Everyone knows Matt Groening has a singular, unique style of animation he and his company are well known for at this point. It began with The Simpsons more than two decades ago now, continued with the adventures of Futurama, and now we dive deep into the brand new fantasy world of Disenchantment!
Here in the Kingdom of Dreamland, there lies, inevitably, a Princess. There’s a gruff and tumbly King and a wicked-looking stepmother, but this show is all about Princess Tiabini, or Bean (Abbi Jacobson) as she prefers to be called. And Bean is no ordinary Princess, nope, she likes to drink and gamble and hates that whole Princess trap of being forced to marry someone she doesn’t love or even know that well yet, and really dislikes running around in dresses, because yeah, on top of all that Bean is completely graceless too. Expect a belch and a grin in place of a curtsy and a simper, because Bean is the utterly blasé commoner in us all!
Elfo (Nat Faxon) is an elf from, where else, Elfwood, a place where everything is sweet, both figuratively and literally. The elves make sweets and candy and all sugary things to rot your teeth, and they’re so saccharin-sweet to each-other you kind of want to kill them on general principal. In Elfwood, conformity isn’t just a requirement, it’s meant to be a joy too, and Elfo in his little green personhood, just can’t stand how godawful nice they are. He actually wants to experience the miseries and mysteries of life outside Elfwood, and as drunken destiny would have it, he meets up with Bean, on whom he conceives a mighty crush.
King Zog (John DiMaggio) over here, he just wants to rule Dreamland as best he can – he never wanted to be King, he was the brother warrior, good at fighting and killing stuff. But now, he’s managed a marriage alliance with a neighboring swampland kingdom and produced a periwinkle-pale heir to the throne, so what else is there to do but nag Bean day after day into being a proper Princess, whatever that means, and oh yeah, squeeze a ton of elf blood from Elfo, because hey, he’s magical. Elf blood can create the elixir of life y’know, and Zog has a whole bunch of magic-users and shady advisors to help him with that nonsense.
Luci (Eric Andre), and you can easily guess what it’s short for, is a little coal-black demon, that most everyone thinks is Bean’s talking cat. He’s a chain-smoking enabler of a blunt little bastard, always encouraging Bean to drink, carouse, and generally be as bad-decision-making as possible. Very little is known about his background or motivations, other than to tempt Bean to Do Bad Things, yes, but why her? No-one else has a demon attached to them, and one would think some of these moronic wizards attempting magic would’ve made some rather bad choices concerning demons and the like. It seems Luci was actually sent to corrupt Bean, by some very shady characters who want to rain down destruction on the Kingdom of Dreamland and her inhabitants!
Anything more would give the entire rest of the show away, and ‘Disenchantment’ is far too good to do them that disservice. Groening and his animators have really gone all-out for the sets and backdrops of this new show, far beyond even what ‘Futurama’ was regularly known for, and it shows. The first few episodes can be watched out of order if you like, but the latter half of Season One follows a clear pattern and tells an adorable story, full of wonder and enchantment, yes, but also everyday troubles we can all relate to as well.
Go elf and demon hunting with Disenchantment on Netflix now!
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“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.
The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
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Is ‘Kraven the Hunter’ a Total Letdown?
“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.
Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
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A Brief Review and History of A Year Without a Santa Claus
A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.
The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.
Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.
Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.
The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.
For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.