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“JESUS CHRIST SUPERSTAR: LIVE IN CONCERT” PREMIERES ON NBC

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Ever in the holiday spirit, NBC chose to ring in Easter Sunday with a live telecast of Andrew Lloyd Webber and Tim Rice’s hit rock opera, Jesus Christ Superstar.

Originally conceived as a concept album in 1970, the rock musical has gone on to become one of the most popular in existence, selling out in both professional and amateur productions all over the world. The musical follows the final week in the life of Jesus Christ. Unlike most biblical adaptations, the musical depicts the political and interpersonal struggles between Christ and Judas Iscariot. It also poses the question to the audience: Is Jesus really God, or is he just a man?

JESUS CHRIST SUPERSTAR LIVE IN CONCERT — Rehearsal — Pictured: (l-r) John Legend as Jesus, Alice Cooper as King Herod — (Photo by: Craig Blankenhorn/NBC)

The live television broadcast stars John Legend in the title role of Jesus, Brandon Victor Dixon (Judas), Sara Bareilles (Mary Magdalene), Norm Lewis (Caiaphas), Jin Ha (Annas), Ben Daniels (Pontius Pilate), Jason Tam (Peter), Erik Gronwall (Simon Zealotes), and Alice Cooper (King Herod). The musical’s ensemble also boasts some of Broadway’s best talent including Melody Betts, Felicia Boswell, Abby Corrigan, Micaela Diamond, Rory Donovan, Christine Dwyer, Mike Evariste, F. Michael Haynie, Charissa Hogeland, Bre Jackson, Mykal Kilgore, Billy Lewis Jr., Joel Perez, Justin Gregory Lopez, Angel Lozada, Vince Oddo, Kyle Taylor Parker, Jonah Platt, Conor Ryan, Christina Sajous, Justin Matthew Sargent, Heath Saunders, Joey Taranto, Syndee Winters, and Lauren Zakrin, with dancers Chloe Davis, Timothy Edwards, Shelby Finnie, Bahiyah Hibah, Juel D. Lane, Terk Lewis, Mayte Natalio , Sarah Parker, Tre Smith, and Maleek Washington.

JESUS CHRIST SUPERSTAR LIVE IN CONCERT — Pictured: (l-r) Jin Ha as Annas, Ben Daniels as Pontius Pilate, Norm Lewis as Caiaphas — (Photo by: Virginia Sherwood/NBC)

From the very start of the show it’s no mistaking the audience is in for a treat. Despite being labeled as a “concert” performance, the production is fully staged with an elaborate set, costumes, and choreography.

JESUS CHRIST SUPERSTAR LIVE IN CONCERT — Pictured: Brandon Victor Dixon as Judas — (Photo by: Paul Lee/NBC)

The production begins with its signature rock overture played on guitar by Brandon Niederauer, who recently finished his starring turn on Broadway as Zack in School of Rock, another Andrew Lloyd Webber venture. Soon, we are introduced to Brandon Victor Dixon’s Judas, whose high tenor voice electrifies and astounds on so many levels. His display of Judas’ inner conflict and pain is a performance for the ages, transcending to the greatness of Carl Anderson and Ben Vereen, who each played the role on screen and on Broadway, respectively. Sara Bareilles also makes a fine Mary, sporting a calm, beautiful voice not unlike Yvonne Elliman, who originated the role. Even rock legend Alice Cooper seems to be having the time of his life in his “cameo” appearance as King Herod, a role he had previously sung on the 2000 London

JESUS CHRIST SUPERSTAR LIVE IN CONCERT — Rehearsal — Pictured: John Legend as Jesus — (Photo by: Peter Kramer/NBC)

cast album, but never played onstage.The only weak link in the cast seemed to be Mr. Legend, who, while a great singer in his own right, does not possess the rock n’ roll voice needed to carry this score. Legend’s acting is also pretty hit or miss, even flubbing some of his most crucial lines. Still, he does attempt to make his first musical theatre venture memorable and looks like he’s having fun with the part.

With an incredible set, terrific performances, and top notch orchestrations, Jesus Christ Superstar proves to be just as electrifying and relevant as ever. The show is now available for streaming on Hulu.

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‘Mufasa: The Lion King’ Will Leave You Breathless

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“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.

The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.

The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.

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Is ‘Kraven the Hunter’ a Total Letdown?

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“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.

Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.

Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.

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A Brief Review and History of A Year Without a Santa Claus

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A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.

The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.

Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.

Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.

The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.

For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.

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