Release date:April 15, 2016
Studio:New Line Cinema (Warner Bros.), MGM
Director:Malcolm D. Lee
MPAA Rating:PG-13 (for sexual material and language)
Screenwriters:Kenya Barris, Tracy Oliver
Starring:Ice Cube, Cedric the Entertainer, Regina Hall, Anthony Anderson, Eve , JB Smoove, Lamorne Morris, Sean Patrick Thomas, Deon Cole, Common , Nicki Minaj
Genre:Comedy
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It’s time for another cut from the Chicago barbers, and this one has some sharp comedy. In the third installment of the Barbershop franchise, things have not gotten better in Chicago. The film does a nice job of reminding us of the gang violence and police shooting that has plagued the Windy City. Something has to be done to bring peace and justice to their beloved city. But, the makers of Barbershop don’t forget that this is a comedy, and it is a very funny comedy indeed. While they strive to create peace through a successful ceasefire, there is plenty of comedy cutting between the many players of the shop.
Barbershop continues to be an ensemble piece, starring Ice Cube as Calvin who co-owns the shop with his partner, Angie (Regina Hall). Together they run a full service shop in the South Side that caters to quite a crew of funny employees and customers. The heavy lifting of humor doesn’t come from the leads but from the many seasoned pros of standup and movies. Cedric the Entertainer is back with his old man wit, better prepared to cut down one of us friends than cut hair. Anthony Anderson (J.D.) is back as the enterprising mobile caterer. His character is very funny, but I wanted to see more of him. He might have been too busy shooting Black-ish There just isn’t much room in this movie for a comedian to get some time in.
Deon Cole is one of my favorite comedians today, and he is not wasted in this movie. He is known for his odd sense of humor, and it comes out big time in Barbershop. He just doesn’t seem to know when to go home. Barbershop has always been played as the community hangout, putting as many as ten or more jokers in the scene at one time. My only criticism is that the lines fly so fast that you want to rewind to hear them again. Of course, they also use some inside jokes that I’m not meant to understand. I will say the audience had no trouble laughing at the humor, I just wanted subtitles.
Other players worth mentioning include Common as Rashad, Calvin’s friend who challenges Calvin’s feelings about the neighborhood and his family. The Barbershop is a dangerous place to be flirting, so watch out for the seductive Draya (Nicki Minaj).
But, the movie really shines when it takes a hard look at gangs and violence. They don’t pull punches when they talk about their community and how they can bring it together. The problem is bigger than any one barbershop, but it sends a message home to the audience about the meaninglessness violence and hatred that kills too many young people.
Finally, stay around for the end credits. That’s one of the best parts of the film. There’s a fun cameo that you’ll want to see, worth the price of admission. That’s all I have to say about that.
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‘Mufasa: The Lion King’ Will Leave You Breathless
“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.
The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
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Is ‘Kraven the Hunter’ a Total Letdown?
“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.
Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
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A Brief Review and History of A Year Without a Santa Claus
A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.
The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.
Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.
Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.
The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.
For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.