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CBS All Access’ new show ‘Clarice’ – hot bite or pass?

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By Alicia Glass

So recently CBS dropped a trailer and a wealth of information on their latest opus, a tv show set in the world of author Thomas Harris’ Hannibal Lecter – but without any Hannibal Lecter. Rather, this new show focuses on the title heroine, Clarice Starling (Rebecca Breeds).

Set in 1993, a year after the events of the pivotal film ‘Silence of the Lambs’, the show is a police procedural jaunt, focusing on the FBI still reeling after several key real-life disasters – Waco, Ruby Ridge, the first World Trade Center bombing – and Starling’s adventures therein.

Joined by her Black roommate and best friend Ardelia Mapp (Devyn Tyler), Starling takes on PTSD fallout after the notorious Buffalo Bill case, but due to outside copyright issues, is never likely to mention Hannibal Lecter himself on the show. The show’s first season is said not to have a singular villain, but a multitude of bad guys and means for Starling to rise up against, along with racial and gender discrimination not only inside the FBI but pretty much prevalent everywhere.

Speaking of Buffalo Bill, the lone survivor victim Catherine Martin (Marnee Carpenter) stars on the show alongside Starling, having survived and inexplicably adopted Bill’s infamous poodle Precious.

So what’s the hot take? A television show from the world of Hannibal the Cannibal with no hide nor hair nor mention of Hannibal himself, and a cop procedural that demonstrates yet again the fallacies of the criminal justice system with regards to race and gender, why do we need that again? Taking out most of the things that Harris’ novel world made unique and fascinating and leaving just the bare bones to focus on Starlings’ career (or lack thereof) in the FBI seems like a stretch and a half. Those of us that have read all the Hannibal books know that by the time we catch back up to Starling, after the events in ‘The Silence of the Lambs’, in the sequel novel ‘Hannibal’ set in approximately 1995 or so, her career in the FBI is pretty much a wash. The events of the disastrous drug raid at the beginning of the book is what leads to her transformation at Hannibal’s hands at the end, but her utter lack of an FBI career certainly served as a catalyst. So do we huge world of Hannibal fans suspend our disbelief and try to enjoy a new FBI show with a familiar, beloved character who’s purportedly doomed to fail? We shall see.

Also, they really should have titled the show, ‘Starling’. That’s so much cooler.

Clarice’ premieres on CBS All Access on February 11th

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‘Mufasa: The Lion King’ Will Leave You Breathless

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“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.

The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.

The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.

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Is ‘Kraven the Hunter’ a Total Letdown?

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“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.

Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.

Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.

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A Brief Review and History of A Year Without a Santa Claus

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A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.

The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.

Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.

Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.

The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.

For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.

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