What to do, what to do, when you’ve found a pair of missing triplets down an elevator shaft in a cage, that technically isn’t supposed to exist at all? Our Baudelaires are wondering the same thing, and things have gotten even weirder if that was possible here at #667 Dark Avenue!
We all knew the Squalors are an ironic couple, starting with that putrescent name and ending with Esme’s obsession with IN vs. OUT, but the cake is really sniffed when Esme confesses to whom she’s really in love with and working for, with, well kind of both. Because being a high fashion consultant can’t be all Gunters good for now, can it?
Boy, it’s an even better thing that all three of the Baudelaires are smart, capable, and at this point I really have to ask, why do they need guardians again? Sunny has yet more insane teeth growing in and now a good range of secretarial skills, Klaus has found his courage and is exercising it way more often, and all Violet needs is a proper hair tie and she can make damn near anything, like MacGuyver.
Well anyway, Sunny teethes her way out the ersatz elevator shaft and goes about gathering the things her siblings need to make their escape, proving yet again when confronted by Hook-hander there that the Baudelaires can easily outsmart all comers. And it’s off through the weird tunnels that lead out of #667 Dark Avenue, to a completely unexpected and absolutely devastated familiar location at one of the other ends.
Meanwhile elsewhere, our antagonists are placing their red herrings about the board, and preparing for a very super special auction to begin. Lot 41 in particular, a large box with V.F.D. printed on it, has everyone chasing their tails to determine what’s insane and take possession before anyone else can!
Somehow or another, our three favorite orphans are always surrounded by all kinds of familiar faces, and the ultimate auction is no different. Mr. Poe and his Daily Punctilio reporter wife are there, Esme and Jerome Squalor and Gunter of course, yes, but also Jacques Snicket and Olivia Caliban, secretary Jacqueline and Larry Your-waiter, the sinister acting troupe that belongs to Count Olaf, and even some other recognizable faces in the crowd, fully enjoying their own storylines running simultaneously while enjoying sampling the Baudelaire tribulations too. And what’s in the box, Lot 41, already?
It’s never that easy, I tell you what. All the parsley soda in the world can’t stop a red herring if the bad guys are trying hard enough. And Jerome proves himself to be too much of a coward to even try, which is a shame, because the Baudelaire orphans have come to at least appreciate Jerome, who lovingly explains he knew their mother when she was young. Jacques Snicket went after the actual red herring, and our Baudelaire children are off to an actual town known as V.F.D., so who knows what the future holds for everyone!
Continue on Netflix with season two of Lemony Snicket’s A Series of Unfortunate Events, and join the hunt for V.F.D.!
Movie
‘Mufasa: The Lion King’ Will Leave You Breathless
“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.
The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
Movie
Is ‘Kraven the Hunter’ a Total Letdown?
“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.
Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
Movie
A Brief Review and History of A Year Without a Santa Claus
A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.
The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.
Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.
Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.
The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.
For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.