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CCI 2019: AMC Invades Comic-Con

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The cast and producers of AMC’s hit scripted series “The Walking Dead,” “Fear the Walking Dead and “Preacher will return to this year’s Comic-Con in San Diego, CA, with the network’s new supernatural horror series “NOS4A2” and Ridley Scott-produced anthology series “The Terror: Infamy” making their Comic-Con debut.

In addition, AMC will have a significant presence in and around San Diego with activities and partnerships including a Walker Horde, the return of the “DeadQuarters” fan zone, a partnership with Feeding San Diego, and demos of the upcoming VR game “The Walking Dead Onslaught,” among other gaming activities.

  • “Fear the Walking Dead” panel on Friday, July 19 from 12:00pm-1:00pm in Hall H

Panelists include cast members Lennie James, Alycia Debnam-Carey, Danay Garcia, Maggie Grace, Jenna Elfman, Alexa Nisenson, Austin Amelio, Rubén Blades and Karen David, along with chief content officer of “The Walking Dead” Universe, Scott M. Gimple, showrunners and executive producers Andrew Chambliss and Ian Goldberg, executive producers Robert Kirkman, Dave Alpert, Gale Anne Hurd and Greg Nicotero, and director and co-executive producer, Michael Satrazemis. The panel will be moderated by “Talking Dead” host Chris Hardwick.

  • “The Walking Dead” panel on Friday, July 19 from 1:00pm-2:00pm in Hall H

Panelists include cast members Norman Reedus, Melissa McBride, Danai Gurira, Ryan Hurst, Jeffrey Dean Morgan, Avi Nash, Nadia Hilker, Eleanor Matsuura and Cailey Fleming, along with chief content officer of “The Walking Dead” Universe, Scott M. Gimple, showrunner and executive producer Angela Kang, executive producers Robert Kirkman, Dave Alpert, Gale Anne Hurd and Greg Nicotero. The panel will be moderated by “Talking Dead” host Chris Hardwick.

  • “Preacher” panel on Friday, July 19 from 7:00pm-8:00pm in Hall H

Panelists include executive producer Seth Rogen and cast members Dominic Cooper, Ruth Negga, Graham McTavish and Mark Harelik. The panel will be moderated by IGN’s editor-in-chief of entertainment Terri Schwartz.

  • “The Terror: Infamy” panel on Friday, July 19 from 4:45-5:35pm in Room 6A

Panelists include cast members Derek Mio, George Takei, Kiki Sukezane and Cristina Rodlo, along with co-creators and executive producers Alexander Woo and Max Borenstein. The panel will be moderated by Indiewire senior editor Hanh Nguyen

  • “NOS4A2” panel on Saturday, July 20 from 5:30pm-6:30pm in Room 6A

Panelists include cast members Zachary Quinto and Ashleigh Cummings, along with showrunner and executive producer Jami O’Brien, and author and executive producer Joe Hill. The panel will be moderated by Entertainment Weekly senior writer Clark Collis.

An overview of AMC’s activations, partnerships and activities around San Diego is below:

  • “DeadQuarters,” the official fan zone of “The Walking Dead” and “Fear the Walking Dead,” will feature a curated walk through of settings from both series, including the Winter Escape from the Season 9 finale of “TWD,” as well as an elaborate treehouse and plane crash site inspired by the Season 5 storylines in “Fear.” Fans can pre-register here to beat the lines.
  • Located on Martin Luther King Promenade, in front of the Hilton Gaslamp Hotel (4th Avenue and L Street, across from the Convention Center), “DeadQuarters” will open for a press preview on Thursday, July 18 from 10:00-11:00am and to the public Thursday, July 18 through Saturday, July 20 from 11:00am-6:30pm; Sunday, July 21 from 11:00am-4:00pm.
  • AMC is partnering with Feeding America and encouraging “DeadQuarters” visitors to donate canned foods throughout Comic-Con weekend to benefit the organization’s local chapter, Feeding San Diego. Donors will receive an exclusive Hilltop Token, which can be used to unlock special deals on food, retail and entertainment around San Diego
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‘Mufasa: The Lion King’ Will Leave You Breathless

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“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.

The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.

The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.

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Is ‘Kraven the Hunter’ a Total Letdown?

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“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.

Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.

Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.

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A Brief Review and History of A Year Without a Santa Claus

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A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.

The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.

Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.

Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.

The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.

For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.

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