Connect with us

Bullets, Bruises And Bodies…Oh My!

Published

on

Ever since Frank Castle was announced to be on Marvel’s Daredevil‘s second season I was excited. Marvel had established that their Netflix lineup was the gritty, more grounded in the real world side of the television product. And it worked too, especially with the character choices.

Now, once Jon Bernthal was cast as Frank Castle/ Punisher he got nothing but rave reviews and high fives from the media and contemporaries. Time came for the public to get a glimpse of The Punisher in action and we were not disappointed in the least. Bernthal embodied the wild eyed, revenge obsessed, stone coldness of The Punisher, the criminal murdering anti-hero. He was absolutely captivating to the point that he owned every scene he was featured in. The performance left you wanting more and more we received.

Marvel’s The Punisher

This series picks up after Frank is presumed dead following the events that unfolded in Daredevil’s second season. He spends his days avoiding contact with human contact as much as possible and working at a construction site where he can focus his rage on demolition work. Periodically, visiting an old friend from the military (Curtis Doyle) that seems to be the only one who knows who he is and that he’s alive. Of course, This can’t last too long (as that would make for an extremely boring series). Frank soon finds himself knee deep in dead bodies, with a new partner in David Lieberman/ Micro, and in over his head in a government conspiracy.

To be honest, I wasn’t sure if The Punisher could make an all that interesting series. I knew that Bernthal had something with his portrayal of Castle but, a prolonged murder-fest wasn’t going to stay interesting for long. Luckily, the writers and Bernthal are able to add layers to a character that if not handled properly, can be overtly one dimensional. We see glimpses of the man that was before the brutal killings of his family. It is, frankly, a welcome surprise in the character’s development. Micro also is an interesting character that has a similar issue with his family being taken away from him. This parallel in backstory helps him connect with Frank in a love/hate type of relationship. The rest of the cast is decent in the limited time they get on screen but, Agent Madani shines brightest. She is obsessed with a case that lead to the death of her own friend and this leads to her crossing paths with Punisher. Amber Rose Revah plays Dinah Madani in a way that displays her characters flaws but, also shows her strengths. She’s hard with a soft side. Sure of herself yet, lost in the confusion of her situation. This contradiction is sure to produce more compelling moments through the remainder of the series.I also like the way they handled the issue of PTSD and how it affects the young men and women of our armed forces. It’s a touchy subject and must be handled carefully and I believe that the writers, director,and cast handled it well.

Marvel’s The Punisher

The action is there but not as plentiful as most would assume. That’s not so much a bad thing though as it allows for the great character development that I saw. The hand to hand portions are good but not great. Gritty and violent, up close and personal they made me wince a time or two. The gunfights are full of exploding heads and almost infinite shell casings. Seeing the heroes take their fair share of bullet wounds and left hooks make the fights seem all the more satisfying. This detail makes the human spirit in Frank give him a superhuman quality.

With this series I had a great deal of anticipation going in. I have nothing but unwavering confidence that this show will deliver on all levels. With grand performances, beautifully grimy action, and a compelling story I simply can’t wait to get to the conclusion of this one.

Continue Reading

Movie

‘Mufasa: The Lion King’ Will Leave You Breathless

Published

on

“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.

The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.

The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.

Continue Reading

Movie

Is ‘Kraven the Hunter’ a Total Letdown?

Published

on

“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.

Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.

Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.

Continue Reading

Movie

A Brief Review and History of A Year Without a Santa Claus

Published

on

A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.

The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.

Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.

Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.

The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.

For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.

Continue Reading

Trending

Copyright © 2012 - 2024 That's My Entertainment