Connect with us

DC Universe: Swamp Thing – Loose Ends

Published

on

So here we are. The final episode of the series. Darn shame since the potential for it to be more is there and of course the series does end in some finality. Some. For an episode called “Loose Ends” there are so many loose ends left. Sadly, an actual end we’ll never get. What we got. Wasn’t bad. Just that it was like any TV series. Sometimes it gets another season. Sometimes it doesn’t and it leaves one hanging wanting more.

I do kind want more. Even if there was some finality to some characters. We did get an end for about all but two characters. Not surprisingly, both are the antagonists of the show. I mean seriously what the hell is up with that last scene with Avery (Will Patton)? Like what the hell? On the other hand, I guess his personal hell has just begun.

Then there’s Jason Woodrue (Kevin Durand). Throughout the series we’ve seen this man who was a accomplished scientist find something, and become increasingly obsessed with it. Going to a new insane length for it. Whelp, this episode the final domino falls and Woodrue becomes what he was destined in the comics to be. The real crime is we’ll never see this version of Woodrue go against Swamp Thing (Derek Mears).

The thing is though, I did like the closure we got in this episode between where Swamp Thing is currently, and what he once was in Alec Holland (Andy Bean). Add to that the final scene he has with Abby (Crystal Reed). It truly did feel a nice end for both their characters. About the best end they could get given how abruptly the show was axed.

I really have to say Mears did a fantastic job as Swamp Thing. The suit, and his acting was just note perfect for the character. I mean Dick Durlock was the 80s and early 90s Swamp Thing, but Mears taps into that same character so well. I hope like Durlock, if there ever is another media version that they get Mears back. Cause damn he was good in this show.

I wish the same for Abby, but with what we get here. Abby does get some good moments. I just well, we get some damn finality with Harlan. I mean come on! How can they not give us some finality with that? Is he safe? Everyone got some end, but poor Harlan is in a freaking Conclave cell or something. Why didn’t he get some finality dammit?!

On another note. Damn did it treat the older set of female characters in this dirty. I mean I get that Maria (Virginia Madsen) opened a pandora’s box of bad spirits. And she sort of gets a happy ending. If you can call being stuck in the nut house for the rest of your life, with your mind broken. Then there’s the poor Sheriff (Jennifer Beals) who was dirty, but damn that was such a brutal end for her. Like damn. I just had to pause the video given how nasty her fate was in this series. Least Liz (Marie Sten) got out with a happy end and was safe from the crazy this series had. I figured given she was the noisy reporter that was a death warrant on these sorts of shows.

There was some damn fine performances all around by many (Mears, Reed, Sten, Patton, Beals, Bean, and Wade).  Hell, Henderson Wade deserves so much for taking such a cliché character that he was stuck with and made it work. His end was the worst because just when you thought everything was safe as those damn credits rolled. Bam! We get an end credit sequence. It was a nice teaser but again, nothing will probably ever come for it.

For what it was, Swamp Thing was a very entertaining horror series with that superhero twist to it. In many ways it reminded me very much of the early 90s show. A pity it wasn’t allowed to grow like that was for several seasons. But for what we got it was very pretty and I can easily see this becoming a cult classic TV show that many will look back on fondly. It did tell a mostly cohearant story from beginning to end. It did things with the character in other media it never tried. So for that I’m glad it told the tale it did. I just wish it ended on a somewhat better note for some. Like Harlan…. Poor Harlan.

 

Continue Reading

Movie

‘Mufasa: The Lion King’ Will Leave You Breathless

Published

on

“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.

The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.

The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.

Continue Reading

Movie

Is ‘Kraven the Hunter’ a Total Letdown?

Published

on

“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.

Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.

Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.

Continue Reading

Movie

A Brief Review and History of A Year Without a Santa Claus

Published

on

A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.

The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.

Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.

Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.

The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.

For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.

Continue Reading

Trending

Copyright © 2012 - 2024 That's My Entertainment