Movie
Eli Roth’s ‘Thanksgiving’: Sooo ungrateful
A year after a Black Friday sale riot that resulted in tragedy, the people of Plymouth Mass are terrorized when a killer dons the folkloric mask of the hometown hero John Carver (irony!) to take revenge!
So it’s right around turkey genocide day, and the kids of our high school are having a nice little standoff with the kids from a rival HS football team, or whatever it is, as we do in relatively small towns. The Wright-Mart, owned by town entrepreneur Thomas Wright (Rick Hoffman), is about to have its huge Black Friday sale, and though it’s only on the way to the party destination, our kidlings insist we have to stop at Wright-Mart and pick up some supplies.
Jessica Wright (Nell Verlaque) is our Final Girl, but here at the Wright-Mart sale riot she’s just a daddy’s girl who happens to have snuck her dumbass friends into an employee entrance early. Her friends Gabby (Addison Rae) and Yulia (Jenna Warren), and their jock boyfriends Scuba (Gabriel Davenport) and Evan (Tomaso Sanelli) are all gleefully razzing the getting-angrier folk outside the doors, right up until the moment the doors crack and flatten a poor security guard, setting off a riot of epic holiday proportions!
As was brought into uncomfortable spotlights both during and right after the pandemic, humanity as a whole can be some seriously destructive and selfish a*sholes. The riot at Wright-Mart that resulted in the death of the freaking store owner’s wife Amanda (Gina Gershon) and a few others, saw people beating each other with waffle iron boxes, trampling and rampaging whilst idiot Evan there just has to hop up on a register and film everything on his phone, frames the idiocy and carelessness of the mob mentality to a T. Director Eli Roth went by an over-the-top method to show the destruction of the riot, which is good because it reminds us to laugh at a scene which is, for some, a little too close to home.
Jess’s boyfriend Bobby (Jalen Thomas Brooks), formerly of the Golden Arm persuasion, up and disappears when it looks like the injury he sustained in the riot has crushed his pitching dreams. And it’s not weird or creepy at all yes, Jess has now taken up with the boring but very persistent nerd Ryan (Milo Manheim), but still hangs out with her former jock friends and their girlfriends, trying to make a blend. To top it all off, Jess’ dad has a new woman, the plastic-y and greedy Kathleen (Karen Cliché), who wants the Black Friday sales of Wright-Mart to continue merrily on.
Speaking of creepy, this year, a year after the Wright-Mart riot to be precise, masks with the supposed likeness of John Carver, the folkloric hero figure and purported progenitor of Thanksgiving around these parts, have begun circulating town. And of course, someone with a real hunger for revenge has taken it upon themselves to don a Carver mask and invite the catalysts of the Wright-Mart riot to a Thanksgiving feast they’ll never forget!
The good ole boy Sheriff Eric Newlon (Patrick Dempsey) tries to keep up with the murderous shenanigans, but always seems a step behind when it comes to the Carver executions. First up is the Karen of your nightmares, Lizzie (Amanda Barker) the waitress at the local diner, who takes the whole half-off sale thing far too seriously. Then the cowardly security guard (Tim Dillon) and his brat of a cat, and a disastrous attempt at a trap laid for Carver during the annual Thanksgiving day parade results in more deaths at the hands of a killer clown (anybody else sees callbacks to Roth’s Clown in there too?), and the special VIP guests are late for a Thanksgiving feast with all the trimmings, served up by the Carver killer himself.
Giving homage to the likes of Craven’s Scream movies, and even the zany early Evil Dead films, Thanksgiving reminds us that our selfishness has long-lasting and even murderous consequences, and how the best of us can be twisted into the worst of humanity far too easily. Laugh out loud at the excessive gore and hilariously inventive death scenes, because it’s far too late to cry, and remember to be genuinely thankful for the blessings in your life, lest the Carver killer with an understandable motive invites you to your own feast!
Gobble down as much as you can stomach, of Eli Roth’s Thanksgiving in theaters now!
Movie
‘Mufasa: The Lion King’ Will Leave You Breathless
“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.
The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
Movie
Is ‘Kraven the Hunter’ a Total Letdown?
“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.
Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
Movie
A Brief Review and History of A Year Without a Santa Claus
A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.
The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.
Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.
Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.
The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.
For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.