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‘Black Lightning’ Premiere: Strike Back to the Heart of it All!

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The CW is inundated with superhero shows now – that broody hooded archer that began it all, Arrow; run Barry run! on The Flash; up up and away with the Girl of Steel on Supergirl; and of course our favorite time-traveling misfits in Legends of Tomorrow, give us all a hero of one form or another to look forward to on nearly every day of the work week. Last night we welcomed the latest addition to the superhero family, Black Lightning, in all his electric glory!

So what do we know right off the bat? The show is based on a DC comic book series of the same name that began in 1977. The city of Freeland, where Black Lightning takes place, has a seriously bad gang problem. One gang in particular, calling themselves The 100 Gang, marches around dealing drugs and pulling guns without regard for innocents or the threat of cops. The cops seem at best ineffective and at worst corrupt, and the mostly-black community already has a well-deserved distrust of the police, clearly demonstrated when Jefferson gets pulled over and manhandled rather rudely by some, what else, white cops.

Jefferson Pierce (Cress Williams) is the principal of Garfield High, where his younger daughter Jennifer (China Ann McClain) attends, while his elder daughter Anissa (Nafessa Williams) is a nursing student by day and a political activist by whenever else she can get away with. It seems as though the pristine reputation Dad has at Garfield High and in Freeland in general is far too taxing for his youngest daughter, who angsts at being labeled the Queen of Garfield High and tries to prove how baller she really is by sneaking off to go clubbing at a place called The 100 Club, because that doesn’t sound blatant at all. But the wrong end of a dealer who owes a mid-level gangbanger called Lala (William Catlett), he insists on it, leaves Jennifer reeling and terrified.

Jefferson, meanwhile, is just trying to smooth his way back into his ex-wife’s good graces, and does seem to be getting somewhere with it too, when of course bold as a brass The 100 Gang pops into Garfield High and drags off both his daughters. Jeff’s-ex Lynn (Christine Adams) simply tells him to bring their girls home, and we see his well-defined jaw tighten as to the consequences of that kind of command.

See because, Jefferson has a deep black secret. Some nine years ago this former Olympic athlete took up the mantle of the superhero Black Lightning, for all sorts of noble reasons, but more or less primarily to clean up Freeland and make the place safe for his daughters again. But he kept coming home all banged up to hell and gone, his wife roundly informing him that his heroic antics are just another addiction, and finally insisting on a divorce. Thus, the hero Black Lightning hung up his mask and hasn’t been heard of in Freeland for nine whole years. Until now.

Most of us have seen Taken, right? Pierce certainly isn’t a man with spiffy CIA-like skills or anything, but what he does have is incredible meta-like powers over all kinds of electricity and things related to it, and has a serious mission to protect his ex-wife and daughters. So when his family gets caught up in the gang violence he thought had been curtailed with the defeat of Tobias Whale (Marvin ‘Krondon’ Jones III), notorious kingpin and Black Lightning’s main nemesis, Jeff has to grit his teeth and return to Gambi, the tailor front man who designed Lightning’s costume and was like Alfred to his Batman.

Of course Gambi’s been working on a new suit, and even as Jeff laments not wanting to go back into the superhero life again, Gambi (James Remar) reminds him it was only a matter of time anyways, and how not only does Jeff’s family need him, but the whole city of Freeland and perhaps the world, needs Black Lightning to return, perhaps now more than ever. And still Jeff struggles, knowing it was his difficulty with duality that led to his divorce and separation in the first place. But he’s going to need to come clean far sooner than anyone realizes, because it turns out, this whole meta-powers thing actually appears to be hereditary!

Nothing says, “I’m back bitches!” like a spiffy new suit and a good old fashioned motel brawl, during which Lightning dutifully avoids outright killing anyone. But oh does he revel in taking out his frustration physically on some scumbags that truly deserve it, as we all would. And that’s where Black Lightning truly shines.

Right now, the main target audience of the CW superhero shows have all gotten kind of tired of seeing the heroes journey from the very beginning, where he (or she) struggles with morals and ethics and powers and all that funnery. We are aging and tired and scared, for us and for our kids and our lives, and want nothing more than to be able to take back our streets and make them safe for any color, any kind of person. Black Lightning gives us all of that in the best way possible; any one of us could be Jefferson Pierce tomorrow, and how utterly badass would that be?

Chase the ‘Black Lightning’ on the CW, Tuesdays at 9/8c!

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‘Mufasa: The Lion King’ Will Leave You Breathless

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“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.

The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.

The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.

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Is ‘Kraven the Hunter’ a Total Letdown?

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“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.

Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.

Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.

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A Brief Review and History of A Year Without a Santa Claus

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A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.

The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.

Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.

Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.

The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.

For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.

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