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Horrible Imaginings 2021 presents ‘Charon’: If its Skyped, is it real?

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A woman stuck in house arrest endures censure for her crimes, isolationist desperation and a growing feeling of impending doom!

It’s near impossible to give a review for this micro Indie hit without giving away a ton of delicious spoilers that really do make the movie great, but I’m gonna try. Some interesting trivia beforehand, the film was shot entirely on an iPhone and edited on a videoshop mobile app while filmmaker Jennifer Zhang was enduring complete self-isolation in her apartment during Covid lockdown. With performances from her co-star Eric Radic literally Skyped in, Zhang chose to use only what she had locked in with her during quarantine, for eight long lonely weeks.

So Charon (Jennifer Zhang), whose name is pronounced like “Sharon”, is in a lockdown of her own making – Charon is a notorious computer hacker who apparently did some very very bad things that negatively affected a lot of angry people, and she’s now under house arrest, pending her subsequent outside judgment. Her only lifeline to the outside world is her boyfriend Jerry (Eric Radic), the only one she’s allowed to talk to, on her computer on a regularly scheduled basis. Not a single one of Charon’s neighbors want a thing to do with her and indeed, many of them appear to be moving out of her apartment complex, in apparent protest.

Charon’s world is very small, encompassing her apartment and little else. She works out, she does martial arts too, she collects Batman fandom things, she cleans, she reads, she waits. Oh, and she talks to Jerry on the computer every evening at a predesignated time. Charon’s current existence, not life because this is far from living, is full of routine and interminable waiting, absolute starvation when it comes to other human contact, and is an excellent commentary on the mood and feel the whole globe endured during the recent Covid lockdowns. Jerry has become Charon’s entire universe pretty much, her only lifeline to the outside world, so when Jerry informs Charon that money has run out and starts making all sorts of getting-darker requests for her to “perform” on camera for funds, Charon begins to suspect all is not as it seems in her tiny microcosm.

The film is very well-made and edited, the creepy score from Korean American composer/mixer Diana Cha is entirely atmospheric, and the ending I did not see coming (which is very rare). A fine ending to the slate of enjoyable films from Horrible Imaginings 2021, Charon is an Indie hit that lovers of irony will all enjoy!

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‘Mufasa: The Lion King’ Will Leave You Breathless

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“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.

The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.

The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.

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Is ‘Kraven the Hunter’ a Total Letdown?

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“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.

Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.

Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.

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A Brief Review and History of A Year Without a Santa Claus

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A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.

The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.

Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.

Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.

The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.

For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.

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