Release Date: June 24, 2014
MPAA Rating: PG-13
Runtime: 118 mins.
Director: Akiva Goldsman
Studio:
Genre: Drama, Fantasy, Mystery
Stars: Colin Farrell, Jessica Brown Findlay, Russell Crowe
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A baby set afloat on a model boat washes up on the Brooklyn shore. This baby grows up to be Peter Lake (Colin Farrell), becomes a thief and eventually turns on his “employer”. This starts a life of ducking and dodging death at the hands of one Mr. Pearly Soames (Russell Crowe) and his cohorts. As Peter is about to leave town to escape Pearly he takes on one last job to supplement his pockets and breaks in to a wealthy family’s home as he sees them leaving for a holiday. Inside, instead of robbing the place he has his heart pilfered by the beautiful, heiress Beverly Penn (Jessica Brown Findlay). All of this sets of a love that’s more magical than Peter ever imagined.
The story seems a bit rushed at points as it was based upon a book and we know how those movies turn out. A few characters are truncated and bits and pieces are left out entirely. The actors that play the main parts throughout the film are handled fairly well by the actors. The only glaring blemish was Will Smith’s turn as Satan. It was weird seeing him try to be the all encompassing evil one but never really feeling like he was giving his all in the role. Plus, who chose the costume choice of blazer and contemporary t-shirt for him when he shows up in 1915 ? That moment took me out of the film as a viewer. Colin Farell must have drank some magical talent juice because I’ve never been overly impressed by his acting but his effort in Saving Mr. Banks and this film have changed my opinion. Jessica Brown Findlay (Lady Sybil from Downton Abbey, one of my favorite shows) is delightfully charming in the role of Beverly Penn. Her chemistry with Farrell works great on screen. Crowe as Pearly is sufficiently evil. It’s funny that he plays a demon as he’s being advertised to play Noah of Bible lore.
When everything was said and done I enjoyed my viewing experience. The performances were solid, save Smith’s run on the darkside. The story was interesting enough and cohesive enough for me to not lose interest. The love story element was just sappy enough to woo my girlfriend without becoming something I couldn’t stomach, so thumbs up for that. Valentine’s Day date night movie material for sure.
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‘Mufasa: The Lion King’ Will Leave You Breathless
“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.
The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
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Is ‘Kraven the Hunter’ a Total Letdown?
“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.
Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
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A Brief Review and History of A Year Without a Santa Claus
A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.
The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.
Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.
Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.
The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.
For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.