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Disney’s New Film, Christopher Robin, Has No Magic.

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Most children’s stories, fantasies at least, need magic to work. That is, there’s usually some means by which the everyday, the known, is mixed with or confronted by the magical. It can be a rabbit hole, a wardrobe, fairy dust, or a spoken spell. And to become a classic, to be read or seen by generation after generation, it needs deep magic; it needs to speak in a way that doesn’t talk down to the child and at the same time resurrects the child in the adult. That’s deep magic.

Disney’s new film, Christopher Robin, has no magic. In fact, it sucks the magic from one of the most magical stories there is.

On second thought, it has one morsel of magic; it has what remains of the innocent wisdom and sad goodness of Pooh. Pooh and his red balloon. But in this soulless and painfully irritating film, the silly bear is all but smothered, shouted silent by one dimensional characterization, predictable and shallow plotting, emotional turns that barely pivot, and …god save us from another one … a car chase. And his red balloon, if not burst, slowly deflates until it’s just an empty reminder of when the stories set in a Hundred Acre Wood could transport and lift us.

What makes this mess even more discouraging is that the film is directed by Marc Forster, whose ability to evoke wonder in Finding Neverland was so pitch perfect.  But then that film was about a child-man, J.M. Barrie, who could weave spells like a wizard. And it was an adult film. It was a film that was sure of what it was and the story it was telling.

Christopher Robin, on the other hand, seems lost, much more so than it’s single-trait, uninteresting adult hero, played limply by Ewan McGregor. Even when seen as a boy, in the rushed and superficial prologue, Christopher Robin was unengaging. This is not the boy from the books, nor even the child from the Disney animated films.

We see him on the verge of leaving for boarding school, leaving behind the sweetness and innocence of his childhood world and his delightful menagerie of friends, and he seems emotionally distant. Ironically it’s a perfect match for the adult he becomes. This emotional disengagement is consistent in Christopher’s wife and daughter, not as the result of bad acting, but because of poor writing. They did all they could with the characters but there was so little there for them that they’re left stranded and adrift.

Sadly, the animation is great! A shame it’s wasted on this movie. Once again, we have a Hollywood film that believes that technical wizardry will substitute for good storytelling. It never has and never will. And where there is no Uncanny Valley between the animated characters and the live action folk, there is an emotional Grand Canyon between the characters and the audience.

Except for poor Pooh. Your heart breaks for such a beautiful and rich character in such an unattractive and poor film.

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‘Mufasa: The Lion King’ Will Leave You Breathless

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“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.

The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.

The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.

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Is ‘Kraven the Hunter’ a Total Letdown?

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“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.

Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.

Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.

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A Brief Review and History of A Year Without a Santa Claus

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A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.

The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.

Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.

Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.

The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.

For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.

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