Since the turn of the decade, Disney has made it their mission to re-imagine their classic animated films into live-action spectacles. Using the original works as launching pads they’ve managed to stretch and re-purpose old ideas for new audiences. Although the end products have varied in quality, their source material is still heralded as animated classics, but do they still earn that distinction? In honor of the recent release of Dumbo, we’ve revisited the original circus to see if it’s still worth the price of admission.
The plot is fairly straightforward. Mrs. Jumbo, a circus elephant, receives her first child from a stork. The baby is quickly nicknamed Dumbo by the other elephants due to his enormous ears. Relying on his mother and his only other companion, a field mouse named Timothy, Dumbo struggles against the cruelty of the circus to discover what truly makes him special.
Dumbo was made at a time when Disney was attempting to recoup from the financial hit they took with the release of Fantasia, so the company intentionally targeted simplicity in the film’s creation. Coming in at a tight 64 minutes, Dumbo relies on just a handful of sequences to deliver its message and the emotional punch. There is very little fat on the film, and each set-piece feels essential in the breaking down or building up of Dumbo.
This feels silly to repeat in 2019, but the animation team provides the backbone of the film. With Dumbo being one of the few non-sidekick silent characters to lead a Disney feature, there is a sizeable amount of pressure on his design elements to create an emotional attachment for the audience, and it’s almost instantaneous. Watching the little elephant stumble and trip over his own ears is equally amusing and soul-crushing. Dumbo is goofy looking, but he still deserves the best, that precious angel.
There is just as much care and attention put into sequences not starring the darling, big-eared mammal. Watching a frantic group of circus clowns smash in and out of frame to put out a fire is only surpassed by a trippy hallucinatory sequence that feels as though it has to have been inspiration for what Disney would pull off when they famously introduced Genie in 1992’s Aladdin. The animators cut loose, and weren’t afraid to flex for the audience.
Again, it feels almost redundant to say, but the original Dumbo is time well spent. This was my first time watching the animated feature (at least as far I can remember), and aside from the infamous crow segment that definitely wouldn’t make the final edit today, it stands the test of time. It’s a case study in creating a simple and strong emotional connection without getting lost in your own noise or overstaying your welcome. When you see Dumbo zipping across the sky you’ll be soaring too.
Indian cinema has long been known for its ability to weave myth, culture, and grandeur into powerful storytelling. The latest addition to this tradition, Hanuman, directed by Prasanth Varma, is an ambitious retelling of one of India’s most beloved mythological characters. A cinematic marvel, Hanuman is a bold attempt to blend ancient epic with modern storytelling techniques, creating an experience that resonates with audiences of all ages.
At its core, Hanuman reimagines the tale of Lord Hanuman, the divine devotee of Lord Rama, known for his strength, loyalty, and courage. The movie isn’t just a retelling of traditional episodes from the Ramayana; it infuses these timeless stories with fresh perspectives, exploring themes of duty, faith, and the triumph of good over evil. While the script takes creative liberties, it stays rooted in the cultural and spiritual essence of Hanuman, making it both an engaging narrative and a respectful homage.
One of the standout features of Hanuman is its visual grandeur. The VFX team has outdone themselves, creating breathtaking battle sequences, celestial landscapes, and larger-than-life depictions of Hanuman’s legendary feats. The use of cutting-edge technology elevates the storytelling, offering audiences a visual feast that rivals global fantasy epics. The cinematography, led by seasoned artist Dasaradhi Sivendra, captures the mythological tone beautifully, blending vibrant palettes with the dark hues of conflict and sacrifice.
Teja Sajja, in the titular role, delivers a performance that is both commanding and heartfelt. His portrayal of Hanuman captures the character’s divine strength and endearing humility, making him an ideal hero. Supporting performances by Amritha Aiyer, Varalaxmi Sarathkumar, and Vinay Rai add depth to the narrative, bringing a spectrum of emotions to the screen.
Director Prasanth Varma deserves applause for his vision and execution. Tackling a subject as revered as Hanuman could have easily resulted in a cautious or overindulgent approach. Instead, Varma strikes a balance, creating a story that is both reverent and relatable. The screenplay moves at a brisk pace, though some moments, particularly the expository sequences, could have benefited from tighter editing.
The film’s music, composed by Gowrahari, Anudeep Dev, and Krishna Saurabh, is an emotional anchor, blending traditional Indian sounds with a modern orchestral touch. The background score heightens the drama and spirituality, particularly during pivotal moments like the crossing of the ocean and the climactic battle sequences.
Hanuman is a cinematic achievement that successfully reimagines a beloved figure for modern audiences. While it occasionally stumbles in pacing and exposition, these are minor flaws in an otherwise spectacular production. For fans of mythology, fantasy, and visually stunning cinema, Hanuman is a must-watch. It is a testament to Indian cinema’s ability to merge tradition and innovation, reminding us why stories of gods and heroes continue to inspire across generations.
Rating: 4.5/5
This film not only celebrates the timeless tale of Hanuman but also sets a new benchmark for mythological storytelling in Indian cinema.
Genre: Action, Adventure, Drama
Duration: 179 minutes
Director: Om Raut
Writer: Om Raut
Stars: Prabhas, Saif Ali Khan, Kriti Sanon, Sunny Singh
Rating: ★★☆☆☆ (2/5)
Netflix’s Adipurush aims to reimagine the Indian epic Ramayana in a modern cinematic style, delivering a tale of righteousness, devotion, and the eternal conflict between good and evil. Helmed by Om Raut, the film follows Raghava (Prabhas) as he embarks on a journey to rescue his wife Janaki (Kriti Sanon) from the clutches of the demon king Lankesh (Saif Ali Khan). With a narrative that spans vast landscapes and incorporates mythological grandeur, the film had immense potential but falters in its execution.
While the premise remains faithful to its legendary source, the execution feels lackluster. The screenplay struggles to balance a modern audience’s expectations with the gravitas of its traditional essence. The dialogues, often stilted, fail to evoke the emotional depth and poetic resonance required for a story of such magnitude.
Prabhas, portraying Raghava, delivers a restrained performance that lacks the heroic intensity one expects from the character. Kriti Sanon as Janaki does her best with limited material, bringing grace to her role, while Saif Ali Khan’s over-the-top portrayal of Lankesh is polarizing, leaning more into theatricality than menace. The supporting cast, including Sunny Singh, adds little to elevate the film.
One of the film’s most significant drawbacks is its visual effects. Despite the high budget, the CGI appears subpar, often detracting from the immersive experience. The underwhelming special effects undermine key battle sequences and fantastical elements, which should have been highlights of the film.
On the brighter side, the musical score by Ajay-Atul manages to shine, offering moments of grandeur and emotional heft. The film’s costume design and some set pieces are visually appealing, hinting at what could have been with more polished execution.
Adipurush is a well-intentioned attempt to bring the epic Ramayana to life for a global audience, but it stumbles in critical areas, including visual effects, pacing, and character depth. While it offers a few moments of spectacle and an engaging musical score, the overall experience feels hollow and unworthy of its mythological roots. Fans of the epic may find some moments of nostalgia, but casual viewers are likely to be left disappointed.
Adipurush is a missed opportunity to create a definitive modern retelling of an Indian classic.
Genre: Action, Crime, Thriller
Runtime: 2h 11m
Director: Puri Jagannadh
Writer: Puri Jagannadh
Main Cast: Mahesh Babu, Kajal Aggarwal, Prakash Raj, Nassar, Sayaji Shinde
Studio: R. R. Movie Makers
Where to Watch: Available on streaming platforms like Amazon Prime Video and YouTube (check availability in your region).
“Businessman” is a high-voltage action thriller starring Mahesh Babu in one of his most charismatic roles. Directed by Puri Jagannadh, the film follows Surya (Mahesh Babu), an ambitious and ruthless man who arrives in Mumbai with a dream of ruling the underworld. With his sharp mind and fearless attitude, he rises to power, challenging both the law and the mafia.
Mahesh Babu delivers a power-packed performance, exuding style, confidence, and intensity in every scene. His dialogues, especially the iconic “Pokka Business,” became instant fan favorites. Kajal Aggarwal plays a conventional love interest but adds charm to the narrative. Prakash Raj is impressive as the antagonist, adding depth to the conflict.
Puri Jagannadh’s screenplay is fast-paced, filled with gripping dialogues and intense confrontations. The film’s action sequences and Thaman’s electrifying background score elevate the cinematic experience. While the plot follows familiar gangster tropes, the film’s execution, Mahesh Babu’s screen presence, and the powerful dialogues keep it engaging.
Final Score: 8.5/10
A stylish and entertaining action film with a magnetic Mahesh Babu, “Businessman” is a must-watch for fans of crime thrillers and mass entertainers.
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