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There are few films out right now that would be worthy of the description that I am about to give Alice Through the Looking Glass

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There are few films out right now that would be worthy of the description that I am about to give, however, this film I feel earned it. That description would be near perfect!

One of the key elements that made this happen for me was the solid feeling of congruence. There was a palpable symmetry between ALL of the characters. Each one of them performing an intricate part with in the rich tapestry of this tale.

Now, of course, there is a large portion of focus put upon Alice in this film but it is laid out in such a way where it doesn’t feel that way. The film unfolds in such a way where every character, every player, is connected within the thread of this tale, and yet has their own moment, their own vignette, their own spotlight. Alice is connected to the hatter, who is connected to the Red Queen, who, in turn, is connected to Time as well as the White Queen. This connection is near tangible throughout the entire film. Every life intertwined with the other.

Now to those who might be upset that this movie strays so far away from the original text I would say “I totally and completely understand where you’re coming from”! This is usually a point of contention for me as well when it comes to most movies that are based in such an established frame. The thing that made this story different for me is that this had more of the feel of someone writing their continuation of the story as a fan rather than someone just out for money, a fanfic, if you will. That was part of the charm of this movie for me. It had the feel of a fan of the original text rather then some soulless corporate muckety-muck.

The environment of this film is a lavish banquet for the eyes to feast upon, full of beautiful backdrops, extravagant colors, rich textures as well as foreboding and intimidating machines, beasts, and scenarios. The scenery and backdrops for this film where a seamless blending of the practical realm and that of the computer generated images and even though the film relied heavily on computer-generated images for locations, machines, and most, if not all, of the fanciful creatures, it is my opinion that it did not distract from the storytelling but rather, in this case, enhanced it!

The backgrounds, both with the houses as well as the foliage, came off as if they were almost painted by hand or built practically. The creatures were fluid. The machinations believably mechanical with the only discrepancy there being that it was sometimes difficult to make out some of the details due to the darkened environment.

The acting quality is what I would have expected it to be, outstanding! Johnny Depp is wonderfully playful, yet struggling deeply. Mia Wasikowska is bold and ferocious yet retains a certain vulnerability. Helena Bonham Carter is hilarious as the Red Queen and yet there is also a portion of the film where you are treated to a real and tender moment from her. Anne Hathaway nails the poshness and light persona of the White Queen and yet also brings a subtlety of emotion to her character. I do, however, have to give a special nod to Sacha Baron Cohen. His performance of Time actually changed my opinion of him (and leaves me hoping that there are more roles like this one in his future). His portrayal of time went far beyond his usual portrayal of crass and caustic buffoons and brought a rich, multifaceted, character to the screen. His accent was compelling and perfect, reminding me of Christoph Waltz. The level of dramatic depth he brought to this character I had not seen from him in any of his previous performances (That is not to say that he wasn’t wonderfully silly as well).

Overall I would say that it is the story that is the hero of this film having intertwined these elements into a tapestry of delight. This tale is filled with whimsy, laughter, loss, adventure, sorry, and joy!

This film is good for all ages having something to appeal to both the young and old alike. So don’t be an ” irksome, Sluuurvish, interrupting, thing” and make the “Time” to go see this movie!

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‘Mufasa: The Lion King’ Will Leave You Breathless

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“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.

The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.

The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.

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Is ‘Kraven the Hunter’ a Total Letdown?

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“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.

Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.

Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.

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A Brief Review and History of A Year Without a Santa Claus

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A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.

The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.

Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.

Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.

The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.

For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.

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