October is Down Syndrome Awareness Month, a time to educate and advocate as well as celebrate those individuals with Down Syndrome. I had a chance to speak with John C. McGinley today about one of the most challenging yet rewarding roles in his life.
It isn’t Dr. Cox from Scrubs or Stanley Miller from his new horror comedy series Stan Against Evil. This particular role was one that hit close to home, the father of a very special young man named Max.
That’s My Entertainment: Let’s go over the story of Max. When you first discovered that diagnosis, what were your original thoughts?
John C McGinley: I had no idea what Down Syndrome was, certainly not clinically. Emotionally…I didn’t know anything. We went to the hospital…the clear diagnosis from the blood protein and the sonogram was that this was going to be a beautiful little girl. We did not have the amino because we were discouraged from having the amino because Max’s mom (Lauren Lambert) was very healthy and I was healthy and there was no history of challenges in either one of our families, and so it was all supposed to be a Norman Rockwell painting and then Max came out, he was not a girl and his twenty-first chromosome had tripled so it was the equivalent of being smashed over the head with a cosmic hammer and the disorientation of it all.
The first person in the room as Max was in the neonatal intensive care unit was a representative of the state of California who said “the state would be more than willing to take charge of this individual if that’s what we wanted.” And I kicked him out of the room. I still don’t know what he was talking about never had the spine to look into it. Then you kind of bury your head in the sand for a while.
There is a trajectory that involved a woe is me component and sooner or later you get your head out of the sand and you see this little kid looking up at you and his need for help and intervention transcends any other pity party that you might invite yourself to and you start to get involved. You start to get second and third and fourth opinions from a medical community that would largely advocate for over medicating that population.
TME: One of the things you talked about in your 2014 interview on Hallmark’s Home and Family about raising a child with special needs is Integrated parenting and an integrated family. Can you tell me a little more about that concept?
JCM: I found that the parenting trap there is to lean into one side or the other. Billie Grace and Kate are the politically correct term is typical kids and Max has Challenged. To lean too hard into accommodating Max’s challenges and compromising Billie Grace and Kate is tricky and then to lean too hard into the Billie Grace and Kate capacity to learn and leave Max behind is a trap. So there is a sweet spot in the middle there that you can only find when you are in it. There is no guide; You can only find it when you are in it.
This is something that you did through trial and error? Did you have had from medical professionals? How did you discover this?
I would say between Max’s mom who is a phenomenal advocate, my sensibilities and connections to the medical communities, and the Global Down Syndrome Foundation, mixed with Nicole’s influence; that’s a lot of incredibly clear thinking, an objective adult intervention that if you can assimilate all that input you have a chance.
In raising a typical teen/young adult there are social issues that can arise in their development. What were some of the social challenges you had raising a teen/young adult with down syndrome?
The hardest thing to wrap your head around and the three dirty little secrets of overall with down syndrome is that its hard as a teen going forward to have age-appropriate friends. I can’t be a hypocrite on this. I didn’t have any friends who were born with Down Syndrome when I was 16 or 17 years old. It’s heartbreaking and it’s very hard to see this community largely left to fend for themselves largely in a friendship trajectory and so you rely on family, a lot. Max depends on Billie Grace, Kate Max’s mom, and Nicole. You have to generate friendship and that’s a really hard one to swallow because you certainly can’t force a teenager to be your son’s friend, nor would you want to but that one is a really hard man.
TME: Do you feel now that Max is 21 and do present-day medical care and medical professionals better equipped to care for individuals with special needs, specifically down syndrome?
JCM: No. Certainly not. Not unless you have the web of resources to get a second, third and sometimes fourth opinion until you arrive at a caregiver in the medical community who is at least peripherally versed in how to treat someone who’s 21st chromosome has tripled. Since that is such a low priority in any medical program, it’s on the parents or on the caregiver’s shoulders to find someone who is appropriate for their son or daughter. It’s really hard and it’s profoundly disturbing.
John involved himself with an organization that is to significantly improve the lives of people with Down syndrome through research, medical care, education, and advocacy. This organization was led by CEO and founder Michelle Sie Whitten who also has a child with Down Syndrome. John recalled how he got involved and became one of the members of the board.
TME: Tell us about your history with the Global Down Syndrome Foundation.
JCM: The groups I had been with have largely been Kumbayaa let’s hold hands and make pamphlets. I wanted to be more proactive and more aggressive. I saw my friends who were working with aids advocates and breast cancer advocates and wondered why aren’t we doing something like this.
Michelle Sie Whitten and I met, and told me “we have all four lobbyists on staff in Washington D.C., and we’re building a wing down at Children’s Hospital in Denver in the Linda Cyrnic institute as well as the Sie Center for Down Syndrome.
We’re a researched and medical based organization who just want to improve the people with Down syndrome lives through research and medicine.” Then I was in. I wanted to be with people who are aggressively attacking how to make these people’s lives better and that is what happens at Global.
TME: Global also does a be beautiful be you a fashion show that you just came back from. Tell me a little bit about that.
JCM: It is a now a five-year tradition with my family. It is the single biggest fundraiser for people with down syndrome and down syndrome research on the whole planet. And everything that could have possibly gone right this year did. At these type of events, it’s a had thing to authentically say. From Jamie Foxx to Colin Farrell and some of the other celebrities that we were lucky enough to have joined us, and the lineup of models all of whom are people born with down syndrome, it was one of the great nights of my life.
TME: Where did the Spread the Word to End the R-Word Movement originate?
JCM: It started almost ten years ago now, Tim Shriver invited me up to the Special Olympics World Winter Games hosted in Boise Idaho and I went to events and then Tim invited me to a youth leadership activation conference which is a component of every world games.
In this Youth Leadership Activation conference, there are about 200 of the athletes were also self-advocates. It was a whole nother concept I had to wrap my head around in a copious way. All these self-advocates in this auditorium and they tabled different ideas and different conflicts that were impacting them all around the world. And to a person from South Africa to England, to Australia, the kids from South America… a lot of the athletes said they were fed up with the word retard/retarded.
And we started to craft this campaign and then the athletes shaped it and we made it viral and all of a sudden it became a movement. Understand it’s baby steps. The r-word retard and retarded are used as much today as ever. And so it’s baby steps for us, but we feel we are moving in the right direction.
TME: People feel awkward when they have to interact with someone with special needs. Whether it’s their parents or the individual themselves. As a parent how would you suggest an individual approach you or individuals with intellectual disabilities?
JCM: There is no real pragmatic answer to that. I would approach them with kindness and compassion. Try not to put them on the spot.
That’s how I approach people with the r-word because if you tell people how to talk their emotion and spiritual fists are gonna go up and so I invite people and just ask people if there isn’t a better way to say what they just said. For example, if someone says “… the party was retarded” and they say “what?” and I just say “you just said the party was retarded”. And they say, “Oh I didn’t mean anything by it” and you just say.” Well, that’s really offensive to us.” Now all of a sudden we are having a conversation. It’s born out of the entre into..” isn’t there a better way to say that?” Then the person invariably says what? They will never say F-you. And I just find that in engaging in dialogue especially when you want to shape language which people are entitled to use any way they want unless they say a fire in a movie theater. When it comes to people using the r-word the fact of the matter is that they are liberally allowed to use it, so you gotta meet people halfway on that one.
John is an international spokesperson and board member of the Global Down Syndrome Foundation as well as for the Special Olympics and the End the Word movement. Currently, he stars as the reluctantly retired sheriff of Willard’s Mill on IFC’s horror comedy Stan Against Evil premiering on October 31st 10 pm E/P.
You can follow him on twitter @JohnCMcGinley
There are many more questions that were left unanswered but there is a lot of information available on the organization he mentioned for those parents and caretakers who are seeking more information on what options are available for people with Down Syndrome for care, education as well as support groups that are available all over the world. There are even downloadable .pdfs in multiple language formats for educational purposes.
Global Down Syndrome Foundation: https://www.globaldownsyndrome.org/
Twitter @GDSFoundation
Facebook:https://www.facebook.com/GDSFoundation/
Instagram: https://www.instagram.com/globaldownsyndrome
For those wanting to get involved and participate to create communities of inclusion, there are two sites, the Special Olympics as well as the Spread the word to end the word site listed below. Both are great informational resources.
Special Olympics: https://www.specialolympics.org/
Twitter:@SpecialOlympics
Facebook:https://www.facebook.com/SpecialOlympics/
Spread the Word to End The Word:
Twitter @Endtheword
Facebook:https://www.facebook.com/EndtheWord/
Events
SDAFF 2024 presents ‘All We Imagine As Light’: A beacon in the darkness
In the lonely, crowded city of Mumbai, a pair of female Nurse roommates struggle with repressed desires, societal expectations, and the eternal weight of reality that crushes human dreams.
So Prabha (Kani Kusruti) and Anu (Divya Prabha) are Nurses who work at the same hospital, more often than not having to deal with obstetrics (the baby stuff) and female-centric healthcare in a far-too-large populace that doesn’t seem to care about their women, or children. Prabha is prim and mildly older, admonishing the younger trainee Nurses to get over their complaints about the stink of afterbirth as soon as possible, where younger free-spirited Anu is willing to risk getting arrested for giving birth control pills surreptitiously to a desperate young mother with too many children already.
Prabha has in theory a husband who, almost immediately after tying the knot, took off to Germany for a job, and of course she hasn’t heard from him in more than a year. When her husband sends her the gift of an expensive rice cooker, Prabha’s apparent numbness to the whole situation cracks open and she finds herself inundated with feelings again – abandonment and sadness of course, but also at the very least resentment in the holding pattern she’s stuck in, and a desire to be free, to decide what Prabha wants, even among the debilitating responsibilities of the day-to-day existence she leads with Anu. It doesn’t help that the hospital boasts a good man, the good Dr. Manoj (Azees Nedumangad) in fact, who’s been gently trying to court Prabha for some time now.
And then there’s Anu and her sneaking around to try and find good places to be intimate with her boyfriend Shiaz (Hridhu Haroon). Which would be charming and sweet, except that Shiaz happens to be Muslim and even in the cosmopolitan slums of Mumbai, it’s still the Hindu parents who decide whom their children may be with, and marry. Anu knows perfectly well that her parents would never approve of Shiaz and so their need to find hidden doorways, alcoves, and even make-outs in the pouring rain are mildly tinged with the danger of getting caught. Rumors are starting to wing around the hospital too, and Prabha is made aware of the situation by gossiping busybodies, much to her silent disapproval. After trying to help her friend Parvaty (Chhaya Kadam), who was being forced out of her tiny apartment by the unfeeling legal system, nothing comes of it and Parvaty decides to leave Mumbai and take a small moving vacation to a beach town nearbyish, Prabha hatches a plan to try and divert Anu from her potentially disastrous actions.
Ostensibly to help Parvaty with her life-changing move, both Prabha and Anu take a mini-vacation to the beach town, and there is a lovely moment when Prabha discovers some ancient-but-still-good alcohol among Prabha’s things and the three of them get tipply and dance. Immersed in her own loneliness, Prabha fails to realize Anu snuck Shiaz to meet her at the seaside town until she witnesses it with her own eyes, and Anu is far too concerned with finally closing escrow as it were with Shiaz to realize she’s been caught anyway.
Movie
Red One – A fresh new action packed point of view on a classic holiday story
Genre: Action, Comedy, Holiday Adventure
Director: Jake Kasdan
Starring: Chris Evans, Dwayne “The Rock” Johnson, J.K. Simmons, Lucy Liu
Rating: 4/5
“Where to start with Red One? From the rich folklore and wild imagination to the clever reimagining of classic mythology, this movie is packed with surprises.
First, it’s a fresh take on the Santa myth, blending humor, emotion, and action in unexpected ways. This isn’t your typical Santa—gone is the jolly old man squeezing down chimneys. Instead, J.K. Simmons gives us a buff, tech-savvy Santa, equipped with gadgets that let him shrink, grow, and bring objects into reality at will. He’s a Santa ready to take on Christmas with style, and I’m here for it!
Now, on to Dwayne Johnson. I’ll admit, I’ve been a bit weary of seeing “The Rock” play his usual invincible hero persona. But here, paired with Chris Evans, the chemistry is electric and refreshingly different. They’re equals, riffing off each other’s quirks and bringing out a new side in each other. Evans’ character’s sense of humor clicked with me, I would have chosen the Harley Quinn action figure!
Then there’s Lucy Liu, who brings her usual elegance and strength to the screen, kicking butt with style—she’s a standout in every scene. And Kiernan Shipka shines as the antagonist, stepping into her first major movie villain role with confidence and skill. She’s come a long way since Sabrina, and she clearly has serious range.
Red One gets a solid 4 out of 5 from me. It’s a family-friendly adventure with just enough twists to keep it fresh. For anyone looking to see a familiar story told in a new way, this one’s worth the watch.”
Events
San Diego Asian film festival opening night film Cells at Work
Genre: Action, Comedy, Family Drama, Sci-Fi
Director: Hideki Takeuchi
Starring: Mei Nagano, Takeru Satoh
Rating: Rating: 4/5
Hideki Takeuchi’s live-action adaptation of Cells at Work! isn’t just a film—it’s a joyful, genre-blending celebration of life, health, and humanity, all set within the microscopic universe of a teenage girl. In the Urushizaki household, high schooler Niko dutifully cares for her widowed father, balancing her own life with his well-being. But beneath her healthy routines, her immune system is waging an epic war against a torrent of invading pathogens. With Red and White Blood Cells working overtime, Niko’s survival—and her shot at teenage romance—rests on their shoulders.
In this inventive blend of biology and storytelling, Cells at Work! spins a wildly entertaining narrative that combines elements of action, family drama, and rom-com. The film’s core is Niko’s story, a heartfelt journey of caregiving, self-discovery, and young love, framed by an intense battle happening within her body. The inner world is vivid and action-packed, reminiscent of Inside Out with a Japanese twist, where every cell plays a role, and every pathogen is a villain in Niko’s quest to stay healthy for her dad and her date.
Mei Nagano, as a sprightly Red Blood Cell, exudes boundless energy and enthusiasm, perfectly capturing the eager determination of a novice at work. Takeru Satoh, known for his role in Rurouni Kenshin, takes on the role of a stoic White Blood Cell, providing a protective and understated foil to Nagano’s character. Together, they form an unexpectedly endearing duo, navigating the perils inside Niko with both humor and heart. Their chemistry is infectious, adding warmth and fun to the film’s high-stakes battles.
Director Hideki Takeuchi is known for bringing imaginative worlds to life, and he does just that with Cells at Work! By merging the high-concept world of anime with live-action, Takeuchi crafts a visually vibrant spectacle where the bloodstream becomes a battlefield. Each cell’s costume is designed with intricate detail, adding a touch of lavish cosplay that brings humor and authenticity to the film’s zany setting. Action scenes are thrilling and gravity-defying, making the body’s defense mechanisms feel like epic duels, while the humor—sometimes raunchy, often slapstick—keeps the tone refreshingly lighthearted.
Beyond the scientific antics, Cells at Work! is a tribute to the human body and the beauty of human connections. With scenes that celebrate caring for loved ones, cherishing youth, and the joys of teamwork, the film transcends its biological focus to speak to something universal. It’s impossible not to be moved by Niko’s relationship with her father, and by the dedication of her body’s “micro-heroes” who fight tirelessly to keep her healthy.
Cells at Work! is an absolute joy—a film that combines educational elements with heart, humor, and high-energy action. Hideki Takeuchi’s skill at blending genres is on full display, making it an unforgettable, entertaining ride that will leave audiences laughing, cheering, and maybe even wiping away a tear.
A vibrant, genre-bending journey through the human body, Cells at Work! is a spectacle for the senses and the soul. This lively adaptation is one that audiences of all ages can enjoy, learning a bit of biology along the way.