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Christmas Holiday: A Holiday Retrospective Review

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Since we’re slowly approaching the winter festivities and holiday season, I thought it would be special and talk about forgotten or holiday themed movies that do get overlooked. The movie I have selected to review takes place during Christmas Eve and Day without any of the morals and holiday spirit, giving it the Die Hard spirit of movies.

The movie, Christmas Holiday, stars Deanna Durbin and Gene Kelly (who is actually playing the villain of the film). This movie was made in 1944 and is a movie that breaks the typecast of what both actors were usually known for. Kelly was known for being a spectacle dancer, singer and showman and Durbin was a musically gifted singer as well. This movie is a sad, dark drama with not much happiness to go around. That being said, is the movie good and does it give you the holiday feels? We’ll judge the movie based on plot, characters and the holiday spirit that the title offers us. Let’s hitch a ride and go on this journey as we explore Christmas Holiday.

The movie is a sad look at love and lies. The movie is about a young lieutenant on leave and gets stranded in New Orleans on his way to San Francisco due to thunder storm. He was going there because his fiance or woman who promised to marry him decided to marry someone else. While in New Orleans, he gets taken to a club where he meets a young woman named Jackie. Jackie seems like a distant or aloof woman who seems to be pining from days long gone. She confides into the lieutenant and she tells him the story of meeting her husband and what lead to her being alone in the club on Christmas. Gene Kelly plays the estranged husband of Jackie. Its a touching and sad story that shows how love sometimes isn’t enough and addiction sometimes can ruin anything and everything. The plot is simple but you get lost into the dialogue and you feel for the characters even when they do horrible acts toward their fellow townsmen.

The characters make the movie worth watching. Deanna Durbin plays a somber club singer down on her luck and comes off like she is experiencing loss and could be dead inside. Her dialogue is done very well without a filter, using her experience of loss and love to help the lieutenant that sometimes love isn’t enough and there has to be more. Gene Kelly, the villain in the movie, is charming as usual and shows us some glimpses of stern and even angry tone when he talks about murder and his gambling addiction. This is so different than what we’re usually used to with Gene Kelly.

This is the guy who would smile at the screen, do a soft shoe dance and sing a little jazzy diddy making such a spectacle. What we see in this movie is a down played actor with a more vindictive motive. I enjoyed the way Deanna and Gene play off each other. These are crafty and clever actors, who play off each other so well to the point where it almost looks like we’re watching a real life couple having conversations with each other, even if the main fault of Gene Kelly’s character, comes out of nowhere.

The holiday spirit is quite low by the time the audience joins the story. This whole story takes place during two days of Christmas Eve and Day and we learn about the tragic story of a woman not being with her husband and the faults of both of them either being naive or not having proper communications with each other. The story is quite sad and depressing without much hope for a happy resolution.

This movie could’ve taken place on any other day and it would still be treated the same. The only Christmas motif included the flashback when the lieutenant and Jackie went to Christmas Eve mass at the local church and Jackie breaks down and has a crying spell. Due to that event, we start learning about her past and the events. That is the only thing about Christmas that really stands out. Without that scene or if the scene was altered based on the holiday, we could still get the same events leading to the flashbacks. The fact that it was during Christmas doesn’t really offer anything special to the audience, except the possibility of more people being together celebrating and drinking and partying. This is a movie that could maybe make you feel grateful for everything you have because it could be worse and you could be like Gene.

Overall, this movie was good. It had some good dialogue, great acting by both lead characters, and a simple story just done very well. I was pleasantly surprised that Gene could play the serious villainous role and sort of wishes he could have taken more roles similar to his filmography. Deanna Durbin was acting very well and sung some nice blues style songs. I think this is a forgotten movie that should not be forgotten. I don’t know why people often don’t remember this film, maybe because it’s called Christmas Holiday. People were expecting more festivities and more feelings of the holiday to celebrate Christmas more and this movie is a sad and depressing look at a woman’s failed marriage. I think this is an underrated movie and should be treated better. Is it a Christmas movie? Well, that’s a tough call. Like Die Hard, that takes place during Christmas, this is similar. This is a movie that happens to take place during Christmas and does offer some church choir scenes, so I guess it does sort of make it a Christmas movie. Is it one for the whole family to enjoy? No, this isn’t that kind of movie. If you enjoy Gene Kelly as an actor, classic black and white film and some interesting dialogue, then this movie would be a good fit for you.

 

 

 

 

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Is ‘Kraven the Hunter’ a Total Letdown?

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“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.

Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.

Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.

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A Brief Review and History of A Year Without a Santa Claus

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A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.

The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.

Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.

Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.

The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.

For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.

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Review: Pushpa: The Rise (2021)

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Director: Sukumar

Cast: Allu Arjun, Rashmika Mandanna, Fahadh Faasil

Genre: Action, Drama

Rating: 4.5/5

Pushpa: The Rise is a raw, adrenaline-fueled ride that showcases the underbelly of the red sandalwood smuggling trade in Andhra Pradesh. Directed by Sukumar, this movie brilliantly blends high-octane action with emotionally driven storytelling, making it a must-watch for fans of Telugu cinema and action dramas.

The narrative follows Pushpa Raj (Allu Arjun), a laborer in the red sandalwood trade, as he climbs the ranks to become a powerful figure. Born into poverty and scorned for his illegitimacy, Pushpa’s journey is marked by grit, ambition, and a fierce sense of self-respect. The film deftly balances the action-packed rise of Pushpa with moments of vulnerability, particularly in his tumultuous romance with Srivalli (Rashmika Mandanna).

The antagonist, Bhanwar Singh Shekhawat (Fahadh Faasil), is introduced towards the film’s end, setting the stage for a gripping sequel. The climactic confrontation between Pushpa and Shekhawat is a masterclass in tension-building, leaving viewers eagerly awaiting Pushpa: The Rule.

Allu Arjun: This is Allu Arjun’s film through and through. His transformation into Pushpa is a revelation, from his rugged look to his unapologetic demeanor. His mannerisms, including the now-iconic shoulder rub and dialogue delivery, make Pushpa an unforgettable character.

Rashmika Mandanna: While her role as Srivalli adds emotional depth to the story, it feels slightly underutilized. However, her chemistry with Allu Arjun is undeniable.

Fahadh Faasil: Despite limited screen time, Fahadh delivers a chilling performance as the cold and calculating Shekhawat. His presence promises an explosive conflict in the sequel.

Sukumar’s direction is stellar, balancing mass appeal with nuanced storytelling. The screenplay maintains a brisk pace, seamlessly weaving action sequences with character development. The film’s raw and grounded tone is a departure from the glossy feel of many mainstream Telugu films, adding authenticity to the story.

Mirosław Kuba Brożek’s cinematography is stunning, capturing the lush forests of Andhra Pradesh and the gritty world of the red sandalwood trade.

Devi Sri Prasad’s music is another highlight. Tracks like “Srivalli” and “Oo Antava” became cultural phenomena, while the background score enhanced the film’s intensity.

Action Sequences: The action choreography is visceral and hard-hitting, perfectly complementing the film’s tone.

The film explores themes of ambition, class struggle, and self-respect. Pushpa’s refusal to bow down to societal norms resonates deeply, making him a relatable anti-hero. The story also critiques the systemic exploitation of laborers, adding a layer of social commentary.

Pushpa: The Rise is an exemplary action-drama that redefines the Telugu film industry’s global appeal. With a magnetic performance by Allu Arjun, stellar direction by Sukumar, and unforgettable music, it stands out as one of the best films of 2021. While it occasionally falters with some underdeveloped subplots, the overall experience is nothing short of spectacular.

4.5/5 Pushpa: The Rise is a cinematic feast that deserves its cult status. Whether you’re a fan of Telugu action films or a newcomer, this film is a must-watch. Its cliffhanger ending ensures that Pushpa: The Rule will be even bigger and better.

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