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‘Dys-’: You can’t have my body!

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Welcome to the isolated little world that belongs to Sam and Eva Marsh. A formerly happy married couple, the tension and bitterness and frustration between them is now palpable, especially when strange viral occurrences begin in the city and they’re forced to hole up together to avoid them.

It’s pretty obvious that whatever’s left of Sam and Eva’s marriage should have been absolved awhile ago. Eva was a model and her oh so helpful mother encouraged that, even to the point of trying to counsel Eva against having a child once the pregnancy was discovered. Sam (Alex Goldrich) is a professor of photography, and somewhere around the time Eva discovered she was carrying, got a job offer to do some really spiffy shoots in New York. Sam wants Eva (Shannon Lark) to stay here at home while he goes off working, and while Sam is gone, Eva has a miscarriage. Or at least, that what she tells Sam.

That’s actually a pretty far cry from the truth, and one other person knows the actual truth – Sam’s friend James (Dega Lazare), who got the Marshes their apartment down the hall from his own. Sam had called James to check on Eva while he was gone, especially after a frightening phone call Eva made to Sam first, and what James finds on the floor of the Marsh bathroom is a far cry from anything sane. Bearing in mind, this was in the past and no viral outbreak was sweeping the city causing the people to go mad and attack each-other, oh no, Eva did that all on her own. With James firmly threatened to secrecy, Eva carefully preserves the evidence and attempts to go back to some kind of life afterward, even looking for an eye-rolling secretarial job.

But plague, a viral outbreak, some manner of nasty that turns humans into monsters and against each-other, has now swept the city and Sam has to protect his own little kingdom, come hell or high water. Duct tape is the eternal answer!

And religion too. Both in giant heaping doses and a whole bunch of confrontations between Sam and Eva later, it looks like the Marsh marriage question has been settled and Eva can move on to bloodier pastures. But always beware the person who was nuts before the city went bugshit-insane.

Clearly Dys- is short for dysfunctional, and every single last character in the movie certainly is. I think deranged might actually be a better word for both Eva and Sam, for different reasons, but still. The story might be a shade muddled and the pacing might need work, but the body-horror and psychological terror of Dys- is pretty damn good.

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‘Mufasa: The Lion King’ Will Leave You Breathless

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“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.

The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.

The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.

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Is ‘Kraven the Hunter’ a Total Letdown?

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“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.

Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.

Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.

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A Brief Review and History of A Year Without a Santa Claus

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A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.

The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.

Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.

Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.

The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.

For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.

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