The anticipation has been ever so palpable since the announcement of this films imminent release. Black People have not been this excited since 2004. I mean can you blame us ? A majority of what we get portrayed as in the mass media is angry, loud, and uneducated. Constant “reality” based reminders that even when we have money we can’t escape being the stereotypes we claim to hate so much yet strive to keep pushing.
And here we finally are, on the edge of releasing a movie that seemed as improbable as that fateful election from what seems like a century ago. Sure there’s been other Black superhero movies but, none that have put us in a higher standing in the World. A king of the World’s most technologically advanced nation based in Africa, A superhero that can stand up to just about any other and he looks like us? The pride swells. But the film, is it any good ?
A film can be made or broken by a few elements. The director, it’s cast and it’s script. All three of these things Black Panther excels at. With Ryan Coogler at the helm the movie was in good hands. He has directed a few fantastic movies (Fruitvale Station, Creed) and has known how to draw great performances out of his cast members. Especially, Micheal B. Jordan whom was in the starring roles of the two previously mentioned Coogler films. He manages to do it here once again but, when your cast consists of heavy hitters like Forrest Whittaker, Angela Basset, Lupita Nyongo, Chadwick Boseman to go along with Micheal B. Jordan it’s hard to miss the mark. So, that’s one phenomenal cast and one fantastic director guiding them (check and check).
The script also manages to shine in many areas. It has excellent pacing. Moving the story along but still giving even the villain enough time for character depth. Paying enough attention to world building but not dwelling too much in one area or another. It also doesn’t get a lot of mention that in a male dominated genre most of the central cast are women and they play no small part in keeping Black Panther grounded and strong. This aspect should be highlighted even more than the surface issue of race is. Speaking of race, the film seems to not mention much of it. Instead, opting to run with the fact that it is a superhero movie that so happens to be in Africa where the King and his countrymen just so happen to be Black. race barely comes in to play in the decisions or actions of the cast. So, script good to go, check.
The one thing I thought could’ve been done differently is that the panther god Bahst that gives T’Challa strength in the comics could’ve been incorporated in to the film. That would give the movie a different religious element maybe Disney/Marvel wanted to stay away from but, it makes it seem as though anyone can be the Black Panther the way they went about it. Small detail I know but it bugged me enough to mention.
Black Panther is a movie that in more ways than one does things no other Marvel film has done before it. It, puts a shining face of self love and hope front and center on the silver screen for Black folks to enjoy and share with others who are our friends. That there is a market for stories that uplift and show us at our best instead of perpetuating the stereotypes we’ve been held to for so long. It also, shows the World that men are lost without solid, strong women behind them no matter how powerful they become. Black Panther means something for our present and future in Hollywood. I give it a perfect 5 out of 5.
Movie
‘Mufasa: The Lion King’ Will Leave You Breathless
“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.
The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
Movie
Is ‘Kraven the Hunter’ a Total Letdown?
“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.
Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
Movie
A Brief Review and History of A Year Without a Santa Claus
A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.
The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.
Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.
Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.
The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.
For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.