Sixteen-year-old Henrietta “Henry” Coles (Maddie Hasson) is far from your average high-school kid, given her sad penchant for grand-mal seizures in the midst of the lunchtime cafeteria. Henry’s mom Cleo (Missi Pyle) has a tendency to take on a boyfriend and whatever baggage he carries, endure it for six months to a year, and then grab Henry and take off for the next safe-house, so her home life isn’t exactly what you’d call stable either. SPOILERS AHEAD!
The current boyfriend model out for a test run is Tom Hope (Matt Gordon) and his daughter Jenna (Sarah Desjardins), here in some little nowhere town that actually holds quite a few more secrets than anyone might think. Tom takes care of the local bowling alley and does seem to genuinely care about Cleo and Henry, he’s a nice guy who’s a lot more observant and discreet than anyone realizes. Jenna is one of those eternally popular kids, pretty and apparently vapid with it, but she too turns out to be a genuinely kind person, and when the feces hits the whirling blades, Henry will need all the help she can get!
Every high school has a Golden Boy that all the girls (and perhaps some guys too) lust after, this story features Clay Boone (Tanner Stine) in his Letterman jacket, all smug about his athletic prowess, still for some reason intrigued by the newcomer who clearly isn’t like the other girls, Henry Coles. And even after observing her have a scary seizure in the midst of school, Clay decides he’s going to get Henry alone with him and have his way with her.
Here’s where the show, despite being filmed very well and having a terrific storyline that keeps the audience guessing, needs to come with MASSIVE TRIGGER WARNINGS. The scene in Clay’s truck, where he knowingly molests Henry to the point where she has a massive seizure, her powers kick in and she teleports out, leaving Clay behind to be crushed by what she did to his truck, is raw and real and very damaging to those of potentially weak constitutions. In fact, this instance of rape and assault becomes the focal point of the entire show, somehow even more so than the newfound teleporting ability Henry is now using, much to her chagrin.
Because Henry was initially attracted to Clay and certainly wanted to make out with him, right up to the point where she began to yell at him clearly “NO!”, Henry feels an incredible amount of survivors guilt and what I would term PTSD in the wake of her assault. But it’s the aftershock of her teleporting out, the crushing of Clay’s truck and his own body, turning him into a paraplegic forever afterwards, that really gets to Henry. This one instance, where Golden Boy once again turns out to be Prince Shithead, sparks off all kinds of ripples that no-one could have predicted, least of all Henry herself.
Clay’s dad Bill Boone (David James Elliot), he’s a car salesman with his own dealership and everything, he somehow manages to have some seriously shady dealings with the nearby Mennonite community and Jeremiah Miller (Shawn Doyle), and he makes the instinctual leap that it was these nefarious business practices that led to Clay experiencing the repercussions for it. Clay’s brother Lucas (Craig Arnold), he was already far too involved in the shadowy family businesses, and he tries to help both his enraged father and his struggling brother, but the real truths are far under the skin and actually have nothing to do with the underhanded family dealings – until now.
Things are beginning to spiral out of control and somehow Cleo, Henry’s mom, thinks it’ll be a good idea to take a job offer from Bill Boone to work at the car dealership. So prepare to toss Mom into the mix of murderous Mennonites and crazy car salesmen! Tom and Jenna have clearly understood something’s very wrong with Henry, above and aside the grand mal seizures even, and both are trying to help however they can. Despite just being classified as moms new meal ticket, Tom can keep secrets like nobodies business and actually embraces his lady and her daughter with all the fervor of a real dad.
Jenna too, when she learns the awful truth of what Clay did to Henry, goes on helping Henry through her rape aftermath however she can, past he point of being annoying and goddamn insisting that Henry talk about it, don’t bottle it in, if not to Jenna herself then to the Planned Parenthood help line, or hell, anyone who will listen. The father and daughter Hopes are the good solid reliable kind of people this world needs more of. And the adorkable little friendship of the autistic boy who worships superheroes, Townes Linderman (Daniel Maslany) from school, should get an honorary mention, as its his determined belief in the heroic journey he insists Henry is undergoing that makes the long path even a little more bearable.
There are attempts to fold in an outside storyline about the newly-found teleportation ability that involves Henry’s missing real father, and Nikolai (Callum Keith Rennie) and others like her who are able to teleport in and out, being hunted by some nasty organization with of course plans for them abilities. And while we’re fairly sure these outside storylines, with the origins of teleportation abilities and what they might mean for Henry and her Cleo, will be extra terrific in ‘Impulse’ Season Two, the initial season dealt primarily with Henry and her assault, and that’s plenty enough heartbreak for all of us.
Fight for Henry’s rights with ‘Impulse’ Season One, on YouTube Originals now!
Movie
‘Mufasa: The Lion King’ Will Leave You Breathless
“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.
The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
Movie
Is ‘Kraven the Hunter’ a Total Letdown?
“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.
Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
Movie
A Brief Review and History of A Year Without a Santa Claus
A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.
The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.
Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.
Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.
The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.
For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.