Welcome to the aftermath party of the previous episode, where all of our various heroes are wondering, where the heck is Dick Grayson?
Will Harper and his lady Artemis are having breakfast and discussing what to do with the glowing woman they rescued, having dubbed her for lack of a better handle, Halo. But figuring out what to do with her is supposed to be Dick’s problem, isn’t it, so where is he?
Elsewhere at a place called Happy Harbor, Superboy or rather Conner Kent, is mentally talking to his girlfriend Megan about the elephant in the Harbor, namely the guy formerly known as Prince Brion of Markovia. Who is currently watching his brother Gregor getting crowned King of Markovia, and getting all kinds of rage-y about it. Though that kind of rage is something Superboy has had to deal with before, this is a large Markovian issue and once again, where the hell is Dick Grayson to deal with it, already?
Off in Metropolis at the, what else, Luthor Grande Hotel, the man called Black Lightning but also Jeff, is calling Dick yet again to find out what the hell to do with Dr. Jace. Currently he’s put her up at the hotel, and he’s about to take her out to brunch for lack of anything else, but seriously Dick, what do we do now?
Turns out, Dick was off gathering Roy and Jim Harper for the next mission, and his last stop after accomplishing that is to head to Harper Securities, to recruit the boss, Will. Who is, after all the happenings of the previous episode, understandably reluctant to help Dick, unless he and the other Harpers come aid in a security job first. A shipment of Goode VR goggles is going out for delivery today and Harper Securities has been hired to provide, well, security. So all the Harpers and Grayson too, get spiffy security uniforms and it’s off to the semi-truck chases!
Artemis decides to take Halo to see Dr. Fate and see if he can’t divine some information about her origins or past, only to be privy to some very private scenes between Dr. Fate and his daughter, Zatanna, and their familial legacy.
Conner is trying to impart some patience to Brion through the judicious use of manual labor, which of course doesn’t sit too well with the pampered Prince.
Inevitably, a thug called Brick and his cronies are attempting to steal the entire shipment of VR goggles for some nefarious purpose, and Dick and the Harper fellows have to stop all of them! These being superheroes with no doubts as to their victory against the bad guys, Will decides right in the middle of a fight on a truck rooftop would be an excellent time to give Dick a talking-to about dropping the ball on his other responsibilities. And despite being a clone and therefore the youngest one there, according to Dick anyway, Will is inevitably right. The shipment is saved, all our fake security boys are heroes, and we even get treated to the end of a nighttime raid to save the metahuman trafficked kids left in Bedlams lair.
Life continues apace, and while we might have finally found Dick and figured out what he’s doing, plenty of other giant situations need tending to, and there’s still the nagging question of what can our heroes do to save the day, and night, next?
Tune in next time for Markovia’s new King’s first edicts, on ‘Young Justice Outsiders’!
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‘Mufasa: The Lion King’ Will Leave You Breathless
“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.
The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
Movie
Is ‘Kraven the Hunter’ a Total Letdown?
“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.
Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
Movie
A Brief Review and History of A Year Without a Santa Claus
A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.
The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.
Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.
Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.
The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.
For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.