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Don’t Look Up Is A Brilliant New Classic

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Back in the 1960s, Stanley Kubrick crafted the brilliant classic Doctor Strangelove to put the current political zeitgeist under the microscope. The film plays as a comedy, but the stakes are extremely high throughout, especially by the time the credits roll.

The same can be said for Don’t Look Up, a fantastic new film by Adam McKay (ViceThe Big Short) that turns its lens on current American culture as we try and survive catastrophe after catastrophe. The film takes a look at what would happen today, right now, if we knew a comet was going to wipe out all of humanity.

Most films would play it like Armageddon or Deep Impact making it look like everyone in power would do absolutely everything they would to stop it. But, let’s face it, we’re in that place anymore. COVID has shown that even when faced with certain, scientifically proven facts, many will just ignore the problem hoping that it will go away on its own.

But an extinction-level event won’t just go away. Through the eyes of Dr.  Randall Mindy (Leonardo DiCaprio) and his student Kate (Jennifer Lawrence) both of whom made the discovery, they desperately try to get people to listen to the facts in a world that just isn’t listening anymore.

Along the way, they get sucked into the world of politics and media hype. DiCaprio, who deserves an Oscar for his performance as a Michigan astronomer, loses control of the situation and literally ends up in bed with the enemy. Lawrence isn’t so lucky and gets chewed out by the internet meme machine turning her into a pariah.

The film itself takes aim at everyone, sometimes not so subtly. Meryl Streep takes the role of the far too cavalier president that has hired her son (Jonah Hill) as Chief of Staff. It takes minutes before you realize they are meant to be stand-ins for the Trumps and they both play the role beautifully.

By the end, it is clear this is more about humanity’s response to COVID than the meteor, but the message comes through loud and clear. Unless we do something, like actually listen to scientists and drown out media hype, humanity is most likely doomed.

Adam McKay deserves a ton of credit for crafting such a masterpiece that is apparently already polarizing audiences. I get the feeling this will be seen as a cult classic years from now once we’ve had time to properly appreciate it. We’re still in the center of the madness just as Kubrick was when he made Doctor Strangelove. Time, and hindsight, will solidify Don’t Look Up as a new classic

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‘Mufasa: The Lion King’ Will Leave You Breathless

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“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.

The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.

The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.

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Is ‘Kraven the Hunter’ a Total Letdown?

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“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.

Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.

Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.

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A Brief Review and History of A Year Without a Santa Claus

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A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.

The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.

Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.

Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.

The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.

For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.

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