Spider-Man is one of Marvel’s most iconic superheroes. His onscreen career however, has been always been hit or miss.
For every Spider-Man 2 with Dr. Octopus, there’s an Amazing Spider-Man 2 with Electro just wanting a friend. Seriously, someone thought THAT was a good reason for a villain to become evil ? Well, after Spidey’s excellent appearance in Captain America: Civil War, there has been hope that we would see another solid outing from the web slinger.
Spider-Man’s villain game (at least on screen) has always fell a bit flat for me. This time though Micheal Keaton’s, The Vulture was awesome. His ruthlessness, ingenuity, and motivation for his evil ways is what I want in my villains. The way they wove his character in to the Marvel Cinematic Universe was cool as it involved the aftermath of the first Avengers movie. With his company having it’s big government salvaging contract pulled from underneath him he is going to lose it all. He then takes some of the alien tech he already salvaged and turns in to a high powered weapons dealer.
Keaton’s quiet yet menacing presence on screen plays well against Tom Holland’s loud mouth jokester. Speaking Tom Holland, he plays the role of high school Peter Parker pretty well. He throws in a slightly cracking voice as Peter is only in tenth grade and you know, puberty. He’s awkward, bright eyed, and hasn’t quite figured out his life just yet. He still has this fantastic ideal in his head that he is an Avenger as he still has the suit Tony Stark gave him. He just dreams of being something bigger than a guy who stops small time crimes.
I like Holland’s version of Spidey the best so far. His relationship with Tony Stark is that of a we don’t hug but you know how I feel type of mentor. He shows up to check Spider-Man’s ego. He only shows up maybe four to five times in the film but they are short, sweet and effective in pushing the narrative along. Oh, and Marisa Tomei is hot Aunt May. Literally, the movie throws it in your face infinity times that this is what she is as men give her gifts and compliments throughout. It was a shoulder shrugger for me.
The action sequences were decent but nothing that you gotta see. The appearance by Donald Glover was OK. Nothing newsworthy, but funny. Same can be said of Hannibal Burress’ quick little step in to the Spideyverse. I’m glad they used the affiliation with the MCU sparingly yet abundantly enough to let you know they exist in the same universe. It made the world seem larger. If only we can get the X-Men and numerous other heroes to do the same it will be a massive money maker (looking at you Fox…again). It’s not perfect although, a great start to a third attempt at a franchise for the wall crawler. Spider-Man:Homecoming takes a 4 out of 5 from this comic nerd.
Movie
‘Mufasa: The Lion King’ Will Leave You Breathless
“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.
The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
Movie
Is ‘Kraven the Hunter’ a Total Letdown?
“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.
Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
Movie
A Brief Review and History of A Year Without a Santa Claus
A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.
The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.
Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.
Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.
The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.
For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.