This episode felt by the numbers for the most part, and so far feels like the weakest episode so far of the series, but I’m split about it because it also introduces a concept I love seeing for the first time i.e. The Rot, a force counter to “the green” that Swamp Thing’s powers come from. To see it in action was wondrous to watch and Swamp Thing (Derek Meeks) to collide with something on par with him.
The downside is well, the cliche aspects of it. We learn more unsavory things about Avery (Will Patton) which go just about where you expect the subplot to go. Then you learn even more things involving himself the Sheriff (Jennifer Beals), and at that point, I began to wonder why is this episode throwing every darn cliche in the book?
I mean it really does, cause on the other side of things, you have a rival from the CDC shows up in the town to counter all the work Abby (Crystal Reed) has done. It just becomes so darn predictable on where it goes. I felt like I didn’t even have to watch the entire episode to know where these story beats would go, and sure enough, they did.
On the plus side, we do get more out of Daniel Cassidy (Ian Ziering) and Madame Xanadu (Jeryl Prescott). Their scene teasing us besides of course the crazy swamp virus and what gave birth to Swamp Thing. That there’s something highly mystical going on in the area as well and the whole balance being unhinged (due to this new force being created).
That and Abby meets Jason Woodrue (Kevin Durand) for the first time, and as expected. The two don’t see eye-to-eye on the situation that is befalling Marais. It sets up Woodrue so much better as a rival to Abby than the idiotic CDC director. Like literally we could have Woodrue and her butt heads, but noooo we had to go with the stupid cliche idiot doctor who thinks they know better subplot to come on in here.
Which is sad, because these moments with Woodrue along with the Rot elements are what saved this episode from being so damn boring. Hopefully, this little trip doesn’t make the series fall flat on its face, and was just filler. It hurts to say that, but that’s what this episode truly felt like.
Like you could almost skip this entire episode and I bet I wouldn’t miss a beat on what happened in the next. I’m really being kind with my score here, only because for the few scenes we get, and well we see Swamp Thing take on another force besides itself (i.e. The Rot) in this episode. I just wish everything else around it was so much better. Truly a pity.
Movie
‘Mufasa: The Lion King’ Will Leave You Breathless
“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.
The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
Movie
Is ‘Kraven the Hunter’ a Total Letdown?
“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.
Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
Movie
A Brief Review and History of A Year Without a Santa Claus
A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.
The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.
Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.
Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.
The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.
For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.