Welcome back to the most chaotic, surrealistic, psychotic, visually-impressive if not severely depressive, show currently on the FX channel.
Despite technically being a part of the X-Men universe, Legion is in a league all its own, in terms of storytelling, visual entertainment, and the ability to slam a lasting legacy all its own into your over-geeked head.
The show is so surreal, in fact, it’s often hard to tell truly what the show is trying to present, and how we’re supposed to react. (Which is, I think, the whole point.) This season has a tendency to try and show things from the villain POV, and just listen to how reasonable they sound, how convincing they are. Even the Shadow King, that guy that everyone started off hunting and eventually many wound up helping, bizarrely somehow, he sounds perfectly logical when he lays it out, even often in several different languages at a time.
And what is the Shadow King whispering poison into the ears of the good guys? David Haller (Dan Stevens) is the new villain in all this, a David of the future where he rules the post-apocalyptic world of his own making as a King, an Emperor even, the Bringer of Chaos and Destruction. It doesn’t help that a version of Syd (Rachel Keller) from said future has shown herself to David, missing an arm and full of dire prophecy about her future, determined to stop whatever catastrophe happened in her own future. It’s kind of exhausting.
Division 3, that shadowy organization from the Season 1, has had shakeups and re-arranged many of the game pieces, but the general murky objective of controlling the possibly world-killing mutants remains the same. The alliance with the basket-wearing Japanese guy and his lady mustache robots made little sense to me, but whatever. The battle lines of Season Two are so crossed and convoluted at this point, what with the constant flux of future, present and even past colliding.
Much to-do is made about finding the Shadow King’s body, that which was hidden among the many other secrets by the Summerland residents and a whole bunch of others, the body of the man known as Amahl Farouk (Navid Negahban). Dear old Lenny (Aubrey Plaza) got recruited from the prison she was hanging out in with Oliver (Jemaine Clement), who was also conscripted to help find Farouk’s body, but since Lenny kind of needed a body of her own to occupy, a decision was made for her that has disastrous results from David. Most of the latter episodes of Season 2 were preoccupied with the hunt for the Shadow King’s real body, and this bit of information has serious ripple repercussions inside the show.
We know from spoilers of the first season that David Haller is, in fact, the son of Charles Xavier, which makes this an X-Men jaunt. The Shadow King in his Amahl Farouk face confronted Xavier some time ago, leading him to form the X-Men. If you concur with the theory that Legion takes place after the events of Logan, another movie that can arguably said to be in the X-Men universe, then the Shadow King is attempting to incite a literal world-changing event in David. In the comics, poor David is known as Legion for several truly frightening reasons, but we’ll just end the spoilers and speculations there.
The subtle and sometimes very blatant evil expressed through amazing CGI and Narrator voice-overs in between the near-constant mental battles of all the ‘Legion’ characters are gorgeous and devastating, especially the concept of the egg birth of a delusion. Fans may not have any clue what’s going on inside a given episode of ‘Legion’ Season Two, but the cataclysmic visuals the show offers us are like a beautiful-looking but strange puzzle we the audience have to decipher for ourselves, through our own biases and explanations and delusions too. And with the events of the final episode, the likelihood of a ‘Legion’ Season 3 is very good, but who the villains and good guys will be, is anyone’s guess.
Movie
‘Mufasa: The Lion King’ Will Leave You Breathless
“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.
The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
Movie
Is ‘Kraven the Hunter’ a Total Letdown?
“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.
Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
Movie
A Brief Review and History of A Year Without a Santa Claus
A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.
The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.
Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.
Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.
The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.
For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.