Movie
Kyle Gallner May I?
No Spoilers
In the modern world of horror with its ubiquitous jump scares and ultra-violence it’s nice to discover a quiet horror. A horror that is in fact barely a horror at all, this is Laurence Vannicelli’s; Mother May I?
The horrors genre’s nihilistic poster boy, the talented: Kyle Gallner stars as Emmett; the not-really bereft son of recently deceased Tracy (Robin Winn Moore). We find out that, although Tracy and Emmett had been estranged for many years, Tracy left Emmett her rather impressive country house in upstate New York. Emmett and his poet girlfriend (Holland Roden) travel to stay in the house after dumping Tracy’s ashes unceremoniously into a nearby lake. Emmett’s quip about Tracy now being ‘fish food’ should give you some idea about how he feels towards his late mother.
Tracy’s house, though beautiful and roomy, is filled with her possessions and memorabilia from her youth as a ballerina. Emmett wants to sell the house as quickly as possible despite Anya’s suggestion of turning it into some kind of artists’ retreat.
Emmett and Anya seem to be having relationship issues, despite being in it for the long haul and wanting to start a family. This apparent dysfunction is either mediated or compounded by Anya’s insistence on psychological ‘games’ suggested by her therapist’s mother. In these games, Anya and Emmett sit across the table from one another and each pretends to be the other person by switching seats. This is to try and better understand their partner. These scenes make for some pretty intense moments with the camera pulled right up to the actor’s face.
After one of these ‘sessions,’ the couple makes yet another excellent decision by indulging in magic mushrooms while emotionally unstable and in unfamiliar surroundings. I’m sure I don’t need to tell you that this goes horribly wrong.
While high Anya tries on the cast of Tracy’s face hanging above the fireplace. It is at this moment Anya becomes Tracy. Is this another mind game or a genuine possession? This state lasts longer than the hallucinogens should. Anya even ends up wearing Tracy’s clothes and makeup despite not being a makeup wearer herself. Anya even re-pierces her ears to wear the earrings that were found on Tracy’s corpse.
The rest of the film explores the Freudian nightmare in which Emmett finds himself.
What’s Good…
The acting is fantastic. Gallner, as always, brings his vulnerable intensity to the role. It’s interesting to the character of Emmett regress as his childhood (literally) comes back to haunt him.
I didn’t appreciate Emmett psycho analyzing Anya by saying she calls herself a writer but is actually just a “frustrated copywriter” (jeez movie just @ me next time!). The movie is extremely atmospheric and refreshingly quiet (I could literally hear my cat snoring at points). Expertly building tension so that you are constantly scanning the background to spot what might be hiding behind the corner of the seemingly pleasant house.
What Could Be Improved…
I love a slow burn as much as the next person but I couldn’t help but feel the movie could have upped the creep factor more. Tracy as a ballerina could have been utilized more to give her ‘ghost’ inhuman movements. I can understand why many critics described Mother May I as a horror, light on the horror.
As many horrors do, the movie lost a lot of its during the third act. Subtlety is one thing but the film does leave many questions unanswered and kind of loses itself in its own metaphor.
Despite this Mother May I is an interesting meander into the realm of real-world horror. A good watch for a cosy evening maybe just not with a snoring cat!
Three stars.
Movie
Movie Review: Katamarayudu
Directed by: Kishore Kumar Pardasani
Written by: Siva
Studio: North Star Entertainment
Runtime: 149 minutes
Genre: Action, Drama
Cast:
Pawan Kalyan as Katamarayudu
Shruti Haasan as Avanthika
Siva Balaji as Katamarayudu’s younger brother
Ajay, Kamal Kamaraju, Chaitanya Krishna in supporting roles
Katamarayudu is a Telugu-language remake of the Tamil film Veeram. This movie blends family drama with high-octane action sequences, delivering a narrative that is quintessentially rooted in southern Indian cinema’s flair for heroism and larger-than-life characters.
The story revolves around Katamarayudu, a righteous and fiercely protective elder brother who has dedicated his life to looking after his younger siblings. Known for his aversion to marriage, his life takes a turn when Avanthika, a poised and graceful woman, enters his life. The movie skillfully combines lighthearted romance, brotherly camaraderie, and intense action sequences, creating an engaging watch for the masses.
Kishore Kumar Pardasani delivers a visually grand spectacle while staying true to the essence of its Tamil original. While the screenplay lacks novelty, it compensates with fast-paced action and emotional beats. The dialogues, although simple, hit the right chords when it comes to showcasing family bonds and love.
Pawan Kalyan is the heart of the film. His screen presence and charismatic portrayal of Katamarayudu dominate every frame. Shruti Haasan offers a refreshing on-screen presence, and her chemistry with Pawan Kalyan adds charm to the narrative. The supporting cast, especially the actors playing the brothers, do justice to their roles, adding depth to the storyline.
The film boasts meticulously choreographed fight scenes, which are a visual treat for action lovers. Anup Rubens’ background score and songs elevate the emotional and action-packed moments. His mass appeal and command over action and emotion anchor the movie effectively.
The film adheres to a conventional template, leaving little room for surprises. At 149 minutes, the film feels stretched, especially in the second half.
Katamarayudu is a feast for fans of Pawan Kalyan and action-packed family dramas. It carries the essence of mass entertainment but doesn’t break new ground. While it caters to the sensibilities of Telugu cinema audiences, others might find its predictability a drawback.
Rating: 8/10 Fans of Pawan Kalyan and high-energy action films will undoubtedly enjoy this one, but those looking for a novel story might find it wanting.
Movie
You Are Not Ready for ‘Marcel the Shell with Shoes On’
“Do you want to watch a film with me? It’s called Marcel the Shell with Shoes On”
“What?”
“It’s about a little shell named Marcel who wears shoes.”
“…”
And that about sums it up! It’s the blob of a week between Christmas and New Year so it was the optimum time to watch a very surreal film recently added to UK Netflix.
Released in 2021 (a blob of a year) Marcel the Shell with Shoes On is about a one-inch-tall shell called Marcel who lives with his grandmother, Connie, in an Airbnb. Marcel usually stays out the way of the house’s various guests as he utilizes his only means of fast transportation (a tennis ball) and walks his pet lint on a string (Alan). This is until a documentary filmmaker named Dean, who is staying at the Airbnb, discovers Marcel and his unique lifestyle.
As filmmakers are wont to do Dean begins to film interviews with Marcel, consequently we get an insight into Marcel’s world both inside and out. Yes, Marcel is a stop-motion hermit crab shell with surprisingly expressive googly eyes but he feels very human. I was unsure about Marcel’s age and gender because he sounds a lot like Lisa Simpson, I did even check that Marcel wasn’t voiced by Yeardly Smith. But Marcel is voiced superbly by Jenny Slate. Marcel comes off as quite childlike with his wide-eyed optimism and naivety (he is a shell I suppose). Yet, like many children, Marcel will utter something so profound he will seem more of a fossil than a shell. When Dean uploads Marcel’s interviews onto YouTube Marcel of course becomes a viral sensation. Marcel reads the comments on his videos, using his tiny shoes to activate the laptop touchpad, which is just adorable! Despite his obvious popularity, Marcel remarks; “It’s an audience. It’s not a community.” Which just drives a stake into the heart of social media.
No, Marcel does not become a teeny-tiny-TikToker, he in fact uses the internet to find his lost community. The house used to be full of anthropomorphic objects including Marcel’s own shell family. They had been living in the house for generations, Connie herself came from the garage travelling by coat pocket to the main house; it’s why she has an accent. Among the community there are anthropomorphic pieces of cereal and because the internet notices this stuff; a tampon! An unfortunate event occurred and the community were accidentally removed from their home one tragic night, leaving Marcel and Connie on their own.
Being an A24 film I knew it would get deep. Marcel’s journey gives the audience a unique perspective of life, death, and community. In a modern world where we are more connected than ever but loneliness has been recognized as a universal health crisis. We could all learn something from this talented little shell and his grandmother. Be like Marcel and don’t get sanded down by life, stay connected to your community and know you are not just rattling around on your own!
It’s a beautifully poignant and quirky film. Despite its metaphysical and existential content, the film doesn’t take itself too seriously. Whether it’s Marcel making rope by winding together the pubic hairs he finds in the drain (he calls them ‘hardy hairs’) or sleeping on slices of bread referring to them as his ‘breadroom’. The film is painstakingly detailed and you can see its roots in a short film. It’s a delightful adventure that has something far bigger to say than its minuscule protagonist.
Five stars.
Movie
Mechanic Rocky
“Mechanic Rocky” is a 2024 Indian Telugu-language action comedy film that marks the directorial debut of Ravi Teja Mullapudi, who also penned the script. Produced by Ram Talluri under SRT Entertainments, the film features Vishwak Sen in the titular role, with Meenakshi Chaudhary and Shraddha Srinath as the female leads. The technical crew includes Manojh Reddy Katasani handling cinematography, Anwar Ali in charge of editing, and Jakes Bejoy composing the music.
The narrative centers on Rakesh, affectionately known as Rocky, a cheerful mechanic who operates his family’s auto repair shop. His life takes a tumultuous turn when he becomes entangled with two women, Apsara and Priya, both of whom develop romantic interests in him. Complications escalate as Ranki Reddy, a ruthless land grabber portrayed by Sunil, sets his sights on Rocky’s garage, leading to a series of confrontations that blend action, drama, and elements of comedy.
Vishwak Sen delivers a commendable performance, embodying Rocky with a blend of charm and intensity that resonates well with the audience. Meenakshi Chaudhary and Shraddha Srinath provide solid support, each bringing depth to their respective roles. Sunil’s portrayal of the antagonist adds a compelling layer to the film, enhancing the overall narrative.
The film’s music, composed by Jakes Bejoy, complements the storyline effectively, with tracks like “Gulledu Gulledu” and “Oo Pillo” standing out for their catchy tunes and engaging choreography.
Critically, “Mechanic Rocky” has received mixed reviews. The Times of India describes it as “an underdog tale blending drama, action, and redemption,” highlighting its genre-blending approach. Great Andhra notes that the film “feels like two different films,” with a tedious first half and a more engaging second half. 123telugu.com echoes this sentiment, stating that while the second half is gripping, the first half is dull, ultimately calling it a “decent watch.”
In conclusion, “Mechanic Rocky” offers a blend of action, comedy, and drama, with strong performances and engaging music. However, its uneven pacing and predictable plot developments may detract from the overall experience for some viewers. As an entertainment journalist and Indian cinema enthusiast, I would rate “Mechanic Rocky” a 6 out of 10, acknowledging its strengths while noting areas where it could have delivered more effectively.