Yes, our favorite orphan trio is still stuck in the awful place known as Heimlich Hospital, surrounded by incompetent administrators, singing Volunteers who think that’s the best way to fight disease, a librarian caretaker of records who refuses to let anyone read said records, oh and, Count Olaf and all his cronies in disguise!
So, what goes on now? Violet’s been taken by the ever-present and flippant Esme, who also destroyed Hal’s library of records too, and she’s being prepped to have a, what did Dr. Matathias Medicalschool call it, a cranio-ectomy in the operating theater of the hospital. Klaus and Sunny have managed to toss together a disguise that wouldn’t fool anyone other than, well, Olaf and his actor cronies, and apparently everyone else who comes to watch in the operating theater. Including, unsurprisingly, Mr. Poe.
Klaus, or Dr. Faustus as his disguise proclaims, does his best to stall while Olaf and Esme try so very hard to insist he cut off his own sisters head, in front of a whole bunch of people who do absolutely nothing to stop it. An attempt at a long-winded explanation of what knives he will be using and everything a cranio-ectomy involves later, Dr. Faustus has managed to stop the sleepy gas Violet was suffering under and is trying desperately to engineer their escape forthwith.
All these adults, the Volunteer singers and their eternally-cheerful smiles, Mr. Poe and his eternal nasty cough, even the nice librarian Hal and practically everyone else, is so willing to believe that a trio of children could kill the handsome Count Olaf and destroy the hall of records, set fires, and commit all sorts of other skullduggery. The Baudelaire fortune seems further away than ever, and it never seems to occur to most of these people to actually try and help our favorite orphans.
The stolen Snicket file reveals some incredibly telling information to Count Olaf and, as per his usual MO, Olaf proceeds to deliberately set a fire to cover his tracks when it looks like the Baudelaires have escaped, yet again. But our trio may be much closer than any of the atrocious acting troupe realizes, and a ubiquitous flyer advertising a certain Madame Lulu may be the key to the next location to have a confrontation at!
Chase the Baudelaires along with everyone else in Lemony Snicket’s A Series of Unfortunate Events Season 2, on Netflix now!
Movie
‘Mufasa: The Lion King’ Will Leave You Breathless
“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.
The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
Movie
Is ‘Kraven the Hunter’ a Total Letdown?
“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.
Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
Movie
A Brief Review and History of A Year Without a Santa Claus
A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.
The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.
Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.
Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.
The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.
For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.