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Dr. Drew Pinsky Talks Mental Health and Gun Violence In America

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Dr. Drew Pinsky’s long running call-in show Loveline, with Adam Carolla, aired on MTV for 32 years and pioneered a pop culture adaptation of relationship and safe sex education.

The show, featuring an assortment of celebrity guest hosts, served as a lifeline to multiple generations. Dr. Drew’s Teen Mom franchise, also an MTV staple, opened the eyes of television viewers to the trials of teen pregnancy and teen parenthood where previous methods had fallen short. Dr. Drew’s critically acclaimed VH1 docu-series Celebrity Rehab with Dr. Drew and it spinoffs Sex Rehab with Dr. Drew and Sober House, allowed viewers an intimate look inside the causes of addiction and the arduous road to addiction recovery.

With his HLN show, Dr. Drew On Call, which aired from 2011 to 2016, he broadened his television audience, delving into the behavioral components behind the headlines of the day. Dr. Drew’s New York Times bestselling book, The Mirror Effect: How Celebrity Narcissism is Seducing America (Harper Collins), examines the widespread adoption of celebrity narcissism within our culture.

A true advocate who has spent decades bringing once-taboo health matters to the forefront of public discussion, he now hosts MTV’s Teen Mom OG, KABC’s Dr. Drew Midday Live and The Dr. Drew Podcast, the #1 health podcast on iTunes.

A health crisis that is gripping our nation is that of adolescent mental health and gun violence. This generation is dealing with a problem that goes far beyond typical teenage angst, as it deals with the frightening fallout from a broken healthcare system and gun control laws that have failed to address our societal landscape. These issues intersect at the corner of one of our biggest political and social quagmires. Unfortunately, gun violence is nothing new to young people from America’s poorer urban pockets who have been living under its threat for decades. Gun-related injuries and fatalities in school settings date back to the 18th century, with the first American school shooting on record taking place on July 26, 1764 in the town of Greencastle, Pennsylvania.

The epidemic of mass shootings in more affluent suburban enclaves entered the public’s consciousness on April 20, 1999 in Littleton, Colorado, at Columbine High School. The most recent school shooting that took place on February 14, 2018 at Marjory Stoneman Douglas High School in Parkland, Florida, has left an encouraging and unstoppable movement in its wake, reminiscent of the social and political mobilization of the 1960s and 1970s.

The courage, clarity, and strength the students from Marjory Stoneman Douglas have demonstrated in the face of unspeakable tragedy, and their ability to mobilize a nation, inspired me to sit down with Dr. Drew Pinsky for a frank discussion about the state of adolescent mental health and its intersection with gun violence in America.

TME: Why are school shootings a recent phenomenon over the last 19/20 years?

Dr. Drew Pinsky: There’s a multiplicity of factors and no simple answer. Obviously, it’s guns and the type of guns. But in addition, it’s the access that people have; people who have a proclivity towards self-harm or harming others (The Florida state Senate just passed a bill upping the legal age to purchase a fire arm from 18 to 21 and mandating a 3-day waiting period. It now falls on Florida state Congress to vote). We all know that adolescent males will complete suicide because of their use of fire arms. It’s not a far reach from feeling that your own life doesn’t have meaning to other people’s lives not having meaning. We’ve connected that bridge now.

TME: What leads a young man to get to the point where they no longer value their own life?

Dr. Drew Pinsky: Within adolescent depression it becomes a special case when they have this sort of magical thinking that this will solve their problems, and they’ll be around to see the solution after they’re gone. But we’re seeing this in young adults, not just adolescents. I happen to believe, and this is one man’s opinion and it’s hard to substantiate the data, but we’ve been through an epidemic staring in the 1960s of adverse childhood experience. Our families are unhealthy.

My work in media has been almost exclusively dealing with people with addiction issues and addiction medicine; people with issues of physical abuse, sexual abuse and neglect in their childhood. These are profound injuries. Among those injured are people who don’t have the ability to regulate their emotions or really have any sense of empathy for others. We have a growing population of people who have difficulty with empathy and difficulty with emotional regulation… and a firearm. It’s a pretty potent combination. And we have drugs and alcohol; we have a massive problem with that. I’ve begun to think of it all as sort of this spiritual bankruptcy.

TME: When I am speaking with a physician, like yourself, I always wonder how you feel about the intangible factors, like a spiritual component.

Dr. Drew Pinsky: I am always challenged by my patients in that regard. They will tell me that their recovery from drug and alcohol addiction, that I turned them towards it, but really it’s the spiritual connection they make that actually leads them into a full recovery. I’m okay with that. Whatever gets them there! I think there can be a stigma with words like “soul” or “spiritual” because people tend to equate them with religion. But I think [spiritual] is a word people can understand without indoctrinating religion into it. Whatever it is, we need to feed our souls and feed our spiritual life in a much better way. It starts with our families and our relationships, and our communities.

TME: Do you think social media and being tied into this Matrix-like existence instead of being more community oriented like in generations past, do you feel it’s leading to a spiritual breakdown?

Dr. Drew Pinsky: I think it has accelerated the mob, and mob-like behavior. It gives people a sense of pseudo-intimacy, which is quasi-pathological. It’s not real. There is a sense of connection, with no real connection. It gratifies only the most basest of emotions – envy, aggression, arousal, and all of these addictive emotions. It doesn’t do anything for empathy, nurturing, service, making a difference. I don’t see it as the cause, but as an amplifier of these problems. When I wrote my book about narcissism years ago (The Mirror Effect), I wanted to include a chapter on previous moments in history where narcissism had prevailed and where childhood trauma has been prevalent. Wherever I found those trends, I found mob action, guillotines and mob aggression. We’re seeing it now, and it just happens to be in social media.

TME: What are your thoughts about how media chooses to cover these mass shootings and other large scale violent crimes?

Dr. Drew Pinsky: There’s contagion, not doubt about it. There’s contagion with things like suicide, all sorts of violent acts, and with pathological behaviors like cutting. All these things have contagion associated with them. I almost feel like it’s a double-edged sword. Yes, there’s contagion, but we also have to take a good hard look at the realities we face.

TME: And when you say “contagion” you’re talking about the copy-cat effect, just to clarify for people. Personally, I feel that releasing the person’s picture and their name, and analyzing their motives is playing into their pathological desire to gain attention for their act.

Dr. Drew Pinsky: There’s no doubt that the thinking of the perpetrator includes things like that, but not saying their name also gives it a kind of energy that I think is weird. I’d like to see the evidence that holding back the name somehow reduces the contagion effect. I just don’t see it.

TME: Let’s talk about you. When you were in high school and college, what coping skills did you cultivate to deal with things like anxiety, depression, stress and peer pressure?

Dr. Drew Pinsky: I had a problem with that. I had panic attacks. I’m still formally diagnosed with Generalized Anxiety Disorder. I was depressed when I was nineteen and there were no services for adolescents at that time. I think that’s what got me interested in helping that population with mental health, in general. I was so mishandled, it was egregious. I thought maybe I was having a seizure when I was having a panic attack; I wasn’t sure what it was. But I understood there was a mental health issue.

I went for help and I was told that I needed to get my act together, and I should take long walks in the woods. I would have happily gotten my act together (laughs)! And I was socially awkward, I was living in New England in college and didn’t know what I wanted to do with my life. What got me out of that was finding purpose. Finding medicine and science, getting turned on by that and getting into it, and feeling good about what I was doing. That’s what helped me climb out. And I had therapy, though the therapy I had in college wasn’t very good

TME: In the late seventies, wasn’t the field of mental health first really understanding what anxiety was, and first beginning to treat it?

Dr. Drew Pinsky: They knew what anxiety was. They didn’t really understand the developmental phenomenology and psychiatry of adolescents. That was poorly understood, and certainly what to do with it was even more poorly understood. My wife and I have triplets, and we’ve used mental health services all the way through in raising our family, every step of the way, and it’s yielded dividends. We used behavioral therapists when our kids were very young, and it’s always yielded results and been positive for us.

TME: What kind of support system did you have around you in those early years?

Dr. Drew Pinsky: I had very limited support. I was connected, but not intimately connected, and I didn’t understand really what I was feeling, I didn’t have that insight. I remember reading a lot of material that really didn’t help. There was nowhere to turn at that time, and I’m angry about it to this day. But again, it’s what made me interested in mental health, and in adolescent mental health.

TME: Is that why you’ve cultivated this public platform? As Dr. Drew, you are very much looked up to by young people as a valuable source of information.

Dr. Drew Pinsky: It was actually more of a fortunate accident in my life. I’d always been interested in public speaking, and in my fourth year of medical school somebody asked me to give some commentary on a radio show. When I went in there I had this very powerful instinct that this was important. No one was talking to people about AIDS and safe sex. The term “safe sex” hadn’t been invented yet.

I couldn’t believe the lack of knowledge out there, and the lack of willingness to talk to adolescents. What I said at the time was that the whole sexual revolution had been perpetrated by adults without ever really thinking about what it was going to do to adolescents. I was twenty-four years old and I thought, “I know what seventeen and eighteen-year olds are up to, and they need to know about HIV and AIDS.” It wasn’t even HIV yet. They had just started calling it AIDS at the time. I was dealing with it in my [medical] training every day. People forget about that period of history. It motivated me to get out there and talk about it.

TME: How did you parlay this into Loveline for MTV?

Dr. Drew Pinsky: I was doing [radio] once a week. It was a great social outlet for me and it was late at night on a Sunday, so I could fit it into my schedule. I did that for ten years for free. I looked at it like I was doing community service. The week my wife got pregnant with triplets was the week that the radio powers-that-be decided they wanted to put the radio show on five nights a week. To which my wife said, “No more community service. If you’re not changing diapers, you’re getting paid!” I walked into the radio station hat-in-hand and asked for a job. It kept going from there and then these television guys showed up and we ended up doing Loveline on MTV. We would film six shows a week on Friday and Saturday, and the rest of the week I practiced medicine. I was a severe workaholic in those days. It really wasn’t until 2010 when I was doing HLN’s Dr. Drew On Call that I felt it was okay to officially say I’m on to my second career. That’s when I started dialing down my clinical material and started really focusing on creating media.

TME: What kind of impact do you feel you’ve had on young people?

Dr. Drew Pinsky: I hope I make them think. I’ve broadened the scope of who I want to influence. I’m not just trying to influence young people. I would like to influence all different age groups. Ultimately, particularly with young people, I’ve noticed that the most efficient way to affect their behavior is to give them a relatable source. If you remember, Loveline was about taking phone calls and then we would analyze the cases. With Teen Mom, it’s about looking at the consequences of teen pregnancy.

When they approached me about Teen Mom, I knew it would have a positive effect on teen pregnancy; I just knew it. And lo and behold, there is ample research now to show that it did (according to the CDC, teenage births have steadily declined, across all ethnicities, over the last ten years). For young people, I always like looking at the behavior, and then saying, “Here’s how to analyze that, here’s what this means.”

TME: I think you should do another television show for that same demographic, focusing on the importance of overall mental health.

Dr. Drew Pinsky: Well that’s what Teen Mom is. Teen pregnancy is a symptom of a mental health problem. Other people look at it as a social issue. I look at it as a symptom of somebody who has some mental health issues. And you can see, as these women grow up, there are significant issues there. But television is a strange beast. You can’t be overtly didactic. It has to be hidden in the story.

TME: Like you, I live with anxiety and panic disorder. I’ve always had to be pro-active about my mental health, like the way other people go to the gym to stay in shape. My concern is that the importance of staying on top of your mental health needs to be communicated to young people, in mass.

Dr. Drew Pinsky: I certainly try. On HLN, almost every night I would chant, “Why do we treat medical conditions above the neck differently than medical conditions below the neck?” In other words, why are brain disorders special? Brain disorders are the same as pancreas disorders. It just happens to affect an organ that is associated with our concept of behavior. Just like you would treat your heart or your pancreas or your lungs, it’s medical matter. And treatment works. People need to stop associating it with stigma, or a moral failing, or as any different than any other medical issue. You and I also know it’s brushing past a larger issue, which we would call “spiritual.” It ties into mental health, and I feel that is a bigger social, psychological problem affecting our society. At its core, it’s about our relationships.

TME: We’re seeing a disturbing trend of young males and gun violence. What are we missing when it comes to male adolescent mental health?

Dr. Drew Pinsky: Adolescent males, when they have spiritual and psychological problems, become aggressive. And when they don’t have some sort of outlet that they are engaged in, any time there’s social unrest, there’s young males. That’s just the way we’re wired. Males need to be challenged. This sort of co-dependent helicopter parenting over the last twenty years has been about preventing children from experiencing discomfort.

I think there is a major deficiency right now. In addition to our spiritual emptiness, we have lost the ability to tolerate ordinary misery. Ordinary misery is good. And our children need to experience ordinary misery to learn how to regulate their emotions and overcome. Unless we are challenged we feel deficient. Because of our narcissism as parents we can’t tolerate seeing the child’s discomfort and disappointment, because it mobilizes our own internal misery, which we avoid. We use drugs and alcohol, and extreme sports, and all kinds of ways of avoiding. But when we include our children in making sure they don’t have those feelings as well, there’s a problem. I think that in some way, it is affecting the young male. It’s probably experienced differently from the young female.

TME: Yes, females internalize emotions.

Dr. Drew Pinsky: Women go in, men go out.

TME: I’m going to throw a scenario at you, and tell me what you think could be a viable solution: A single parent home with limited financial resources, and an under-supervised child who’s beginning to show signs of deteriorating mental health…

Dr. Drew Pinsky: I feel unworthy of the question you’re asking me, except to say, like we’ve been discussing, make sure there is access to mental health services and that there is no stigma associated with that. But there are other solutions which goes under the heading of Mutual Aid, whether it’s a church or a community. I’m thinking about that book, Bowling Alone (Simon & Schuster). Have you read that book? It’s about the decline of club membership in the United States.

I think we’re all bowling alone (laughs). And you can’t do it; you can’t do it by yourself! But you also can’t do it with perfunctory supervision. There has to be real, intimate contact and I’m not sure we know how to do that. That’s why where there are resources out there, we need to deploy it and amplify it, and build community around it. Many people are not good at it and don’t even tolerate closeness anymore, mostly because many people have been neglected or abused. When you’ve been hurt as a result of close relation, guess what you want to avoid in the future. We must overcome that.

TME: What are your thoughts on the students from Marjorie Stoneman Douglas High School and the #NeverAgain movement?

Dr. Drew Pinsky: Like the rest of us, I am so impressed with their poise, and their willingness to make change. They’re taking action. They’re being vulnerable and present. It’s inspirational. What I see gives me great hope.

Visit http://drdrew.com/get-help/ for assistance in finding mental health support services. For help with anxiety and depression, visit https://adaa.org/finding-help/treatment. Tune in to The Dr. Drew Podcast and Dr. Drew Midday Live.

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Anime Review: Tower of God

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Rating: 8.5/10

Tower of God is a unique anime that dives deep into a mysterious world filled with peril, ambition, and complex character motivations. Based on the popular South Korean webtoon by SIU, the series combines fantasy, action, and psychological drama in a way that keeps viewers engaged with every episode.

The story follows Bam, a boy who’s spent his entire life in a dark cave until he meets Rachel, his only friend. When Rachel disappears to climb the mysterious Tower in search of something greater, Bam sets out to find her, stepping into a world full of strange creatures, powerful individuals, and unyielding rules. The Tower promises anything to those who reach the top, from wealth to power, and even the realization of one’s deepest desires. However, each level is a deadly challenge, and Bam soon discovers that the Tower’s residents—both friends and foes—have their own motives and secrets.

The art style is unique, slightly rough but incredibly fitting for the otherworldly setting of the Tower. While some of the animation might feel less polished compared to high-budget series, Tower of God’s style has an authentic, almost raw feel that captures the danger and mystery of each level. The color palette shifts from dark tones to striking colors, setting the mood for each scene and making the intense battles and emotional moments stand out.

One of the show’s biggest strengths is its cast. Bam, the protagonist, is intriguing as he starts naive and innocent but quickly grows more complex as he learns the reality of climbing the Tower. Khun, a strategic and cunning character, becomes a fan favorite due to his loyalty and calculated mindset. Then there’s Rak, a battle-hungry giant with a hilarious personality, bringing some much-needed humor. The character dynamics are strong, and each character’s backstory adds depth, making them feel real and memorable.

Tower of God explores themes of friendship, betrayal, and the lengths people will go to achieve their goals. It also delves into how power and desire shape individuals and relationships. The Tower itself serves as a metaphor for the hurdles people face in pursuit of what they want most, and it challenges the characters’ morals and values along the way.

Soundtrack: The soundtrack, composed by Kevin Penkin, is exceptional and elevates the anime to another level. The music captures the mystery and tension of the Tower while bringing an almost haunting beauty to the series. Tracks like “Against the Sky” are intense and epic, fitting the show’s dramatic tone.

Tower of God is a must-watch for fans of dark fantasy and psychological thrillers. It combines a complex storyline with unpredictable twists, layered characters, and thought-provoking themes. However, it does leave some questions unanswered and ends on a cliffhanger, so it may feel incomplete without a continuation. Overall, Tower of God offers a fresh take on the fantasy genre and a deep, rewarding journey up the Tower for anyone willing to follow Bam’s quest.

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Anime Review: A Certain Scientific Railgun

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Rating: 9/10

A Certain Scientific Railgun is an electrifying anime that mixes superpowers with science fiction in a city brimming with secrets. It’s part of the Toaru (A Certain) franchise, which also includes A Certain Magical Index, but it stands out by focusing on the everyday lives, struggles, and mysteries surrounding some of Academy City’s most intriguing characters. Railgun captures the blend of friendship, science, and action, wrapped in a plot filled with suspense and heartfelt moments.

The story revolves around Mikoto Misaka, a powerful “Level 5” esper known as “Railgun” for her ability to shoot electricity like a railgun. Set in Academy City, a futuristic place dedicated to advancing human potential, the series follows Misaka and her friends—Kuroko Shirai, a teleporting “Judgment” officer; Ruiko Saten, a Level 0 with no esper abilities; and Kazari Uiharu, a cheerful tech enthusiast. The story flows between slice-of-life moments and intense action arcs, especially as Misaka digs deeper into Academy City’s dark side.

Each season introduces distinct plot arcs, like the “Level Upper” arc, where a mysterious device temporarily boosts students’ powers with dangerous side effects, and the “Sisters” arc, which reveals a shocking experiment involving Misaka’s DNA and a massive cloning project. The story is well-paced, taking viewers from lighter episodes that build relationships and humor to episodes packed with suspense and powerful emotional twists.

The animation by J.C. Staff is fantastic. Academy City feels vibrant and alive, with futuristic buildings, labs, and tech that set a high standard for a sci-fi city. The fight scenes are beautifully animated, especially when Misaka uses her electricity powers, creating brilliant sparks and electric blue streaks that are visually stunning. The art style balances the serious with a light, polished touch, keeping the show visually appealing across action-packed and everyday scenes alike.

The heart of Railgun is its cast. Mikoto Misaka is a strong, complex protagonist who’s both a powerful esper and a kind, sometimes awkward teenager. Her determination to protect others, combined with her own vulnerability, makes her a compelling character. Kuroko adds humor and loyalty as her supportive friend and partner, often lightening tense moments. Saten and Uiharu, while less powerful, bring warmth and relatability, especially as they grapple with what it means to be “Level 0” in a society that values power.

One of the most memorable aspects of Railgun is how it balances power dynamics and character development. Unlike many shows focused solely on high-powered heroes, Railgun values its entire cast, showing how even ordinary people play vital roles in challenging corruption and protecting the city.

A Certain Scientific Railgun dives into themes of friendship, power, and ethics, especially the moral cost of scientific advancement. The series raises questions about the value of one’s abilities versus character, and how people handle failure or the absence of power. Misaka’s personal journey, especially in the Sisters arc, highlights the responsibilities that come with power, as she learns her DNA was used to create clones exploited for a deadly experiment. This arc adds emotional weight to the series, as Misaka battles guilt, anger, and a desire to right the wrongs done in her name.

The soundtrack in Railgun is energetic and fitting, enhancing the tone of every scene, whether it’s a high-stakes battle or a quiet moment among friends. The opening themes, especially “Only My Railgun” by fripSide, are iconic and perfectly capture Misaka’s fierce, independent spirit. The background music subtly enhances each scene, adding a layer of suspense, excitement, or warmth as needed.

Final Thoughts: A Certain Scientific Railgun is a must-watch for fans of science fiction and action anime with strong character development. It manages to deliver both powerful story arcs and entertaining slice-of-life moments, giving viewers a sense of attachment to Academy City and its residents. The storylines are not only thrilling but thought-provoking, making you question the impact of scientific progress on human lives.

While it helps to know a bit about the Toaru universe, Railgun stands on its own with an engaging story and cast that will appeal to newcomers and seasoned fans alike. With thrilling fights, heartwarming friendships, and an electrifying main character, A Certain Scientific Railgun is a standout in the genre. If you’re looking for a series that’s equal parts action, heart, and intrigue, this is it.

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Sweetpea

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Sweetpea is a new dark comedy series created by Kristie Swain and adapted from a novel series by CJ Skuse. The series stars the ethereal goddess that is Ella Purnell (Fallout, Yellowjackets) using her actual English accent! 

Purnell plays a young woman whose name is not actually Sweetpea, though she is very much a wallflower. Though even Wallflower might have too much gravitas, Rhiannon (Purnell) is treated by those around her like a weed. She is stepped on and ignored by everyone except her dad and pet chihuahua. Many have argued that Purnell is just ‘too pretty’ to be that abjectly ignored by everyone. However, Purnell is an amazing actress who plays the washed-out, doe-eyed, shrinking ‘sweetpea’ so convincingly. 

Rhiannon was bullied heavily in school which led to her developing trichotillomania (a hair-pulling disorder) which ultimately caused bald patches on her scalp. She still keeps an unconvincing brunette wig in a drawer in her bedroom. Rhiannon’s dad is constantly encouraging Rhiannon to stand up for herself. Unfortunately (light spoiler!) Rhiannon’s Dad dies from his illness in the first episode, leaving her alone in the world. 

Rhiannon returns home to the large empty house she once shared with her dad. After yet another tragic incident Rhiannon looks at her life, her thirst for revenge is obvious. Particularly against her main school bully Julia Blenkingsopp (Nicôle Lecky).

Rhiannon sees Julia as having a perfect life and didn’t peak in high school “like bullies are supposed to do!”. When Rhiannon returned to work as an admin assistant for a local paper, not only did none of her colleagues notice her absence but they didn’t acknowledge her return. The only person who appears to talk to her is her boss Norman played by Jeremy Swift (Ted Lasso) who condescendingly calls her “sweetpea” and demands tea. 

Rhiannon’s mental state declines enough for her to finally confront Julia in a club. Julia and her friends laugh at Rhiannon which brings memories of school back and anxiously tugging at her hair. This leads Rhiannon to commit a horrifying yet liberating crime when leaving the club leading to a whole new way of expressing herself.

What I Liked:

I enjoyed watching Rhiannon’s confidence grow throughout the series. Purnell herself spoke about the production of subtlety added makeup to subconsciously influence the change in her. Rhiannon transformed from a shrinking girl to a hip-swaying, go-getting career woman. Yet its clear there is a lot of mental turmoil within Rhiannon. Purnell (2024) jokes that she actually “got kinda jacked”  due to the tension she held in her body whilst suppressing Rhiannon’s rage. Purnell also comments on how freeing it was to let it all out which Rhiannon does many times and is just as satisfying for the audience!

Initially, I found every character rather one-dimensional and stale compared to Purnell. However, as the show progresses most characters become multifaceted, particularly Julia. The narrative of the show really makes you question your own morals and sense of justice. You find yourself making excuses for Rhiannon and almost cheering her on when you really, really shouldn’t.

I also enjoyed how the show explores the victim complex. Is Rhiannon really a victim or has she taken on this mantle and lived her life accordingly? Sweetpea expertly plays with the shades of grey in the ideas of what makes someone a bully and what makes someone a victim. 

Sweetpea fits in perfectly in the genre of British black comedy. Scenes like when Rhiannon is clearing out her chest freezer and then climbs in herself to see if it could potentially fit a body. The door of the freezer almost closes on her but she catches it just in time. This scene perfectly captures just what kind of character Rhiannon is.

I also liked how the character’s houses were used as metaphors for their lives. The home Rhiannon shared with her father is messy and cozy yet in desperate need of TLC and repair much like Rhiannon herself. You can tell it’s a well-loved home with a long history much like Rhiannon and her father’s relationship. In stark contrast to Julia’s fiercely stylish and minimalistic home which she shares with her fiancé. It’s sleek and modern yet ultimately empty with little sign of love. 

The opening credits and music choices are also fire.

What Could Be Improved:

Like many others, I didn’t quite believe someone as beautiful as Purnell would be completely ignored by the general public. It did look at times like they were relying on drab clothing and too light foundation to make her look mousey. However, as stated, Purnell’s performance does save it.

The main ‘love triangle’ (if could even call it that) was a bit forced. Calam Lynch’s portrayal of Rhiannon’s colleague ‘AJ’ was a bit too enamored with Rhiannon with no real build-up. However, I found myself really enjoying Jon Pointing’s portrayal of ‘Craig’ and wishing his arc had been explored more. 

I really wanted the show to lean more into the exploration of ‘abuser’ and the ‘abused’ and take it to a deeper level. Maybe in series 2?

All in all, I enjoyed this traverse through Sweetpea’s world. I am interested to see where they go with it in the future.

Three and a half stars.

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