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CCI 2018: WBTV Unveils Official Bags of Comic-Con 2018. Plus 12 Collectible Pins!

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Warner Bros. and Comic-Con® have teamed up once again, with the Studio to provide the official bags of SDCC for the ninth year in a row. For 2018, Warner Bros. brings fans 18 different bag designs featuring fan-favorite returning series plus the highly anticipated upcoming Castle Rock and Chilling Adventures of Sabrina, as well as four feature films and two bags dedicated to DC Entertainment. And for the second year in a row, each bag will come with a unique collector’s pin, with 12 DC character designs for 2018.

Fans donning their cool carriers at the convention center can also make their way to the Warner Bros. booth on the convention floor (#4545), which boasts interactive elements perfect for photo-ops, including the wings of the fallen angel Lucifer as a nod of appreciation to the show’s passionate fans (#LuciferSaved); the mouth of a Megalodon shark to stand inside; a life-sized rabbit inspired by San Diego’s historic Rabbitville district; and LEGO® gaming kiosks for everyone’s inner child.

Fans can grab their bags when checking in at the show. The have-to-have-it hold-all is the perfect size for all their Con swag.

HOLD IT! (THE BAGS)

The SDCC bags, produced for the studio by I.D. Me Promotions, will feature the following series and movies:

  • Warner Bros. Television series ArrowBlack LightningDC’s Legends of TomorrowThe FlashKryptonSupergirlSupernatural, and the highly anticipated upcoming Chilling Adventures of Sabrina for Netflix and Castle Rock for Hulu
  • Warner Bros. Animation’s DC Super Hero Girls and Young Justice: Outsiders, along with Warner Bros. Animation/Blue Ribbon Content’s Constantine: City of Demons
  • Upcoming feature films include AquamanFantastic Beasts: The Crimes of GrindelwaldThe Meg and Teen Titans GO! to the Movies.
  • Additionally, DC Entertainment will be featured on two bags, with one bag celebrating 80 years of Superman in DC’s comic pages and another devoted to the upcoming DC UNIVERSE digital service.

DARE TO FLAIR! (THE PINS)

The exclusive collector’s pins are manufactured by FanSets for the second year in a row, and they will feature both DC Super Heroes and Super-Villains.

This year’s pins from both film and television include Arrow, Aquaman, Batman, Black Lightning, Catwoman, The Flash, Harley Quinn, Joker, Martian Manhunter, Nightwing, Superman and Wonder Woman.

SNAP TO IT! (THE BOOTH)

Fans can get a larger-than life experience at the Warner Bros. booth (#4545), which provides a fun, immersive environment inspired by celebrated series, upcoming films and more. Warner Bros. autograph signings will also take place in the booth.

  • Lucifer fans will have a heavenly — and devilish — time with life-sized, photo-friendly wings flown in from the City of Angels as a divine treat for the devoted fans who helped keepLucifer alive. #LuciferSaved
  • It’s game time, as parents and kids alike can enjoy LEGO® gaming kiosks.
  • Brave fans can step inside the virtual mouth of the ferocious megalodon ahead of the premiere of The Meg, the upcoming action-horror film featuring the 75-foot-long prehistoric shark that’s been missing for 2.5 million years.
  • Fans having a good hare day can snap a picture with Warner Bros. Television’s “Hop, Hop, and Away!” rabbit statue, which is part of the Rabbitville public art installation which combines the history of San Diego’s Rabbitville district (now the Gaslamp Quarter) with some of the most recognizable heroes from the DC Universe.
  • Con-goers who hope to participate in autograph signings must visit Comic-Con.org/CCI to submit their interest via the Exclusive Signings Portal. WBTVG follows Comic-Con’s ticket drawing/wristband distribution procedure.
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‘Mufasa: The Lion King’ Will Leave You Breathless

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“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.

The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.

The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.

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Is ‘Kraven the Hunter’ a Total Letdown?

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“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.

Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.

Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.

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A Brief Review and History of A Year Without a Santa Claus

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A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.

The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.

Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.

Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.

The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.

For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.

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