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John C. McGinley: Stan Miller, the Opposite of Lancelot

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John C. McGinley is a veteran actor of the silver screen and the small screen. From Platoon to Scrubs to his current series on IFC, Stan Against Evil, he has been a presence for several different generations. In real life, he is a force of nature. Passionate, outspoken and enthusiastic, it was a pleasure to sit down and chat with him about the season finale of Stan for That’s My Entertainment.

Delicious Finale

TME: In Stan Against Evil season two, everyone’s performances were terrific. I don’t think fans will be prepared for the finale.

JCM: I am so overwhelmed by the way episodes seven and eight came together. It took Dana and I 14 episodes and two years to yield the most stunning hour of programming that IFC has ever produced. This is epic! Obviously, I am really proud of it.


The Dynamic Duo

Photo Credit Kim Simms/IFC

TME: Stan and Evie have grown very fond of each other. I know when Janet spoke to us she compared the relationship to a father and daughter-type situation.

JCM: I agree. Dana has always said that Evie is the daughter Stan never had. Now, that’s not to disparage Deborah’s character at all. She’s the Jonathan Winters of a generation. She’s a genius improvisational actor. We have tailored her role to accentuate those strengths.

Janet…at first, you…almost want to say she is the son he never had but that’s not it at all. She’s the daughter he never had. That’s so great!  It’s not like he has an ax to grind or there is something inadequate about Denise. It’s just that Evie is such a bad ass. She’s the female Harrison Ford.

I am so overwhelmingly fond of both of these actors as we’ve tailored their arcs to their strengths. Both of them have just exploded.

TME: What is it about Evie that Stan has grown attached to and how do you think her character feels about Stan?

JCM: I don’t know the answer to the second question. But I will tell you this, I think when Dana constructed Stan to make him such an interesting anti-hero, that what compels Stan to do the right thing at the last second is ass backwards. It’s beyond delicious!

He’ll have to be dragged kicking and screaming into doing the right thing because he doesn’t want to hear about it if he doesn’t do it! Which is the best thing ever!

That is what compels you? Because you don’t want to hear people whining and complaining that you didn’t do the right thing? That’s great! It’s the opposite of Lancelot. It’s the opposite of any hero scenario, ever!

He just doesn’t want to hear about it. So, okay. We’ll go do the right thing and that’s what compels him. It’s great. It’s so subversive and fantastic.

TME: It is a very human response because not everyone wants to be a hero.

JCM: Stan has no interest! He lost his wife! That’s all he ever talks about. He lost his job. All he wants to do is watch the History Channel and he can’t even do that because Hitler comes on. Just no one will leave him alone and when he’s left alone there is a couple hundred witches that want to kill him! Everything has gone completely sideways. It’s fantastic. It’s chaos.

TME: Were you aware that the fans are calling both you and Janet the Dynamic Duo because of your wonderful chemistry?

JMC: No, it makes me happy! I hero worship Janet. She knows that. We wove a kind of screwball comedy tone into season two and Janet can do it in her sleep. Janet does a one woman show in episode eight. She should be nominated for an Emmy. She is just unbelievable!

Getting “Whole”

TME: How do you think the fans are going to respond to the finale?

John C. McGinley - Stan Miller the Opposite of Lancelot - Courtesy of IFC

Courtesy of IFC

JCM: Dana wrote this amazing arc for Stan this year. I’m always about finding the uber verb. Stan’s verb this year was to “get whole.” The only way he could “get whole” was to get Claire, his wife.

And she’s dead! That is the most ridiculous uber-objective but he’s undeterred. He does the right thing. He gets Evie back and then armed with that technology and a little bit of knowledge for Stan can be dangerous, he thinks if I can get Evie, I can get Claire.

It proved to be this overwhelmingly emotional arc for Stan. Whether it’s begging on his knees in front of Eccles’ daughter in the second episode of the year, which is absolutely the first time he’s ever been on his knees in his life, begging this child to take that note and send it back, and that kind of set us off.

Shooting it that night, it felt like we were playing the real stakes. If you, Stan are going to “get whole” and if the way you are going to do this is if you get Claire then okay, have at it!

TME: You have some very emotional moments this season. How do you as an actor prepare for those taxing scenes? They can be very draining.

JCM: Most everything for me goes back to my son, Max. I borrow from Max’s sensibilities and my relationship with him. I kind of tentacle out from there. When I talk to other special needs parents and caregivers and when I also advocate for our community, everything is fed by that love.

It’s this rich, rich deposit that I can draw from. Emotionally it is immediately available to me. I don’t have to dig very far. It’s right below the surface. All of my Max love is immediately available to me. I guess I triangulate it to serve moments like in Stan.

Spread the Word to End the Word

TME: We know you are a steadfast advocate for those with intellectual disabilities, especially Down Syndrome. You are also a board member of the Global Down Syndrome Foundation. Over the years, you have written a few wonderful articles about the Spread the Word to end the R word campaign. Can you take a minute to talk to us about why the R word is so hurtful to those who may not understand?

JCM: The only way to do it in a work environment is to ask somebody if there is not a better way to put that. That’s the socially acceptable way and people will say but what?

And you say you just used the word “retard” to describe the party over the weekend. Then they say oh and you say, my cousin Steve was born with Down Syndrome and that’s really offensive to me. Then all of a sudden, you’re having a conversation. I wish I could do that more often.


Stan Has Something to Say

John C. McGinley – Photo Credit: Kim Simms/IFC

TME: Do you have a message for the Stan Against Evil Fans out there? They are a passionate group that really believes in the show and are

doing all they can for a season three. If you could do it in Stan’s voice, that would be really sweet!

JCM: Well, I know what he would say. “It’s in the bag!”

Catch the season finale of Stan Against Evil on IFC, Wednesday, November 22 at 10 p.m. Eastern 7 p.m. Pacific.

If you love the show tweet #KeepStanKilling #ShovelsUpForSeason3 to @IFC and @stanagainstevil on twitter.

Follow Stan Against Evil on

Twitter @StanAgainstEvil

Facebook @IFCStanAgainstEvil

website www.ifc.com

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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Review: Pushpa: The Rise (2021)

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Director: Sukumar

Cast: Allu Arjun, Rashmika Mandanna, Fahadh Faasil

Genre: Action, Drama

Rating: 4.5/5

Pushpa: The Rise is a raw, adrenaline-fueled ride that showcases the underbelly of the red sandalwood smuggling trade in Andhra Pradesh. Directed by Sukumar, this movie brilliantly blends high-octane action with emotionally driven storytelling, making it a must-watch for fans of Telugu cinema and action dramas.

The narrative follows Pushpa Raj (Allu Arjun), a laborer in the red sandalwood trade, as he climbs the ranks to become a powerful figure. Born into poverty and scorned for his illegitimacy, Pushpa’s journey is marked by grit, ambition, and a fierce sense of self-respect. The film deftly balances the action-packed rise of Pushpa with moments of vulnerability, particularly in his tumultuous romance with Srivalli (Rashmika Mandanna).

The antagonist, Bhanwar Singh Shekhawat (Fahadh Faasil), is introduced towards the film’s end, setting the stage for a gripping sequel. The climactic confrontation between Pushpa and Shekhawat is a masterclass in tension-building, leaving viewers eagerly awaiting Pushpa: The Rule.

Allu Arjun: This is Allu Arjun’s film through and through. His transformation into Pushpa is a revelation, from his rugged look to his unapologetic demeanor. His mannerisms, including the now-iconic shoulder rub and dialogue delivery, make Pushpa an unforgettable character.

Rashmika Mandanna: While her role as Srivalli adds emotional depth to the story, it feels slightly underutilized. However, her chemistry with Allu Arjun is undeniable.

Fahadh Faasil: Despite limited screen time, Fahadh delivers a chilling performance as the cold and calculating Shekhawat. His presence promises an explosive conflict in the sequel.

Sukumar’s direction is stellar, balancing mass appeal with nuanced storytelling. The screenplay maintains a brisk pace, seamlessly weaving action sequences with character development. The film’s raw and grounded tone is a departure from the glossy feel of many mainstream Telugu films, adding authenticity to the story.

Mirosław Kuba Brożek’s cinematography is stunning, capturing the lush forests of Andhra Pradesh and the gritty world of the red sandalwood trade.

Devi Sri Prasad’s music is another highlight. Tracks like “Srivalli” and “Oo Antava” became cultural phenomena, while the background score enhanced the film’s intensity.

Action Sequences: The action choreography is visceral and hard-hitting, perfectly complementing the film’s tone.

The film explores themes of ambition, class struggle, and self-respect. Pushpa’s refusal to bow down to societal norms resonates deeply, making him a relatable anti-hero. The story also critiques the systemic exploitation of laborers, adding a layer of social commentary.

Pushpa: The Rise is an exemplary action-drama that redefines the Telugu film industry’s global appeal. With a magnetic performance by Allu Arjun, stellar direction by Sukumar, and unforgettable music, it stands out as one of the best films of 2021. While it occasionally falters with some underdeveloped subplots, the overall experience is nothing short of spectacular.

4.5/5 Pushpa: The Rise is a cinematic feast that deserves its cult status. Whether you’re a fan of Telugu action films or a newcomer, this film is a must-watch. Its cliffhanger ending ensures that Pushpa: The Rule will be even bigger and better.

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KGF: Chapter 2

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Director: Prashanth Neel
Cast: Yash, Sanjay Dutt, Raveena Tandon, Srinidhi Shetty
Genre: Action, Drama
Rating: 4.5/5

KGF: Chapter 2 is an explosive sequel to the 2018 blockbuster KGF: Chapter 1. Directed by Prashanth Neel, the film elevates the gritty narrative of Rocky (played by Yash), a man who rises from poverty to become a feared and revered leader. The sequel builds on the success of the first chapter with an even grander scale, intense drama, and jaw-dropping action sequences.

The story picks up with Rocky establishing his dominance over the Kolar Gold Fields after eliminating his rival, Garuda. As the “king of KGF,” Rocky faces new challenges, including the vengeful Adheera (Sanjay Dutt), who returns to reclaim what he believes is rightfully his. Meanwhile, political power struggles arise, with Prime Minister Ramika Sen (Raveena Tandon) intent on curbing Rocky’s influence.

The film delves deeper into Rocky’s psyche, exploring his motivations, vulnerabilities, and unrelenting ambition. It balances high-octane action with emotional depth, as Rocky continues his fight for survival and legacy.

Yash’s Star Power: Yash’s portrayal of Rocky is magnetic. His intensity and swagger make the character larger-than-life while retaining a raw, emotional core.

Sanjay Dutt as Adheera: Inspired by Viking warriors, Dutt’s Adheera is a terrifying and formidable antagonist, creating memorable clashes with Rocky.

Visual and Technical Brilliance: The cinematography by Bhuvan Gowda captures the grandeur and darkness of KGF with stunning visuals. The action sequences are choreographed to perfection, blending realism with spectacle.

Ravi Basrur’s Music: The background score enhances the drama, creating an immersive experience.

Dialogues and Screenplay: Rocky’s punchlines, combined with the tightly written narrative, keep the audience engaged.
While the film is a cinematic treat, its pacing occasionally falters with some scenes overstaying their welcome. The sprawling cast and multiple subplots can make the narrative feel dense at times.
KGF: Chapter 2 is a roaring success that delivers on its promise of being bigger, bolder, and better than its predecessor. It combines a compelling story with spectacular action and unforgettable performances, particularly from Yash and Sanjay Dutt. The film solidifies the KGF franchise as a benchmark for Indian action cinema.

Final Rating: 4.5/5 Whether you’re a fan of action-packed epics or compelling character-driven dramas, KGF: Chapter 2 is a must-watch that will leave you exhilarated.

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KGF chapter 1 – A Gritty Saga of Power, Poverty, and Redemption

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Indian cinema has a long-standing tradition of delivering grand narratives that are equal parts spectacle and soul. KGF: Chapter 1 (Kolar Gold Fields), directed by Prashanth Neel, is a prime example. This gripping action-drama chronicles the meteoric rise of Rocky, a man driven by a promise and fueled by his hunger for power. Released to critical acclaim, KGF has redefined the boundaries of storytelling in Indian cinema.

Set in the 1970s, KGF follows the journey of Rocky (Yash), a young boy born into poverty in the slums of Mumbai. From a tender age, Rocky is shaped by two forces: his mother’s dying wish for him to rise above his circumstances and his unyielding ambition to command respect and fear.

His journey takes him to the gold mines of Kolar, a lawless land ruled by brutal oppressors. The film tracks Rocky’s transformation from a street-smart hustler to a feared force who challenges an empire built on blood and exploitation.

The strength of KGF lies in its compelling protagonist. Yash delivers a magnetic performance as Rocky, embodying both his raw charisma and ruthless determination. The film paints a vivid picture of a man who thrives in adversity, using every setback as fuel for his ascent. Rocky is not a mere vigilante but a strategist, whose ability to inspire loyalty and strike fear sets him apart.

The movie captures his internal conflict beautifully — while he climbs the ladder of power, he never loses sight of his mother’s dream for him. This duality makes Rocky more than just a hero; he is a symbol of rebellion, resilience, and redemption.

At its core, KGF is a commentary on systemic oppression and the human spirit’s ability to rise against all odds. The stark contrast between the opulence of the gold fields’ rulers and the crushing poverty of its workers sets the stage for Rocky’s rebellion. His fight isn’t just personal; it’s for the voiceless, the oppressed, and the forgotten.

The film doesn’t shy away from showcasing the brutal realities of poverty and exploitation, making Rocky’s triumph all the more satisfying.

Prashanth Neel’s direction is nothing short of masterful. Every frame of KGF is meticulously crafted, from the sweeping vistas of the Kolar gold fields to the grimy underbelly of Mumbai’s streets. The gritty visuals are complemented by an electrifying background score that enhances the film’s larger-than-life moments.

The nonlinear narrative, interspersed with a journalist’s account of Rocky’s rise, keeps viewers engaged and adds layers to the storytelling.

The action sequences in KGF are a visual feast. Yash’s larger-than-life persona is amplified by choreographed fights that are brutal, balletic, and breathtaking. Each confrontation feels earned, showcasing Rocky’s ingenuity and brute strength. The climax, set against the backdrop of the Kolar gold mines, is particularly unforgettable.

KGF: Chapter 1 is a cinematic triumph that combines raw emotion, relentless action, and a protagonist you can’t help but root for. Yash’s performance and Prashanth Neel’s vision elevate the film to a league of its own, making it a benchmark in Indian cinema.

KGF is more than a film; it’s an experience. It’s a story of ambition, sacrifice, and the indomitable human spirit. Rocky’s climb from the depths of poverty to the pinnacle of power is not just inspiring — it’s electrifying.

Whether you’re a fan of action-packed dramas or epic tales of rebellion, KGF delivers on every front. With its gripping narrative and unforgettable performances, it’s a must-watch for anyone who loves a good underdog story.

Rating: 4.8/5 As Rocky says in the film, “Powerful people make places powerful.” By the end of KGF, you’ll realize that Rocky is one of them — and so is this film

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