Whether you enjoy “Two Worlds” or “A Whole New World,” there is something for every Disney fan at D23 Expo: The Ultimate Disney Fan Event.
During the three-day spectacular, which takes place August 23–25 at the Anaheim Convention Center, guests will have the chance to enjoy the 20th anniversary of Tarzan, take part in a musical celebration of Aladdin, explore the world of Avatar in exciting new ways, and honor Disney heroines. Plus, the Walt Disney Archives will once again host three days of historical presentations on its own stage. And the “Ultimate Fan Street Party” returns for its daily parades through the show floor—with a special twist.
Panels:
Mousequerade – Presented by Raw Threads
Friday, August 23, 11 a.m., Stage 28
Mousequerade, the fan-favorite costume competition that invites participants to create their own Disney-inspired designs, returns to D23 Expo 2019. Join judges Ashley Eckstein (Star Wars Rebels), Yvette Nicole Brown (Disney’s upcoming live-action Lady and the Tramp), Jennifer Leonard (owner and designer of Raw Threads), and the contest’s host, Disney’s Jim Babcock, to watch dozens of finalists compete in five exciting categories for the $2,300 Best in Show Prize!
Vader Immortal: A Star Wars VR Series – Episode II First Look
Friday, August 23, 2 p.m., Stage 28
Vader Immortal: A Star Wars VR Series lets you become the hero of your own personal adventure as you step into the role of a Force-sensitive smuggler recruited by Darth Vader himself. Director Ben Snow, Senior Experience Designer Jose Perez III, and Lucasfilm Story Group Creative Executive Matt Martin take the stage for an in-depth discussion about the upcoming second episode, including an exclusive sneak peek that will be available only to those at D23 Expo.
A Musical Celebration of Aladdin
Saturday, August 24, 5:30 p.m., D23 Expo Arena
To celebrate the in-home releases of the all-new live-action Aladdin and Walt Disney Animation Studios’ Aladdin Walt Disney Signature Collection, hosts Scott Weinger (“Aladdin”) and Linda Larkin (“Jasmine”) take us on a musical-magic-carpet ride through your favorite tunes from Aladdin both on stage and on screen. Special guests include Brad Kane (“Aladdin” singing voice), Deedee Magno Hall (“Jasmine” in Disney’s Aladdin—A Musical Spectacular), Jamal Sims (Choreographer, Aladdin live action), Clinton Greenspan (Broadway’s next “Aladdin”), Lillias White (Hercules), and Norm Lewis (Scandal, The Little Mermaid on Broadway). You never know what surprises the Genie may conjure up.
Heroines of the Disney Galaxies – Presented by BoxLunch
Sunday, August 25, 10 a.m., Stage 28
Join Ashley Eckstein (Star Wars: The Clone Wars, Star Wars Rebels, creator of Her Universe) and some very special guests—including Sana Amanat (VP of Content & Character Development, Marvel), Ally Maki (Marvel’s Cloak & Dagger, Toy Story 4), and Christy Carlson Romano (Kim Possible, Even Stevens, Big Hero 6: The Series)—for a celebration of some of the most inspiring and empowered heroines from the worlds of Disney, Marvel, Lucasfilm, and more!
Disney Character Voices, Inc: The 30th Anniversary Celebration
Sunday, August 25, 3 p.m., D23 Expo Arena
For 30 years, Disney Character Voices has kept the voices of Disney characters alive and well for fans through toys, games, apps, theme park attractions, and much more. Take a journey with Rick Dempsey, SVP of Character Voices, and many of those beloved voices—including Tony Anselmo (“Donald”), Jodi Benson (“Ariel”), Bill Farmer (“Goofy” and “Pluto”), Bret Iwan (“Mickey Mouse”), and Linda Larkin (“Jasmine”), with more special guests to be announced—as they step out from behind the microphone to celebrate this joyous anniversary through stories and amazing voices!
Two Worlds, One Family: The Making of Tarzan
Sunday, August 25, 5:30 p.m., D23 Expo Arena
Twenty years later, the team who brought the animated classic to life “swings” into the D23 Expo to give a behind-the-scenes look at how the Walt Disney Animation Studios film came to be! Guests include directors Chris Buck (Frozen 2) and Kevin Lima (Enchanted); animators Bruce W. Smith, Ken Duncan, and Disney Legend Glen Keane; and producer Bonnie Arnold, as well as a very special performance by Matthew Morrison (Glee) from his forthcoming Walt Disney Records album.
The Art of Disney Storytelling
Sunday, August 25, 6 p.m., Stage 28
A panel of master storytellers—including Disney Legends Tony Baxter and Floyd Norman, Walt Disney Animation Studios’ Paul Briggs (head of story, Frozen and Big Hero 6), and legendary producer Don Hahn—discuss Walt Disney’s impact on their careers and the entertainment industry, highlighting the ways they leverage those lessons to spark creativity today.
Also coming to D23 Expo…
Inside the World of Avatar
The astonishing world of Avatar is one of the most indelible ever created in film and a celebration of all that is possible in cinema and storytelling. Avatar’s visionary director, James Cameron, has created a spellbinding, immersive world that transports audiences to a never-before-imagined place inhabited by jaw-droppingly original characters. At D23 Expo 2019, the spectacular world of Avatar comes to life once again with rarely seen props, costumes, and models used in the making of Cameron’s groundbreaking film, paired with the iconic movie moments where they are brought to life. Fans will also get a glimpse at the making of Pandora – The World of Avatar at Walt Disney World Resort, making this one-of-a-kind exhibit, located on the second floor of the Anaheim Convention Center, a must-see stop for anyone who appreciates the very best in movie and theme park storytelling.
Walt Disney Archives Stage
The popular Walt Disney Archives Stage returns, hosting 16 panels and presentations throughout the weekend. Disney notables, such as Disney Legend Bill Farmer, author J.B. Kaufman, designers Kevin Kidney & Jody Daily, Walt Disney Archives director Becky Cline, Walt Disney Imagineering president Bob Weis, and Imagineers Daniel Jue and Kevin Rafferty, plus many more, will offer peeks “behind the magic” throughout the weekend. Fans will enjoy exploring many of Disney’s worlds, from holiday magic in the Disney Parks and secrets of Walt Disney’s Fun and Fancy Free to a celebration of 50 years of Haunted Mansion collectibles and a preview of the final book by Disney Legend and Imagineer Marty Sklar with his friends and family. Visit D23expo.com for the complete schedule.
Center Stage
Located in Hall A, Center Stage will once again be the heartbeat of the Expo and a hub of activity throughout the weekend. K-pop star Tiffany Young will celebrate the launch of her new single and upcoming music video. Radio Disney Presents will bring some of today’s hottest talent to the stage, including Booboo Stewart, Meg Donnelly, and Asher Angel. Disney on Broadway stars will drop in to reminisce about bringing some of Disney’s most beloved tales to the stage. And, back by fan demand, Bill Rogers, the “voice of Disneyland,” will be on hand each day to record fans’ outgoing voicemail messages in his signature dulcet tones. The complete lineup will be available on the D23 Expo app.
D23 Expo’s Ultimate Fan Street Party – Presented by Alamo
D23 Expo’s one-of-a-kind street party returns to the show floor with a disco twist! Twice each day the cavalcade will travel down Mickey Avenue, with a live band, beloved Disney characters, high-energy dancers, and celebrity grand marshals! In celebration of the 40th anniversary of the Mickey Mouse Disco album, Mickey, Minnie, and several of their friends will be wearing their disco duds as they delight guests along with Disney stars. Newly inducted Disney Legend Kenny Ortega will lead the 4:30 p.m. parade on Friday, August 23, and Peyton Elizabeth Lee (Andi Mack) and Skylar Astin, who star together in the Disney+ film Secret Society of Second Born Royals, lead the 2 p.m. Street Party on Saturday, August 24. Additional talent and times to be announced in the coming weeks and will be available on the D23 Expo app.
TV
Did JD from Scrubs Have a Dark Past?
TW: Discussions of child abuse and neglect.
The sitcom Scrubs ran from 2001- 2010 delighting viewers with the escapades of daydreaming Dr ‘JD’ Dorian and his friends. Unlike most TV sitcoms Scrubs perfectly balanced the comedic and the tragic. Being set in a teaching hospital with most of the main cast being doctors; there was plenty of fodder for some truly heart-wrenching storylines.
Like with most sitcoms, if you look under the jolly veneer (and have too much time on your hands) a much darker story emerges. In Scrubs, I would argue, this may be the past of its titular protagonist JD (played by Zach Braff). Some fans (ok, me) speculate that not only did JD have a less than ideal childhood but an abusive one.
Hints of this could be interpretated throughout the series:-
1. Attachment to Dr Cox
One of the most popular aspects of the series is the oddly touching relationship between mentor and mentee: Dr Cox (John C McGinley) and JD. It’s perfectly normal to admire and want to emulate an older colleague. But JD’s admiration of Dr Cox always seemed to go a step further. JD looked to the older doc as not only a mentor but a father figure.
JD explicitly states this throughout the series. Most notably in the finale; when during his much sought after hug JD claims Dr Cox smells “like a father figure”. This is odd as Dr Cox is only about 13 years JD’s senior. We know JD’s biological father (played by the late John Ritter) was pretty much absent during JD’s childhood. Is this yearning for a parental figure a way to fix JD’s damaged childhood?
As loathe as I am to criticise a fan favourite but Dr Cox openly mocks and belittles JD, almost never referring to his protégé by name. Instead by a vast archive of disparaging nicknames. The show does establish that there is love and respect om both sides, from Dr Cox deep down (deep, deep down). But why does JD not only put up with as well as seek out this treatment? Very masochistic. Or, has JD been subconsciously taught that taunts and aggression equate to love?
2. Feels Affinity with Dr Cox and Elliot
The show establishes early on that Dr Cox had an abusive homelife as a child. He openly reminisces about his parents being violent alcoholics. Is this the real reason that JD clamours for Dr Cox’s attention? Does JD see Dr Cox as an inspiration of someone who came from a similar background to his and became a well-respected doctor and family man?
Is the same true of JD’s on/off girlfriend, future wife and fellow doctor; Elliot? The show establishes that Elliot’s parents are mentally, emotionally, and financially abusive. Are JD and Elliot drawn to one another (partly) because they are both traumatised by their past? Even when it is proven time and time again that they are not suited.
3. Hostile Relationship with Older Brother
JD’s older brother Dan (Tom Cavanagh) appears several times in the show. Despite regularly visiting his kid brother, JD makes clear that these visits are not welcomed. JD’s ire is uncharacteristic as he’s shown as an ardent people pleaser throughout the show. Yes, Dan did bully JD throughout their childhood, though it’s unclear whether this was normal sibling rivalry or more.
In Series 3 Episode 5 ‘My Brother, Where Art Thou?’ JD attempts to cut off contact with Dan claiming that Dan never looked out for him. Even as children of divorce why is JD so upset his brother didn’t protect or “come through” for him? In the same scene JD comments about how their mother “married anyone that rang the doorbell”. Reading into this (hey, it’s what we’re here for) did Dan not protect JD from these multiple husbands?
4. Audience Never Actually See JD’s Mother
To me this is the most obvious that something is suspicious about the Dorian matriarch. Despite seeing every other cast members mother (except Dr Cox but its implied that his parents are dead) we never see JD’s. He, at the very least, seems to have a good relationship with his mother. Mostly speaks highly of her and she calls often. It doesn’t follow the trope many sitcoms use; having a character the audience never physically sees being used for comedic effect.
We hear JD’s mum (Barbara) speak in a flashback (Series 3 Episode 21 ‘My Self-Examination’). While Barbara was tucking young JD into bed she was saying some quite toxic things to her child, like how no women will ever be good enough for him. It is clear this scene is supposed to be somewhat creepy as Barbara is stroking the child’s face in an inappropriate manner. Adult JD even refers to his mum as “sexy” in the same episode. Very Freudian but in the light of everything else we are discussing: very disturbing!
5. JD’s Mother Drank
Linked to number 4 JD admits in Series 8 Episode 2 ‘My Last Words’ JD admits his mum “drank a lot”. Does this statement answer some questions about JD’s odd childhood?
6. JD is a People Pleaser
As we have already mentioned JD is a pathological people pleaser (what’s that like?). As a doctor he goes above and beyond for his patients. He does everything from finding patients estranged family members (Series 4 Episode 11 ‘My Unicorn’) to shaving his head in solidarity with a chemo patient (Series 5 Episode 15 ‘My Extra Mile’). Of course this is all very commendable but JD particularly enjoys the gratitude. Why does he need this validation? Is this a coping mechanism from a turbulent background who had to go above and beyond to get the love that should have been unconditional?
7. Extremely Tactile
Another of JD’s character traits is he extremely tactile. This is of course played up for comedy with his ‘sneak hugs’ (Series 6 Episode 13 ‘My Scrubs’) delivered to the stand-offish Dr Cox or the fact he has his friends on a ‘hugging schedule’ (Series 5 Episode 8 ‘My Big Bird’). Is this someone trying to seek the love and affection he never received in childhood? Or reassure himself that the people he loves won’t disappear?
8. Self-Sabotaging
A common reaction to childhood trauma is self-sabotaging behaviour. In his romantic relationships JD has this in spades. Throughout the run of the show JD has more romantic partners than the rest of cast put together. It is acknowledged that JD goes from relationship to relationship with alarming speed and breaks them off for shallow reasons. Again, he may be trying to seek the love and security he never had in childhood.
JD’s damaged psyche is put on full display when after spending the majority of the series chasing Elliot she finally leaves her loving boyfriend for him. JD immediately decides he doesn’t want her anymore to many fans outrage (Series 3 Episode 20 ‘My Fault’).
9. No Therapy
As well as never actually seeing his mother, we never see JD engaged in any kind of therapy. All of the other characters attend various types of therapy throughout the series. JD does not, despite arguably needing it the most. Is JD perhaps too scared of what therapy might uncover or not want to deal with his trauma head on?
10. Overactive Imagination
During Scrubs entire run (except the final series thou shalt not be named) hinges on JD’s overactive imagination. His outlandish fantasies make for excellent comedy and unique sequiturs to break up the storylines. But what if this was yet another coping mechanism for the hapless leading man?
Children from challenging background often disappear into elaborate fantasy worlds in order to escape their surroundings. Is this a habit JD could never quite kick? It would explain why he doesn’t seem to have a lot of control of his daydreaming despite being an adult. It is a comfort and a way to deal with the difficult stuff life throws at him.
If any or all of these speculations are true Scrubs goes from being a mere half-hour sitcom to a story of one man’s triumph over his dark past. Despite his flaws and failings JD has still made something of himself and is surrounded by his chosen family; all of whom love him for who he is. This is extremely inspiring.
Movie
‘Mufasa: The Lion King’ Will Leave You Breathless
“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.
The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
Movie
Is ‘Kraven the Hunter’ a Total Letdown?
“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.
Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.