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.

Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.

The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.

For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.

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