Beyond Fest, the highest-attended genre film festival in the US, is excited to announce its full slate of 2017 programming featuring 32 events and 23 West Coast premieres of cinematic excess. Co-presented by Shudder, Beyond Fest returns to Hollywood’s famed Egyptian Theatre for 12 days of movies, music and mayhem spanning Friday, September 29th – Tuesday, October 10th to generate funds for the nonprofit 501c3 American Cinematheque.
With a diverse slate that includes films from all corners of the globe Beyond Fest is proud to open with BRAWL IN CELL BLOCK 99 with director S.Craig Zahler returning with Vince Vaughn and Udo Kier in person, while closing night honors are bestowed upon Yorgos Lanthimos’ ferociously-twisted follow-up to THE LOBSTER, THE KILLING OF A SACRED DEER. Other hotly-anticipated titles making their debuts include the World Premiere of Justin MacGregor’s BEST F(R)IENDS with Tommy Wiseau and Greg Sestero reunited and in person, Joe Lynch’s blissfully violent MAYHEM, and, courtesy of Amazon Prime Video, a very special theatrical premiere of JEAN-CLAUDE VAN JOHNSON with the Muscles from Brussels himself, Jean-Claude Van Damme, in person with the show’s cast and creators.
“While the two worst manbaby haircuts on the planet prepared for nuclear destruction, we prepped cinematic armageddon,” said Beyond Fest Co-Founder, Christian Parkes. “We’re immigrants and we saw DR. STRANGELOVE – we know how this ends – but at least we get to watch some great films with our heroes and friends and go out with a real bang.”
The most beloved genre films are highlighted with a series of special event screenings throughout the festival. Arnold Schwarzenegger takes center stage for an explosive 30th anniversary one-two punch of PREDATOR and THE RUNNING MAN. The Master, Dario Argento, will be in attendance to celebrate the 40th anniversary of SUSPIRIA with screenings of Synapse Film’s 4K restoration AND the recently unearthed 35mm print. ‘Car Chases, Collisions & Conversation: An Evening with Edgar Wright and Walter Hill’ covers four decades of filmmaking and the interrelated nature of the pulsating smash BABY DRIVER and the seminal THE DRIVER in one epic night. Musical maestro, Paul Williams, will share stories from behind the mask of PHANTOM OF THE PARADISE. Mick Garris and Masters of Horror preside over a reverential tribute to two of the greats – George A. Romero and Tobe Hooper – with a double bill featuring the West Coast premiere of MOMA and FIlm Foundation’s NIGHT OF THE LIVING DEAD 4K digital restoration and TEXAS CHAINSAW MASSACRE. And the theatrical premiere of NAPOLEON DYNAMITE BOOTLEG EDITION pairs a totally gonzo WTF double bill with HOWARD THE DUCK on 70mm with Lea Thompson in person.
Beyond Fest welcomes the return of genre streaming platform Shudder as its co-presenting sponsor, a partnership that provides 14 screenings (11 West Coast premieres) absolutely free to film fans. Every night, the 90-seat ‘Shudder Theatre’ will feature a brand new film selected from across the world including Kiyoshi Kurosawa’s triumphant return BEFORE WE VANISH, home invasion thrill ride BETTER WATCH OUT, the critically acclaimed Canadian zombie shocker LES AFFAMES (THE HUNGRY), Marc Meyers’ searing portrait of a serial-killer-in-the-making, MY FRIEND DAHMER, Alexandre O. Phillippe’s revelatory PSYCHO shower scene doc 78/52, and Ted Geoghegan’s sophomore scalper, MOHAWK.
For Cinematic Void’s sidebar they have enlisted the help of like minds as they venture further into the unknown with a series of special screenings. Author and academic Kier La Janisse will be present for Jean Rollin’s THE GRAPES OF DEATH and the release of the book, Lost Girls: The Phantasmagorical Cinema of Jean Rollin which she is publishing. Friday Night Frights are co-presenting the west coast premiere of the 4K restoration of the thoroughly bugnuts RAWHEAD REX and the Death Waltz Records record release of HELLRAISER on 35mm. And filmmakers Amy Holden Jones and Deborah Brock will be present for a double bill of anniversary screenings of their films SLUMBER PARTY MASSACRE and SLUMBER PARTY MASSACRE II.
Tickets go on sale now See below for the full lineup of Beyond Fest 2017.
EGYPTIAN THEATRE
BABY DRIVER
Director: Edgar Wright
Country: USA
Runtime: 102 min.
Year: 2017
GUESTS: Edgar Wright & Walter Hill in Person
BAD BLACK (free screening)
West Coast Premiere
Director: Isaac Nawibana
Country: Uganda
Runtime: 60 minutes / Year: 2016
BATMAN: MASK OF THE PHANTASM
Directors: Bruce Timm, Eric Radomski
Country: USA
Runtime: 76 min.
Year: 1993
GUESTS: Andrea Romano plus voice actors TBA in Person
EGYPTIAN THEATRE- Continued
BEST F(R)IENDS
World Premiere
Director: Justin MacGregor
Country: USA
Runtime: 95 min.
Year: 2017
GUESTS: Tommy Wiseau, Greg Sestero and Justin Macgregor in Person
BRAWL IN CELL BLOCK 99
West Coast Premiere
Director: S. Craig Zahler
Country: USA
Runtime: 132 min.
Year: 2017
GUESTS: S. Craig Zahler, Vince Vaughn and Udo Kier in Person
DOUBLE IMPACT
Director: Sheldon Lettich
Country: USA
Runtime: 110 min.
Year: 1991 / 35mm
GUEST: Jean-Claude Van Damme and Sheldon Lettich in Person
THE DRIVER
Director: Walter Hill
Country: USA
Runtime: 90 min.
Year: 1978 / 35mm
GUESTS: Edgar Wright & Walter Hill in Person
HELLRAISER
Co-presented with Death Waltz Records + Friday Night Frights
Director: Clive Barker
Country: USA
Runtime: 94 min.
Year: 1987 / 35mm
ICHI THE KILLER – Digital Restoration
West Coast Premiere
Director: Takashi Miike
Country: Japan
Runtime: 129 min.
Year: 2001
EGYPTIAN THEATRE- Continued
HOWARD THE DUCK – 70mm
Director: Willard Huyck
Country: USA
Runtime: 110 min.
Year: 1986
GUESTS: Lea Thompson in Person
JEAN-CLAUDE VAN JOHNSON – Episodes 1 & 2
Presented by Amazon
World Premiere
Director: Peter Atencio
Country: USA
Runtime: 60 min.
Year: 2016
GUESTS: Jean-Claude Van Damme, Peter Atencio, Dave Callaham, Kat Foster, Moises Arias.
THE KILLING OF A SACRED DEER
West Coast Premiere
Director: Yorgos Lanthimos
Country: UK, Ireland
Runtime: 109 min.
Year: 2017
MAYHEM
West Coast Premiere
Director: Joe Lynch
Country: USA
Runtime: 86 min.
Year: 2017
GUESTS: Joe Lynch and cast in person
NAPOLEON DYNAMITE – THE BOOTLEGGED EDITION
Theatrical Premiere
Director: Jared Hess
Country: USA
Runtime: 96 min.
Year: 2004
GUESTS: Cast and crew in person
NIGHT OF THE LIVING DEAD – 4K Restoration
West Coast Premiere
Director: George A. Romero
Country: USA
Runtime: 96 min.
Year: 1968
GUESTS: Mick Garris & Masters of Horror in Person
EGYPTIAN THEATRE- Continued
OPERA (aka TERROR AT THE OPERA)
Director: Dario Argento
Country: Italy
Runtime: 100 min.
Year: 1987
GUESTS: Dario Argento in Person
PHANTOM OF THE PARADISE
Co presented with Creature Features
Director: Brian De Palma
Country: USA
Runtime: 92 min.
Year: 1974
GUESTS: Paul Williams in Person
PREDATOR
Director: John McTiernan
Country: USA
Runtime: 107 min.
Year: 1987 / 35mm
GUESTS: Arnold Schwarzenegger in Person
RAWHEAD REX 4K Restoration
Co presented with Cinematic Void and Friday Night Frights
West Coast Premiere
Director: George Pavlou
Country: USA
Runtime: 89 min.
Year: 1986
THE ROOM
Director: Tommy Wiseau
Country: USA
Runtime: 99 min.
Year: 2003
GUESTS: Tommy Wiseau, Greg Sestero and Guests in Person
THE RUNNING MAN
Director: Paul Michael Glaser
Country: USA
Runtime: 101 min.
Year: 1987 / 35mm
GUESTS: Arnold Schwarzenegger in Person
EGYPTIAN THEATRE- Continued
SUSPIRIA – 4K Restoration
LA Premiere
Director: Dario Argento
Country: Italy
Runtime: 100 min.
Year: 1977
GUESTS: Dario Argento, Udo Kier, Barbara Magnolfi in Person
SUSPIRIA – 35mm Italian Cut
LA Premiere
Director: Dario Argento
Country: Italy
Runtime: 98 min.
Year: 1977
GUESTS: Dario Argento and Barbara Magnolfi in Person
THE TEXAS CHAINSAW MASSACRE
Director: Tobe Hooper
Country: USA
Runtime: 83 min.
Year: 1974
35mm
GUESTS: Mick Garris & Masters of Horror in Person
SHUDDER THEATRE
78/52 (Free Screening)
West Coast Premiere
Director: Alexandre O. Philippe
Country: USA
Runtime: 91 min.
Year: 2017
BEFORE WE VANISH (Free Screening)
West Coast Premiere
Director: Kiyoshi Kurosawa
Country: Japan
Runtime: 129 min.
Year: 2017
BETTER WATCH OUT (Free Screening)
West Coast Premiere
Director: Chris Peckover
Country: Australia, USA
Runtime: 85 min.
Year: 2016
SHUDDER THEATRE – Continued
COLD HELL (Free Screening)
West Coast Premiere
Director: Stefan Ruzowitzky
Country: Austria
Runtime: 92 min.
Year: 2017
THE GRAPES OF DEATH AKA Les Raisins de La Mort (Free Screening)
Director: Jean Rollin
Country: France
Runtime: 90 min.
Year: 1978
HAUNTERS: THE ART OF THE SCARE (Free Screening)
West Coast Premiere
Director: Jon Schnitzer
Country: USA
Runtime: 88 min.
Year: 2017
JAILBREAK (Free Screening)
West Coast Premiere
Director: Jimmy Henderson
Country: Cambodia
Runtime: 92 min.
Year: 2017
LES AFFAMES (Free Screening)
West Coast Premiere
Director: Robin Aubert
Country: Canada
Runtime: 100 min.
Year: 2017
MOHAWK (Free Screening)
West Coast Premiere
Director: Ted Geoghegan
Country: USA
Runtime: 91 min.
Year: 2017
MY FRIEND DAHMER (Free Screening)
West Coast Premiere
Director: Marc Meyers
Country: USA
Runtime: 107 min.
Year: 2017
SHUDDER THEATRE – Continued
REVENGE (Free Screening)
West Coast Premiere
Director: Coralie Fargeat
Country: France
Runtime: 108 min
Year: 2017
SEQUENCE BREAK (Free Screening)
West Coast Premiere
Director: Graham Skipper
Country: USA
Runtime: 108 min
Year: 2017
GUESTS: Graham Skipper, Cast and Crew in Person
THE SLUMBER PARTY MASSACRE (Free Screening)
Co-presented by Etheria and Cinematic Void
Director: Amy Holden Jones
Country: USA
Runtime: 77 min.
Year: 1982
GUESTS: Amy Holden Jones in Person
Double Feature with SLUMBER PARTY MASSACRE II
THE SLUMBER PARTY MASSACRE II
Co-presented by Etheria and Cinematic Void
Director: Deborah Brock
Country: USA
Runtime: 77 min.
Year: 1987
GUESTS: Deborah Brock in Person
Double Feature with SLUMBER PARTY MASSACRE
Review By: Raja V. Deva
Genre: Political Action Thriller
Runtime: Approximately 165 minutes
Director: S. Shankar
Writer: Story by Karthik Subbaraj; Screenplay by S. Shankar, Vivek, and Venkatesan
Cast: Ram Charan, Kiara Advani, Anjali, S. J. Suryah, Srikanth, Sunil, Jayaram, Samuthirakani
Music Composer: Thaman S
“Game Changer” marks S. Shankar’s foray into Telugu cinema with a political action thriller designed to be grand in scale and ambition. The film features Ram Charan in dual roles: Appanna, a shrewd political leader, and his son, Ram Nandan, an upright IAS officer determined to clean up a corrupt system. However, despite the actor’s valiant efforts, the story doesn’t fully work with Ram Charan in the lead.
Originally conceptualized for another actor, the film’s narrative feels like it was tailored for someone with real-life political aspirations. While Ram Charan brings his star power and intensity to the roles, the weighty political undertones and the narrative’s structure don’t align well with his on-screen persona. His dual performance showcases his range, but the emotional depth and conviction required to anchor such a politically charged film seem misaligned with his strengths.
The supporting cast provides decent performances, with Kiara Advani and Anjali making their presence felt, though their characters lack depth. S. J. Suryah stands out as a formidable antagonist, adding gravitas to the film. Thaman S’s background score enhances the mood, though the songs occasionally disrupt the flow of the narrative.
Visually, the film boasts stunning production values and large-scale set pieces, typical of Shankar’s style. However, even the grandeur and intricate action sequences can’t mask the disjointed storytelling. The screenplay struggles to balance its political commentary with its action-oriented approach, leaving neither element fully realized.
Ultimately, “Game Changer” feels like a project that missed its mark. The story might resonate with audiences interested in political drama or those with a penchant for larger-than-life narratives, but it doesn’t do justice to Ram Charan’s abilities or his established image.
Rating: 6/10
For fans of Ram Charan or political thrillers, it might be worth a watch, but “Game Changer” feels like an opportunity lost to deliver a truly compelling cinematic experience.
No Spoilers
“Apathy is the solution. I mean, it’s easier to lose yourself in drugs than it is to cope with life. It’s easier to steal what you want than it is to earn it. It’s easier to beat a child than it is to raise it. Hell, love costs: it takes effort and work.”
It may come as a shock to many but director David Fincher’s seminal thriller: Seven turns 30 years old this year. Released in 1995 (the math is math-ing) it was the first film Fincher and 90’s heart throb Brad Pitt worked together. It was the film that proved Fincher’s directorial prowess as well as proving Pitt wasn’t just a pretty face but an actor to be lauded. Seven’s neo-noir style was fresh; wonderfully eerie, and befitting the gruesome tone.
I was way too young to see the debut of Seven and admittedly I knew most of the twists through cultural osmosis but I still wanted to see this juggernaut of a murder mystery on the big screen for its anniversary cinematic re-release.
Initially Denzel Washington was tapped to star. Fincher recently admitted that Washington did not like the script which had to be rewritten 10 or 11 times to suit the actor (Fincher, 2025). Despite these reviews Washington ultimately turned down the role but Washington’s loss was Morgan Freeman’s (and our!) gain.
Freeman plays Detective Lt William Somerset who is 7 days away from retirement. Unsurprisingly the number 7 also plays a big role in the film. For his last assignment Somerset is given the case of killer who is artfully killing their victims using the guise of the 7 (see!) Deadly Sins.
Beginning with the sin of ‘Gluttony’ the killer forced a morbidly obese man to literally eat himself to death at gunpoint. This is where we enter the movie and it only gets more disturbing from here!
Brad Pitt’s character; Detective David Mills is new to this unnamed gloomy city accompanied by his wife (Gwyneth Paltrow). The city seems to be its own biosphere where it rains constantly. Not only does this add a sense of foreboding but it could also be a nod to the biblical flood, punishing the characters for their supposed sins. Seven has many religious undertones.
Detective Mills is assigned to the case with Somerset whom he has to remind that despite his youthful appearance, Mills is no ‘rookie’ and has worked on many disturbing cases.
As the sins are counted off the killers methods become more and more sadistic. This leads to a climax that even today, thirty years later, is still shocking and widely quoted.
Seven is a classic due to its many components working together seamlessly. The artful direction, the moody set design, and the atmospheric score composed by Howard Shore, who also scored The Silence of the Lambs. It is amazing to experience the score with cinematic surround sound, particularly the groundbreaking opening credits punctuated by Nine Inch Nails song ‘Closer’.
The two leads are predictably fantastic but the relatively small cast all give memorable performance. R. Lee Ermey (Full Metal Jacket) brings his authoritative charm to the grizzled police captain. John C McGinley (Platoon) gives his usual energetic performance heading the movies SWAT team as ‘California’ (unclear whether this is a code name or his actual name). Interestingly Fincher sourced McGinley’s talent for adlibbing as most of his scenes are adlibbed.
In one of the most iconic scenes in the film and arguably one of the most famous jump scares in cinematic history. The actors (including Freeman, McGinley, and Pitt) were not told to expect this particular scare. So the reactions of the characters are the genuine reactions of the actors. See if you can spot which scene!
Some may be tempted to dismiss Seven as just another popcorn thriller but, for me, there are several lines that are so well written they stay with you. In one scene an unnamed doctor is speaking about the death of a character; “He’s experienced about as much pain and suffering as anyone I’ve encountered, give or take, and he still has hell to look forward to.” This line is powerful on many levels as it is said with the casualness and dark humour of a doctor who is numbed to treating the evils of this world. It perfectly encapsulates the dark inevitability of the film.
It is clear why Seven is considered a classic. For any millennials (such as myself) or Gen Z’s or indeed anyone who wants to relive the creeping tension, I highly recommend catching it on the big screen!
Directed by: Kishore Kumar Pardasani
Written by: Siva
Studio: North Star Entertainment
Runtime: 149 minutes
Genre: Action, Drama
Cast:
Pawan Kalyan as Katamarayudu
Shruti Haasan as Avanthika
Siva Balaji as Katamarayudu’s younger brother
Ajay, Kamal Kamaraju, Chaitanya Krishna in supporting roles
Katamarayudu is a Telugu-language remake of the Tamil film Veeram. This movie blends family drama with high-octane action sequences, delivering a narrative that is quintessentially rooted in southern Indian cinema’s flair for heroism and larger-than-life characters.
The story revolves around Katamarayudu, a righteous and fiercely protective elder brother who has dedicated his life to looking after his younger siblings. Known for his aversion to marriage, his life takes a turn when Avanthika, a poised and graceful woman, enters his life. The movie skillfully combines lighthearted romance, brotherly camaraderie, and intense action sequences, creating an engaging watch for the masses.
Kishore Kumar Pardasani delivers a visually grand spectacle while staying true to the essence of its Tamil original. While the screenplay lacks novelty, it compensates with fast-paced action and emotional beats. The dialogues, although simple, hit the right chords when it comes to showcasing family bonds and love.
Pawan Kalyan is the heart of the film. His screen presence and charismatic portrayal of Katamarayudu dominate every frame. Shruti Haasan offers a refreshing on-screen presence, and her chemistry with Pawan Kalyan adds charm to the narrative. The supporting cast, especially the actors playing the brothers, do justice to their roles, adding depth to the storyline.
The film boasts meticulously choreographed fight scenes, which are a visual treat for action lovers. Anup Rubens’ background score and songs elevate the emotional and action-packed moments. His mass appeal and command over action and emotion anchor the movie effectively.
The film adheres to a conventional template, leaving little room for surprises. At 149 minutes, the film feels stretched, especially in the second half.
Katamarayudu is a feast for fans of Pawan Kalyan and action-packed family dramas. It carries the essence of mass entertainment but doesn’t break new ground. While it caters to the sensibilities of Telugu cinema audiences, others might find its predictability a drawback.
Rating: 8/10 Fans of Pawan Kalyan and high-energy action films will undoubtedly enjoy this one, but those looking for a novel story might find it wanting.
Review: Game Changer
Seven Re-Review
Movie Review: Katamarayudu
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