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CCI 2019: Executive Producers of Workaholics, King of the Hill, America Dad and Silicon Valley Producing New Animated Series

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It was announced today that Mark Canton (Power, 300) and Courtney Solomon (AFTER, American Haunting, Dungeons & Dragons), along with the Executive Producers of King of the Hill and American Dad, the co-creators of Silicon Valley, and the talent and co-creators of Workaholics, will bring the infamously famous comic book, The Fabulous Furry Freak Brothers, to the small screen with an adult animated series. WTG Enterprises, LLC has greenlit eight 22-minute episodes which will debut in early 2020. The series will revolve around three rowdy characters looking to shake up history and push the envelope while keeping audiences entertained and wanting more.

The animated series will draw from the comic storylines, with the original creator, Gilbert Shelton, joining as an Executive Producer. Alan Cohen and Alan Freedland (King of the Hill, America Dad) will serve as showrunners, John Althschuler and Dave Krinsky (Silicon Valley) will write and produce, Adam Devine and Blake Anderson (Workaholics) will voice characters, Executive Produce and will also be involved in the creative development process, and Daniel and Jeremy Lehrer (Highly Gifted) will serve as writers and producers. Executive Producers include Courtney Solomon (CEO of WTG) and Mark Canton (former Chairman of Sony Pictures Entertainment’s Columbia Tri-Star Motion Picture Companies and President of Worldwide Production for Warner Bros. Pictures), and Jeffrey S. Edell (president of WTG and former Chairman of MySpace parent company Intermix Media, CEO of Soundelux Entertainment, The Kids Are Alright, Killer Elite, The Grey, Just Friends) will also serve as Co-Executive Producer. The deal was negotiated on behalf of Gilbert Shelton by Manfred Mroczkowski, Executive Director of InterLicense, Ltd., who will also be joining as an Executive Producer.

Starburns Industries (Rick and Morty, Animals) and Pure Imagination Studios (The Simpsons, Lego Batman) will handle animation on the series.

As part of the unveiling of the upcoming series, the showrunners, talent and writers will be at San Diego Comic-Con to reveal details about the show at a panel on Friday, July 19 at 7:00pm in room 6 BCF of the Convention Center. The discussion will cover the behind the scenes process around adapting this iconic 50-year-old comic book into a unique series.

“There is so much topical, pop-culturally relevant, irreverent and hilarious source material to pull from, we’re just beyond thrilled to be working on such a fun and layered property,” said Alan Freedland and Alan Cohen. ”Now is the time to be creating smart adult animated shows that touch on topics that are timeless and timely.”

“We connected so much to these characters,” said Adam Devine and Blake Anderson. “They’re just trying to enjoy life while understanding the world around them, and the adventures they go through along the way had us fully giggling while simultaneously making us think. When the opportunity arose to get involved not just as talent but also on a creative level, we jumped at the chance and also WEED, man!”

Created by Gilbert Shelton, The Fabulous Furry Freak Brothers comic first appeared in 1968 as an underground press comic strip and centered around a threesome of “freaks” and a mischievous cat from San Francisco who are consistently looking for a state of bliss, relieved only by bursts of paranoia or stimulant induced frenzies. The Freak Brothers quickly became beloved, being translated into fourteen languages with over 40 million comics sold worldwide. The adventures this group of misfits take are both wildly boundary-pushing and remarkably human, with common themes including cannabis, law-breaking and politics.

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‘Mufasa: The Lion King’ Will Leave You Breathless

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“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.

The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.

The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.

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Is ‘Kraven the Hunter’ a Total Letdown?

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“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.

Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.

Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.

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A Brief Review and History of A Year Without a Santa Claus

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A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.

The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.

Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.

Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.

The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.

For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.

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