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LA Comic-Con 2021: Returning to Smallville!

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“Somebody save me!” I personally can’t think of anyone I know that grew up in the early 2000s that hasn’t at least heard of Smallville. The landmark series became a pop culture staple and forever redefined the mythos of Superman. This Saturday at Los Angeles Comic-Con, cast members from the hit series reunited on the Main Stage to answer questions and share their experiences on set of the beloved series. Cast members in attendance included Clark Kent himself, Tom Welling, Michael Rosenbaum (Lex Luthor), John Glover (Lionel Luther), and Laura Vandervoort (Kara Zor-El/Supergirl).

 

The panel’s moderator noted that the show’s original creator said that the show was a show of two families, that of Clark and that of Lex. Each of the cast members expressed their joy and getting to work with each other every day and echoed that the family dynamic was very present. Welling even stated that Glover’s character, Lionel Luther was originally set to be a much smaller, recurring role. Glover’s performance and the chemistry between he and Rosenbaum inspired the producers to keep him on as a series regular.

 

Unlike the three men on the panel, Vandervoort was not a part of the show’s initial creation. When asked about what is was like to join the show during its seventh season, Vandervoort admitted that she was terrified. “I felt like the new kid in school,” she said, “I wanted to make the fans happy. This was the first time they were going to see this character on TV.” When asked what it was like to shave his head during the later seasons, Glover stated that it was his idea to do so. Glover also revealed that he had found out about his character’s death in the seventh season from a driver taking him to set. The scene had been kept so secret that the full script wasn’t given out and was filmed in a discreet location.

Welling was asked what it was like to step into Glover’s shoes during the classic episode “Transference” in which Clark and Lionel body-swap. “There’s such a confidence and elegance that he (Glover) has, and I really had to dig deep for that” stated Welling. Rosenbaum was asked what it was like to film the show’s third season in which Lex is trapped on an island alone and therefore had to film most of his scenes alone. “I was going insane,” stated Rosenbaum, “They just wanted me to go crazy and I did that.”

The full panel can be seen here:

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‘Mufasa: The Lion King’ Will Leave You Breathless

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“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.

The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.

The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.

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Is ‘Kraven the Hunter’ a Total Letdown?

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“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.

Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.

Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.

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A Brief Review and History of A Year Without a Santa Claus

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A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.

The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.

Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.

Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.

The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.

For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.

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