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‘Maleficent Mistress of Evil’: You need a little more iron in your diet!

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Reviewed by Alicia Glass

As Maleficent’s goddaughter Aurora prepares to marry her childhood sweetheart and the families and kingdoms of humans and Fae try to come together, hidden dark forces attempt to tear them apart!

Who doesn’t love a wedding? Many of the to-be in-laws, that’s who. King John (Robert Lindsay) seems fine and dandy with the idea of a Fae-raised daughter who was declared Queen of the Moors, royalty in her own right. But his frosted-white wife, Queen Ingrith (Michelle Pfeiffer), can’t stand the whole Fae society, or the idea that her daughter-in-law to-be Aurora (Elle Faning) was raised among them, and is determined to crush that under her perfect slipper heel as soon as possible. Prince Philip (Harris Dickinson) knows perfectly well where his fiancé comes from, and espouses a proper level of respect for her loving if terrifying guardian, Maleficent. And how does Maleficent feel about all this nonsense? For her ‘Beastie’, as she had nick-named Aurora in the first film, she would suffer just about any and all torments, including a strained meet and greet dinner with Philip’s parents.

Trusted crow-man servant Diaval (Sam Riley) tries his level best to help Maleficent act normal-ish in preparation of meeting Philip’s parents, but truly, those horns and fangs are all but impossible to hide. The headdress that Aurora pleaded for Maleficent to wear, to cover her amazing Fae horns, might hurt, but anything for Aurora’s happiness.

The meeting dinner goes from fine to bad to worse at a rapid clip, as Queen Ingrith smiles and lashes out repeatedly, showing who the truly evil one at the table is more than once. If the iron in the cutlery wasn’t intentionally bad enough, nearly being attacked by that damnably familiar cat was all but the final straw, and in the midst of chaos, the white Queen takes the advantage to show her true colors and start an all-out war of extermination against the Fae of the Moorlands!

Devastated, blamed for a bunch of crimes she didn’t commit as per usual, wounded and left for dead, Maleficent is rescued by the most unexpected of saviors, Conall (Chiwetel Ejiofor), who introduces her to a hidden world and long-lost family. Tensions mount as humans gird themselves with hideously effective iron weapons and ghastly stolen Fae death magic, whilst the innocent folk of the Moorlands prepare to go to a wedding they were, after all, invited to. And Maleficent, the supposedly evilest one of them all, has to make a choice about who her real family, and enemies, are, before its too late!

The cinematography for the sequel is outstanding – all those wings, so many bright motley Fae folk running about, even the purported nobleman Fae slave-working for the white Queen, Lickspittle (Warwick Davis), gets enhanced shiny colors that make the movie really pop visually. As she so often does, Michelle Pfeiffer plays a truly excellent villain, so much more evil than the title of the film applies. And of course Angelina Jolie as Maleficent is another fun sharp-cheekboned jaunt through misunderstandings and the chaotic situations that can arise from them when people just won’t talk to each-other!

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‘Mufasa: The Lion King’ Will Leave You Breathless

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“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.

The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.

The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.

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Is ‘Kraven the Hunter’ a Total Letdown?

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“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.

Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.

Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.

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A Brief Review and History of A Year Without a Santa Claus

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A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.

The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.

Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.

Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.

The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.

For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.

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