Gille Klabin (Director)
Carl W. Lucas (Writer)
Justin Long (Actor)
Frank (Justin Long) is having a great day at work. He’s figured out how to screw over a family at the insurance company where he’s a lawyer. It’s fine, it’s just his job. Besides, everybody has dependents, right? Besides, he’ll get to present it to the big boss himself,
tomorrow morning. His best friend and co-worker, Jeff (Donald Faison) offers to take him out to celebrate.
What follows is a misadventure somewhere between Go and John Dies at the End… a terrifying, drug-fueled rampage through reality and time, wrapped up in a sweet fairytale about consequences and who we want to be. I keep thinking about Joe Vs. the Volcano, if that entire movie happened during an acid flashback Tom Hanks had at work.
It’s a damn funny movie. Long and Faison are a great buddy team, and I want to see soemthing with them again ASAP. (C’mon, Hollywood, remake a buddy comedy and let these guys do it. You know you want to…) The sets and situations are littered with great bits, from the patron throwing up outside of the El Madrid bar, to the myriad in-jokes that become apparent on second viewing. The realism of the drug scenes, despite the drug itself being fictional, struck me immediately upon viewing. Here is a film that presents the scary, potentially enlightening, and uncontrollable parts of psychedelics. The “expansive, educational aspects”, as writer Carl Lucas put it in our interview. Gone are the trailing hands and talking animals of “drug movies”. Instead, The Wave gives us that sense of unreality, that odd feeling that this might yield some “underlying truth” that often accompanies tripping, coupled with the tension between the your perception and the “regular world” happening around you. Watching Frank try and navigate a board meeting while time spirals out of his control and all the secret souls of his coworkers sweat out their skin… Been there, buddy.
Drugs, y’all.
There’s a lot of philosophy happening in the movie, as Frank wrestles with the consequences of his work, and the homelife and stagnant relationship he’s drifted into. Presented with the opportunity to touch chaos, he takes it. Frank finds he must, to quote writer Carl Lucas again, “go through the chaos to get to the harmony.” It’s a wonderful film, and the only thing at fest I’ve watched twice already. See it whenever you
can, and enjoy.
Movie
‘Mufasa: The Lion King’ Will Leave You Breathless
“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.
The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
Movie
Is ‘Kraven the Hunter’ a Total Letdown?
“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.
Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
Movie
A Brief Review and History of A Year Without a Santa Claus
A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.
The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.
Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.
Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.
The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.
For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.