Some movies attempt to craft an elegant narrative filled with well-rounded characters that foster a connection with the audience in order to leave a lasting impression. Then there are those films that only come up with a plot as a vehicle to show images that will leave an imprint.
The streaming service Shudder has plenty of both, but the abundance of those in the latter camp make it a go-to for genre fans. Now, with Lamberto Bava’s Demons it has another film that may lack substance, but more than makes up for it with style.
The film wastes little time with preamble. The audience is quickly introduced to our protagonist Cheryl (Natasha Hovey) who is being hunted by a man desperately yearning for her to know about the grand opening of a new theater in town. Somehow not dissuaded by the man’s haunting silence and menacing metal mask, she accepts the invite and convinces her friend to accompany her to the show. What starts out as an honest midday matinee soon spirals into a nightmare as the real world begins to mirror the events of those on screen trapping the #filmfans with demonic forces looking to multiply.
There’s no way around it, Demons has a thin narrative. Outside of the initial setup to get our characters into the theater there isn’t much going on. In fact, there is more of a foundation in the made-up movie playing in the theater than Demons itself, the former is the only one willing to provide an explanation for its demonic uprising.
Yet this disinterest in a narrative story line allows it to focus on what Bava clearly was more excited to bring to the screen – gore, chaos, and rock and roll. Once he gets the necessary setup out of the way Bava and his team let it rip. The demons bring with them beautifully distressing practical effects. Watching a woman’s fingernails and teeth split and fall out to make way for replacements more suitable for tearing flesh is a visual that will be burned in my brain for weeks to come.
The camera and effects team work in perfect tandem to showcase the brutality of the titular characters. Numerous scenes delight in showcasing the severing of flesh and the pulsating and popping of boils. As Nickelodeon-green pus oozes out to mix with each victim’s blood it’s difficult not to feel equal parts grossed out and elated.
Demons embraces that notion every step of the way attempting to spark joy just as often as it seeks to frighten. Its characters are all amped up and playing to the rafters. There’s Tony (Bobby Rhodes), a pimp accompanied to the theater by his two working girls, who shouts his lines with an enthusiasm hinting that he’s aware of the film’s exploitative aims, and a greased up group of punks who snort cocaine out of a Coke can while Billy Idol’s “White Wedding” blasts from their speakers. Many of the theatergoers are given moments to shine, even the milquetoast bros of the film leave their mark with a samurai sword (in two very different ways).
All of this is contained in the isolated cinema called the Metropol. Cinematographer Gianlorenzo Battaglia pulls a lot of beauty out of a small theater that could have otherwise felt repetitive. Gorgeous, smokey color hues are put on display bouncing off of the theater halls and bathroom stalls, and the lobby of the place would fit right in at a modern day fashion show. A lot of effort was put in to deliver a memorable vibe, and it comes through.
Demons leans into the desires of its director Lamberto Bava, son of famed cinematographer Mario Bava, who has a taste for the aesthetic and vibe of a movie. Sure the film lacks a bit in the logic department, but once the Metropol has been overrun and Bava and his team lean into the chaos logic will be the last thing on your mind.
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‘Mufasa: The Lion King’ Will Leave You Breathless
“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.
The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
Movie
Is ‘Kraven the Hunter’ a Total Letdown?
“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.
Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
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A Brief Review and History of A Year Without a Santa Claus
A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.
The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.
Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.
Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.
The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.
For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.