Marvels release schedule is like the WWE, there is no off season or off button either as they just keep hitting us with movies and TV shows left and right.
Not all have been winners but, the movies keep breaking records, smaller characters are getting TV shows on small networks (like Cloak and Dagger coming to Freeform) and the Netflix TV universe seems to get better and more expansive by the minute. That expansions next step is in the form of Luke Cage season 2.
Now, this season is a lot more complicated for Luke as we get to see more character development out of him. Instead of the steadfast always good guy we see the pressure of his new found fame, infamy, family (yep even more family issues for Carl),and even relationships start to place cracks in his seemingly unbreakable resolve. He has to deal with Mariah Dillard/ Stokes(who gets my vote as MVP of this season) still running around doing Mariah like things but,this time with Shades by her side as her right hand and her man.
It sounds weird but it was handled fantastically by the writers, actors and everyone else involved with the show as the showrunner said” We wanted to show mature sexuality but, not make it weird.” And Alfre Woodard brings that side of Mariah across on screen and she does an incredible job of it.The second villain of this season is Bushmaster who’s a Jamaican born gangster with incredible fighting skill, strength, and bullet resistance.He also,has an obsessive drive to take down Mariah Dillard/ Stokes,watch her empire burn and claim Harlem as his own because he believes it’s his birthright. He’s more than a formidable foe for Luke and Mariah alike.
Far less cartoony than Diamondback was in the latter half of the inaugural season of this series. The blaxploitation feel of the first season is gone too but, with numerous requests for “coffee” between characters and the emphasis on the soundtrack throughout this follow up season there’s still bits of that feeling floating around. Speaking of the soundtrack it’s better than ever with a far more varied selection this time around.
It starts off with the blues , veers into reggae (obviously, with Bushmaster playing a big part in the events of the season), and of course goes back to it’s hip hop roots. The music was integral for setting the tone the first time around and they continue that trend here. Pacing was a bit of an issue to me in the first season with the writers having to build the world of Harlem snDC introduce all the characters to the audience. This time they’re able to jump right in and tell the story they want and the show’s ability to get to the point and keep the viewer engaged benefits from this. The action is improved as Luke’s opposition (Bushmasterin particular)can take him on hand to hand but, still kind of lackluster as most guys still try to shoot a well known bulletproof man. You of course get your crossover appearances from across the Netflix Marvel shows and they all play as more than just throw away cameos for the sake of it. We even get our first real look at the legendary team up of Power Man and Iron Fist. I know they met in Defenders but, they venture off on their own and we get to see their friendship really begin to take shape in a meaningful way. It also serves as a bit of a way to redeem Iron Fist from his lackluster showing in his own first season of his series.
Overall, through the 13 episodes we get a massive amount of character development and backstory on various characters(with Luke and Mariah are especially affected by the events of this season). Improved villains, action sequences, and superior pacing make this season a vast upgrade from the initial showing and one to binge watch.
Movie
‘Mufasa: The Lion King’ Will Leave You Breathless
“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.
The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
Movie
Is ‘Kraven the Hunter’ a Total Letdown?
“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.
Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
Movie
A Brief Review and History of A Year Without a Santa Claus
A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.
The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.
Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.
Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.
The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.
For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.