Wow. Five episodes in and we get the culmination of the subplot involving the specter of Shawna (Given Sharp) haunting Maria (Virginia Madsen) and now it targeting Susie (Elle Graham) to get to Abby (Crystal Reed). I wasn’t expecting this subplot to be here this soon, but here we are. Not only that but Swamp Thing (Derek Meeks) gets a visit from Phantom Stranger (Macon Blair), who teaches Alec more about his powers.
Holy crap this episode. Things are coming to ahead. We get a conclusion to the Maria/Abby subplot that began in the “Pilot” episode. Then we get more continuation of Liz’s look into the possibility that Avery (Will Patton) was responsible for Alec’s death. Not only that we get Woodrue (Kevin Durand) slithering around putting the pieces of the sample Abby let him study. And if that wasn’t enough, we get more on Daniel (Ian Ziering) which of course teases the mystical side that’s keeping him stuck in Marais. All that, and we finally find out who killed Alec at the end of the Pilot too.
Like holy hell, this episode was a whopper and we got so many answers flying by us. So much so, I had to rewatch the scene between Sheriff (Jessica Beals) and a Game Warden who just so happened to be out the night Alec was killed. Everyone brought their A-game this episode, cause damn. Each actor gets a moment when the just own a scene they’re in.
This episode really had it all. Some nice chilling moments with Ghost Shawna. I kept thinking the opening scenes to myself, “AND SHE APPEARS BEHIND MARIA.” repetitively because I kept thinking it would go one way and then the other. But nope it went in such a different and damn I was like, “Eep!” Yes, there is a bit of predictability that absolves Abby of the supposed crime she had, but given what we’ve been teased. I kind thought it go this route since the show had been teasing it since the second episode.
What I really didn’t expect, but should have, was someone like the Phantom Stranger to show up on this show. I mean the series has been teasing something holding Daniel to the town and explain the mystical nature of Marias. so something had to be directing it all. It couldn’t be Xanadu (Jeryl Prescott) who seems more the human guide of this area. Not to mention the person who’s the sanest and warning folks not go down these paths. If only they’d listen to her this would be episode three, not five.
And I haven’t even taken about the lengths Avery goes this episode. Damn. What a bastard and I think actor Will Patton is having the time of his life playing the character. Just when you think Avery can’t sink to a new low. Bam. He’ll surprise you and go even lower.
It seems ever since the last episode, the show is just going to town on all sorts of angles. Oh sure, one may be predictable. But heck I’m a sucker for ghosts. Plus Woodrue now actively going after Swamp Thing should be interesting. Add to that Daniel has no idea what the higher powers of Marias want him to do will be interesting.
Movie
‘Mufasa: The Lion King’ Will Leave You Breathless
“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.
The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
Movie
Is ‘Kraven the Hunter’ a Total Letdown?
“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.
Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
Movie
A Brief Review and History of A Year Without a Santa Claus
A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.
The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.
Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.
Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.
The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.
For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.