I remember the days of my youth when I was a growing adolescent and teenager. I remember the slow diligent process of growing facial hair, noticing more and more women, and the difference from my lovely falsetto voice into a more baritone/bass volume. I remember those days with good moments and I also loathe those days.
I hated my voice cracking, being sweaty, and the changes to my body that I learned in health classes. It is a tough time for young people to start their process of going through puberty and in the show Big Mouth, Nick Kroll and his team encapsulate some of the funny and weird issues that plague many when it happens.
The show features four friends starting puberty and along the way, deal with school drama, puberty monsters and lots of other issues. The show is starting season three pretty soon, so, is the show really worth your time and attention? We’ll review the characters, the story, and the humor of the show of season 1. Is this show up your alley or should it go back behind closed doors in shame. Let’s review season one of Big Mouth.
The show features the four main characters of Nick, Andrew, Jessi, and Jay. Each one of them are quite unique and offer different kind of a character dynamic to the show. Nick (voiced by Nick Kroll) is the short kid who has way too open parents and is a late bloomer when it comes to puberty.
Andrew (voiced by John Mulaney) experiences puberty and is having a hard time controlling his desires and needs. Jessi (voiced by Jessi Klein) is a down to earth female who is is slowly experiencing womanhood but with not many women friends, has to try and figure it out usually by herself. Jason (voiced by Jason Mantzoukas) is a kid who is all over the place with his sexuality, his love of magic and his kinks of couchs and pillows. These characters are all unique and go through puberty and deal with their hormone monsters in different ways. Andrew becomes a chronic masturbator and has the need to express himself sexually and desires sex, even though he hasn’t had it.
Nick is more innocent, a late bloomer whose hormones aren’t taking over and thus remains a blank slate on how hormones and puberty has affected everyone. Jessi really has a 180 with her hormones. She is likable, but with becoming a woman, a growing divorce of her parents and the mom finding a new lover, she becomes a very jaded emo who is just trying to maintain some sense of understanding. Jay just goes further down the rabbit hole on what he can hump and explore.
Besides humping a pillow and couch ottomans, his older brothers are just disgusting and their bad influences have definitely rubbed off on him. All the kids are very likable. You have a good laugh sometimes at their expense mostly because we can relate to them and remember, in our own childhood that we have been there before even if we try to deny it.
The story revolves around the four main characters with learning about puberty and their growing sexual desires and needs, such as finding themselves and Jessi having her time of the month. Without giving away spoilers or specific episodes, the story explores all the adolescent misunderstandings and discoveries of finding out who you are in growing up into a man or woman.
We meet the hormone/puberty monsters and Andrews’ monster is so out there and hilarious because they don’t have subtlety. He turns Andrew, who was a shy nerdy kid, into a young man who is constantly wanting sex and human contact just to relieve himself. The monsters forgo decency and just give their humans the worst advice on how to handle their urges. As the season continues, we delve more and more into the kids learning new lessons and trying to somehow not lose themselves while changing so much with puberty. Showing the need to return to their own innocence and just be good friends before all of the hormones start having their personalities and their attitudes change whether for the good or the bad.
The humor is definitely in your face. It is gut busting as well as cringe worthy. There are some moments when Nick and Andrew talk that are hilarious based on the immaturity, the naivety, and also just smart dialogue. Some of the uncomfortable humor does involve those characters too but mostly involves Jay and Jessi. Jay is just a dog and some of his humor is just absurd and so out there.
It is hard to figure out if it is really funny or are you laughing because you’re uncomfortable. Jessi’s descent into puberty offers some weird humor that made me as a man, feel uneasy, but that can just be me. Some of the comedy has been hit or miss at times. The overall feeling is that it’s in good fun and it does have a lot going on. The immature mind enjoying it a lot and the mature side also finding some of the jokes indeed laughable.
Overall, season one is a lot of fun. The main characters have their quirks and their own sense of humor and comedy. The ensemble characters like coach Steve and the monsters are greatly needed in making the show flow with lots of jokes and face palming expressions. I’m glad I did watch the show and I look forward to seeing season 2 and what craziness will take place.
Movie
Is ‘Kraven the Hunter’ a Total Letdown?
“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.
Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
Movie
A Brief Review and History of A Year Without a Santa Claus
A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.
The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.
Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.
Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.
The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.
For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.
Streaming
Review: Pushpa: The Rise (2021)
Director: Sukumar
Cast: Allu Arjun, Rashmika Mandanna, Fahadh Faasil
Genre: Action, Drama
Rating: 4.5/5
Pushpa: The Rise is a raw, adrenaline-fueled ride that showcases the underbelly of the red sandalwood smuggling trade in Andhra Pradesh. Directed by Sukumar, this movie brilliantly blends high-octane action with emotionally driven storytelling, making it a must-watch for fans of Telugu cinema and action dramas.
The narrative follows Pushpa Raj (Allu Arjun), a laborer in the red sandalwood trade, as he climbs the ranks to become a powerful figure. Born into poverty and scorned for his illegitimacy, Pushpa’s journey is marked by grit, ambition, and a fierce sense of self-respect. The film deftly balances the action-packed rise of Pushpa with moments of vulnerability, particularly in his tumultuous romance with Srivalli (Rashmika Mandanna).
The antagonist, Bhanwar Singh Shekhawat (Fahadh Faasil), is introduced towards the film’s end, setting the stage for a gripping sequel. The climactic confrontation between Pushpa and Shekhawat is a masterclass in tension-building, leaving viewers eagerly awaiting Pushpa: The Rule.
Allu Arjun: This is Allu Arjun’s film through and through. His transformation into Pushpa is a revelation, from his rugged look to his unapologetic demeanor. His mannerisms, including the now-iconic shoulder rub and dialogue delivery, make Pushpa an unforgettable character.
Rashmika Mandanna: While her role as Srivalli adds emotional depth to the story, it feels slightly underutilized. However, her chemistry with Allu Arjun is undeniable.
Fahadh Faasil: Despite limited screen time, Fahadh delivers a chilling performance as the cold and calculating Shekhawat. His presence promises an explosive conflict in the sequel.
Sukumar’s direction is stellar, balancing mass appeal with nuanced storytelling. The screenplay maintains a brisk pace, seamlessly weaving action sequences with character development. The film’s raw and grounded tone is a departure from the glossy feel of many mainstream Telugu films, adding authenticity to the story.
Mirosław Kuba Brożek’s cinematography is stunning, capturing the lush forests of Andhra Pradesh and the gritty world of the red sandalwood trade.
Devi Sri Prasad’s music is another highlight. Tracks like “Srivalli” and “Oo Antava” became cultural phenomena, while the background score enhanced the film’s intensity.
Action Sequences: The action choreography is visceral and hard-hitting, perfectly complementing the film’s tone.
The film explores themes of ambition, class struggle, and self-respect. Pushpa’s refusal to bow down to societal norms resonates deeply, making him a relatable anti-hero. The story also critiques the systemic exploitation of laborers, adding a layer of social commentary.
Pushpa: The Rise is an exemplary action-drama that redefines the Telugu film industry’s global appeal. With a magnetic performance by Allu Arjun, stellar direction by Sukumar, and unforgettable music, it stands out as one of the best films of 2021. While it occasionally falters with some underdeveloped subplots, the overall experience is nothing short of spectacular.
4.5/5 Pushpa: The Rise is a cinematic feast that deserves its cult status. Whether you’re a fan of Telugu action films or a newcomer, this film is a must-watch. Its cliffhanger ending ensures that Pushpa: The Rule will be even bigger and better.