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Better Late Than Never: Big Mouth Season Two Spoiler-Free Review

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Big Mouth season two is something that I didn’t expect to enjoy more than season one, but it succeeded. Whether it was being adaptive to the humor to make it less shocking or the delving of characters to make us understand them and wish for them to be happy. Season 2 of this show takes us on a huge roller coaster ride and it does not hold back on the recurring issues of puberty and hormones.

It also introduces us to the shame wizard as a new threat to Maurice and Connie (the monsters) as their influence will counteract with him, who’s only purpose is to impose self conscious thinking and doubt on the kids and make them feel ashamed and insecure about their feelings. We learn more about the kids as the season continues and toward the last half, things really get kind of crazy and can lead up to some nice future tie in episodes in season three. In a spoiler free review, we will talk about the introduction of new characters, the growth of some of the main characters and the lore of the monster verse that does get explored later on in the last couple of episodes.

Season one ended with Jay and Jessi starting some sort of relationship and running away, which ultimately leads to nowhere. Andrew and Maurice are still becoming corrupted by the hormones and Nick finally got his monster, who is ancient and the same monster that Coach Steve has, which does not bode well for Nick at all. The second season continues to delve into the characters continuing to learn more about their sexuality.

Exploring it either by kissing with their fronts or as one character does, hump a stuffed animal. It is only when we meet the new character, The Shame Wizard, who gives characters the uneasy and ashamed feelings about how they are acting and the even borderline feelings of depression that plagues them, when interacting with their fellow students. I like the introduction of him because in the first season, it seems like even though all of the kids were going through puberty, they were subtle about it and they didn’t show any kind of emotional attachments or understanding.

With the Shame Wizard around, he whispers to all the characters and gives them self-conscious thoughts, almost makes them shun sex and be introverted, not expressing their raging hormones. It is a nice addition because the monsters cannot do anything to the Shame Wizard at all and even though they try to outsmart him, it never succeeds. Adding him, makes it easy to not subtract any of the extra characters that take up this universe.

The main four characters have some roller coasters of emotions going on. Nick, starts learning about his monsters (plural but not really a spoiler) and is trying to figure out why they would give him some awkward and unnatural advice. Andrew just continues going down the rabbit hole into depravity and sexual awkwardness, shunning himself away from the girl he likes and even his close friends.

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Jay has continued to embrace his sexuality and goes full force into loving it without any hesitation with inanimate objects or people. Jessi is a sad case, still dealing with the fallout from last season with her parents drifting apart and like many teenagers, lashes out in anger because she wants to fix it and cannot. She has the biggest drop in emotions which leads to a new character being introduced only for her sanity. Keeping the spoilers away, I will not reveal it mostly because I’m not sure if it’ll come back in season 3 and turn into a plot device for her character arch.

Toward the end of season 2, we see the monster world of emotions and hormones. Every monster has a place they reside at and an office building, where they work. It’s a nice Monsters Inc. kind of place where the everyday emotion-monsters go about their usual routine, talking about their human clients and discussing progress and other issues. I love this concept and I hope that they’ll go back to it, having the humans travel to the monster world possibly creating some major issues and situations that cannot be solved in the human world.

Season 2 took all the awkward elements of season 1 and continued to add more and more, making it something special. It still has the cringe humor with Coach Steve and maybe some weirdness coming from some of the kids and their hormones, but it’s nothing that we cannot relate to. With the addition of some new characters, a new monster world and the continuing story arcs of the four main kids and their emotional ups and downs, it does make it addicting. A coming of age story that just happens to be rated MA. I enjoyed season 2, season 3 should be quite fascinating when it comes out.

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Hanuman – A Visual Spectacle and a Mythological Triumph

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Indian cinema has long been known for its ability to weave myth, culture, and grandeur into powerful storytelling. The latest addition to this tradition, Hanuman, directed by Prasanth Varma, is an ambitious retelling of one of India’s most beloved mythological characters. A cinematic marvel, Hanuman is a bold attempt to blend ancient epic with modern storytelling techniques, creating an experience that resonates with audiences of all ages.

At its core, Hanuman reimagines the tale of Lord Hanuman, the divine devotee of Lord Rama, known for his strength, loyalty, and courage. The movie isn’t just a retelling of traditional episodes from the Ramayana; it infuses these timeless stories with fresh perspectives, exploring themes of duty, faith, and the triumph of good over evil. While the script takes creative liberties, it stays rooted in the cultural and spiritual essence of Hanuman, making it both an engaging narrative and a respectful homage.

One of the standout features of Hanuman is its visual grandeur. The VFX team has outdone themselves, creating breathtaking battle sequences, celestial landscapes, and larger-than-life depictions of Hanuman’s legendary feats. The use of cutting-edge technology elevates the storytelling, offering audiences a visual feast that rivals global fantasy epics. The cinematography, led by seasoned artist Dasaradhi Sivendra, captures the mythological tone beautifully, blending vibrant palettes with the dark hues of conflict and sacrifice.

Teja Sajja, in the titular role, delivers a performance that is both commanding and heartfelt. His portrayal of Hanuman captures the character’s divine strength and endearing humility, making him an ideal hero. Supporting performances by Amritha Aiyer, Varalaxmi Sarathkumar, and Vinay Rai add depth to the narrative, bringing a spectrum of emotions to the screen.

Director Prasanth Varma deserves applause for his vision and execution. Tackling a subject as revered as Hanuman could have easily resulted in a cautious or overindulgent approach. Instead, Varma strikes a balance, creating a story that is both reverent and relatable. The screenplay moves at a brisk pace, though some moments, particularly the expository sequences, could have benefited from tighter editing.

The film’s music, composed by Gowrahari, Anudeep Dev, and Krishna Saurabh, is an emotional anchor, blending traditional Indian sounds with a modern orchestral touch. The background score heightens the drama and spirituality, particularly during pivotal moments like the crossing of the ocean and the climactic battle sequences.

Hanuman is a cinematic achievement that successfully reimagines a beloved figure for modern audiences. While it occasionally stumbles in pacing and exposition, these are minor flaws in an otherwise spectacular production. For fans of mythology, fantasy, and visually stunning cinema, Hanuman is a must-watch. It is a testament to Indian cinema’s ability to merge tradition and innovation, reminding us why stories of gods and heroes continue to inspire across generations.

Rating: 4.5/5

This film not only celebrates the timeless tale of Hanuman but also sets a new benchmark for mythological storytelling in Indian cinema.

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Indian movie review at adipush

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Genre: Action, Adventure, Drama
Duration: 179 minutes
Director: Om Raut
Writer: Om Raut
Stars: Prabhas, Saif Ali Khan, Kriti Sanon, Sunny Singh

Rating: ★★☆☆☆ (2/5)



Netflix’s Adipurush aims to reimagine the Indian epic Ramayana in a modern cinematic style, delivering a tale of righteousness, devotion, and the eternal conflict between good and evil. Helmed by Om Raut, the film follows Raghava (Prabhas) as he embarks on a journey to rescue his wife Janaki (Kriti Sanon) from the clutches of the demon king Lankesh (Saif Ali Khan). With a narrative that spans vast landscapes and incorporates mythological grandeur, the film had immense potential but falters in its execution.

While the premise remains faithful to its legendary source, the execution feels lackluster. The screenplay struggles to balance a modern audience’s expectations with the gravitas of its traditional essence. The dialogues, often stilted, fail to evoke the emotional depth and poetic resonance required for a story of such magnitude.

Prabhas, portraying Raghava, delivers a restrained performance that lacks the heroic intensity one expects from the character. Kriti Sanon as Janaki does her best with limited material, bringing grace to her role, while Saif Ali Khan’s over-the-top portrayal of Lankesh is polarizing, leaning more into theatricality than menace. The supporting cast, including Sunny Singh, adds little to elevate the film.

One of the film’s most significant drawbacks is its visual effects. Despite the high budget, the CGI appears subpar, often detracting from the immersive experience. The underwhelming special effects undermine key battle sequences and fantastical elements, which should have been highlights of the film.

On the brighter side, the musical score by Ajay-Atul manages to shine, offering moments of grandeur and emotional heft. The film’s costume design and some set pieces are visually appealing, hinting at what could have been with more polished execution.


Adipurush is a well-intentioned attempt to bring the epic Ramayana to life for a global audience, but it stumbles in critical areas, including visual effects, pacing, and character depth. While it offers a few moments of spectacle and an engaging musical score, the overall experience feels hollow and unworthy of its mythological roots. Fans of the epic may find some moments of nostalgia, but casual viewers are likely to be left disappointed.

Adipurush is a missed opportunity to create a definitive modern retelling of an Indian classic.

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Businessman (2012) – Movie Review

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Genre: Action, Crime, Thriller

Runtime: 2h 11m

Director: Puri Jagannadh

Writer: Puri Jagannadh

Main Cast: Mahesh Babu, Kajal Aggarwal, Prakash Raj, Nassar, Sayaji Shinde

Studio: R. R. Movie Makers

Where to Watch: Available on streaming platforms like Amazon Prime Video and YouTube (check availability in your region).


“Businessman” is a high-voltage action thriller starring Mahesh Babu in one of his most charismatic roles. Directed by Puri Jagannadh, the film follows Surya (Mahesh Babu), an ambitious and ruthless man who arrives in Mumbai with a dream of ruling the underworld. With his sharp mind and fearless attitude, he rises to power, challenging both the law and the mafia.

Mahesh Babu delivers a power-packed performance, exuding style, confidence, and intensity in every scene. His dialogues, especially the iconic “Pokka Business,” became instant fan favorites. Kajal Aggarwal plays a conventional love interest but adds charm to the narrative. Prakash Raj is impressive as the antagonist, adding depth to the conflict.

Puri Jagannadh’s screenplay is fast-paced, filled with gripping dialogues and intense confrontations. The film’s action sequences and Thaman’s electrifying background score elevate the cinematic experience. While the plot follows familiar gangster tropes, the film’s execution, Mahesh Babu’s screen presence, and the powerful dialogues keep it engaging.

Final Score: 8.5/10

A stylish and entertaining action film with a magnetic Mahesh Babu, “Businessman” is a must-watch for fans of crime thrillers and mass entertainers.

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