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Jennifer Linch: Acting, Martial Arts and Love of Cinema

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Martial arts movies hold a place in many people’s hearts. Whether one grows up watching  Chinese string martial art movies with the crazy moves mid-air, the realistic Bruce Lee fight scene, Jackie Chan doing crazy stunts with anything he can grab onto or anything in between.

What is it about martial arts that intrigue people to watch them performed in film? Is it the feats they can accomplish? Is it the quickness and crisp moves that can take down an opponent? Perhaps it can be as simple as enjoyment and as complex as the desire to want to do the moves for personal reasons. Whatever the reasons, martial arts movies bring in new actors and actresses who want to showcase their abilities as the real deal and have their movies tell the viewer a great story. One such actress who has been catching eyes outside the “mainstream” Hollywood cinema is Jennifer Linch.

She is a film maker, director, actress and a master of the martial arts; being able to do her own stunt work without the need of a stunt person. She has the look, the skills and the drive to make her films her way and with her own unique style. After watching her short film, Flowers of the Night, it allows the viewer to see her passion, her style, and her ability to kick some butt as well as give her a medium to showcase acting ability as well. She has been working on some new projects and keeping herself busy, but one of her newer projects that she has been tinkering with is her project called, Unsaid.

Unsaid is a first person POV film about a cop who’s wife was kidnapped and murdered, initiating a spree of vengeance on the people who took her away from him. The film uses music to emphasize on mood and emotions, leaving no need for dialogue. Everything is told through visual means as well as orchestrated music. Though it isn’t completely done yet, there is a lot of potential and talent in this film.

When asked what influenced her into making the film this way and how difficult it was, she said she was influenced a lot by Butch Cassidy and the Sundance Kid. Her writer made her sit down to watch it and after five minutes she got hooked, it became one of her favorite movies. It didn’t have the fancy effects like a blue screen or green screen but just a good script and good acting abilities.

Her motivation for the short was also to test herself and the abilities to create a film where dialogue doesn’t exist. The only emotions you can feel is through the visual and the tone set through the audio, whether it be soft music or adrenaline fueled. She had to rehearse a lot with hand acting (through the POV format) and learn different techniques to showcase the first person acting and fighting sequences in a nice sequential way.

Jennifer also has an eye for detail and her directing abilities are unique. When asked if there was a filmmaker she would like to model herself after, she said Jeong-beom Lee. He is a Korean film maker who directed films like The Man From Nowhere and No Tears For the Dead. The way he was able to use music to set the tone and make the emotions come to the forefront was something she is wanting to continue to learn and use for her own films.

As mentioned earlier, people love martial arts for different reasons. Asking her why she chose martial arts and what it is that she enjoys from it, she says that it was her brother that got her into it. Her brother is a martial arts instructor and when they were younger, he would rent only martial arts movies. Jennifer was intrigued and heavily influenced by studying it and learning from the movies.

One of her goals is to focus on doing martial arts fantasy comedy movies. In fact, she revealed that in January she will be in Toronto doing her feature film called Kung Fu Ghost, which will be a supernatural, romantic, martial art comedy. Sign me up for front row seats. It sounds unique and a nice popcorn feature that will put smiles on peoples faces.

Linch is quite a talented actress and martial artist who loves weapon fighting. So, she’s quite a bad-ass. Movies are filled with stunt people but Jennifer does her own stunts. When asked why she wants to do her own stunts, she states “I like doing stunts myself. I don’t want to cheat my viewers. That’s just my thing.”

Asking how much time is needed to pull off such choreography, she says, “Normally we would need about 3-4 weeks to create a really good fight scene and do it safe but since we are so small, we have 2-3 days.” After hearing that, you have to give it up to her and her creative team. To take precise choreography and fight scenes and only have a couple of days to rehearse, which also involves camera staging, is so refreshing to show how much it means to them. Showing how dedicated their team is to get blocking and the stunt work down, so everyone is safe but looks awesome. Hats off to them all.

She is continuing to hone her craft and film making abilities as well as acting and fighting. In time, she can hopefully get even more notoriety and show her love of martial arts to an even wider audience. It was a pleasure talking with her, learning more about her, the films she loves and some of her dream projects with martial arts. If you would like to know more about Jennifer, check out her YouTube page: youtube.com/user/FoodTravelwithJenny

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Is ‘Kraven the Hunter’ a Total Letdown?

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“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.

Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.

Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.

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A Brief Review and History of A Year Without a Santa Claus

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A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.

The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.

Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.

Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.

The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.

For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.

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Review: Pushpa: The Rise (2021)

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Director: Sukumar

Cast: Allu Arjun, Rashmika Mandanna, Fahadh Faasil

Genre: Action, Drama

Rating: 4.5/5

Pushpa: The Rise is a raw, adrenaline-fueled ride that showcases the underbelly of the red sandalwood smuggling trade in Andhra Pradesh. Directed by Sukumar, this movie brilliantly blends high-octane action with emotionally driven storytelling, making it a must-watch for fans of Telugu cinema and action dramas.

The narrative follows Pushpa Raj (Allu Arjun), a laborer in the red sandalwood trade, as he climbs the ranks to become a powerful figure. Born into poverty and scorned for his illegitimacy, Pushpa’s journey is marked by grit, ambition, and a fierce sense of self-respect. The film deftly balances the action-packed rise of Pushpa with moments of vulnerability, particularly in his tumultuous romance with Srivalli (Rashmika Mandanna).

The antagonist, Bhanwar Singh Shekhawat (Fahadh Faasil), is introduced towards the film’s end, setting the stage for a gripping sequel. The climactic confrontation between Pushpa and Shekhawat is a masterclass in tension-building, leaving viewers eagerly awaiting Pushpa: The Rule.

Allu Arjun: This is Allu Arjun’s film through and through. His transformation into Pushpa is a revelation, from his rugged look to his unapologetic demeanor. His mannerisms, including the now-iconic shoulder rub and dialogue delivery, make Pushpa an unforgettable character.

Rashmika Mandanna: While her role as Srivalli adds emotional depth to the story, it feels slightly underutilized. However, her chemistry with Allu Arjun is undeniable.

Fahadh Faasil: Despite limited screen time, Fahadh delivers a chilling performance as the cold and calculating Shekhawat. His presence promises an explosive conflict in the sequel.

Sukumar’s direction is stellar, balancing mass appeal with nuanced storytelling. The screenplay maintains a brisk pace, seamlessly weaving action sequences with character development. The film’s raw and grounded tone is a departure from the glossy feel of many mainstream Telugu films, adding authenticity to the story.

Mirosław Kuba Brożek’s cinematography is stunning, capturing the lush forests of Andhra Pradesh and the gritty world of the red sandalwood trade.

Devi Sri Prasad’s music is another highlight. Tracks like “Srivalli” and “Oo Antava” became cultural phenomena, while the background score enhanced the film’s intensity.

Action Sequences: The action choreography is visceral and hard-hitting, perfectly complementing the film’s tone.

The film explores themes of ambition, class struggle, and self-respect. Pushpa’s refusal to bow down to societal norms resonates deeply, making him a relatable anti-hero. The story also critiques the systemic exploitation of laborers, adding a layer of social commentary.

Pushpa: The Rise is an exemplary action-drama that redefines the Telugu film industry’s global appeal. With a magnetic performance by Allu Arjun, stellar direction by Sukumar, and unforgettable music, it stands out as one of the best films of 2021. While it occasionally falters with some underdeveloped subplots, the overall experience is nothing short of spectacular.

4.5/5 Pushpa: The Rise is a cinematic feast that deserves its cult status. Whether you’re a fan of Telugu action films or a newcomer, this film is a must-watch. Its cliffhanger ending ensures that Pushpa: The Rule will be even bigger and better.

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