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Big Mouth Season 2 – Things Continue To Get Weird

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I caught up on season one of Netflix’s Big Mouth a few weeks ago and now that I have seen the first seven episodes of season two I can honestly say that you are getting more of what you got in season one, for better and for worse.

This animated show about children going through puberty gets weird in some of the best ways but also in some not so great ways. Season two continues to have some brilliant moments of relating the experience of growing up via crude animation and dick jokes. This season introduces some new elements and characters that continue to capture the adolescent experience.

The “Shame Wizard” in particular really captures that intense feeling of self-hatred one only experiences during their most formative years. Our personal shame wizard may not be voiced by the amazing David Thewlis, but we have all had one whisper in our ear from time to time. The show is really at the best in these moments where it not just being funny but truly trying to say something. There is a segment of a contraception reality show that depicts all of a females options for protected sex better than any health class video or PSA I have ever seen.

Unfortunately, for every spa disco about body positivity there is a decision that feels out of place if not outright wrong headed. The rules of the universe seem to be broken at the drop of a hat for the sake of a joke. It is never really explained who can see the puberty monsters at what times or if they can actually affect the world around them. This may seem small, but it’s important to know what on screen is actually affecting the story overall in order to establish stakes in the plot. Also their are some decisions made this season in regards to Coach Steve’s character that I found kind of upsetting.

Coach Steve has always been my least favorite part of the show. His character seems to only be there for so he can be the punchline of a bunch of “Look! Isn’t it funny this grown man doesn’t know what sex is?” jokes. The problem here is that they depict Coach Steve in such a way that he seems to be towing the line between developmentally delayed and developmentally disabled.

Put into this context, his scenes feel distinctly mean spirited in a “punching down” kind of way. Not to go too much into it, but this season goes the extra mile by having Coach Steve lose his virginity while still being disturbingly confused on the concept of sex. A character later jokes “I think whoever had sex with you committed a crime”. The joke here being that Coach Steve is so ignorant of sex and everything the act implies, that he can not truly give consent for the act of sex. The disturbing thing about this line of dialogue is that it doesn’t really come off as a joke but more just a statement of fact. So even the show seems to recognize this is weird and decides to play it off as a joke. I realize that comedy is about pushing boundaries but scenes like these just feels wrong and tonally inconsistent with the rest of the show.

In summary, Big Mouth still seems to be trying to find it’s voice in season two. I hope it finds it season three because this show has some real potential. With the right shift in focus, it could rise to the likes of South Park or BoJack Horseman. But it is not there yet.

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‘Mufasa: The Lion King’ Will Leave You Breathless

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“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.

The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.

The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.

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Is ‘Kraven the Hunter’ a Total Letdown?

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“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.

Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.

Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.

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A Brief Review and History of A Year Without a Santa Claus

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A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.

The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.

Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.

Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.

The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.

For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.

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