Review By: Alicia Glass
Studio: Blumhouse Productions
MPAA Rating: R
Director: Phil Joanou
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Twenty years after the fact, the lone survivor of a cult suicide massacre returns to the scene of the crime with a film crew, for answers.
You really can’t be sure what to expect, even reading the synopsis and knowing who’s going to be in the film before watching it. Jessica Alba as Maggie Price, leader of the documentary crew returning to the site of the Heaven’s Veil compound, is no stranger to attempting odd horror flicks, as she did with The Eye and Awake. Lily Rabe as cult survivor aptly named Sarah Hope is also versed in horror, and she does a perfectly serviceable job as the chosen one of the movie. The rest of the cast that rounds out the camera crew are more or less completely normal, generally wanting to get the hell out of dodge as soon as the extra-creepy stuff starts happening. Perhaps the oddest choice for casting is Thomas Jane as the Jim-Jones-like cult leader, oh-so-originally named Jim Jacobs. Jane ends up looking like Jim Morrison would if he had found spirituality on the heels of alcoholism: all riotous hair, messiah whites, many necklaces, and tons of “I’m so wasted” cult followers.
So some 20-odd years ago, Jim convinced the entire Heaven’s Veil community to take the sugar cubes laced with some serious poison, and shock and surprise, everyone died. Everyone except one little scarred girl the cops and FBI found, coining her Sarah Hope as she couldn’t even recall her name. Now Maggie, who turns out to be the daughter of FBI Agent Price who was first on the scene of the Heaven’s Veil massacre, wants to revisit the old compound and find the ancient VHS tapes to learn what the hell Jim was attempting to do! The ruins are still standing, and across the river past the main house compound is Jim’s private residence, where indeed, the missing tapes are discovered. The camera crew sets up to record various parts of the house, and watch and digitize the VHS tapes, basically becoming their own watered-down version of Ghost Hunters. Because the spirit of Jim and his closest followers are still very much alive, and the house and surrounding grounds is the staging area for the biggest event of Jim, and even Sarah’s, lives!
Trying to understand the stuff Jim spouts as he rants in ecclesiastical fury about removing the nails that bind the spirit to the flesh to his congregation, makes about as much sense as any other spiritual whackjob you’ll find today, except for one thing. The compound and houses of the Heaven’s Veil cult really is haunted, and it looks like Jim and company just need two things to further the next stage of their psycho take-over-the-world plan. One is a catalyst, present in the returned form of Sarah herself, and the other, well. Rather powerful bent on world-conquering poltergeists need new bodies to inhabit, and oh look, here’s a whole unaware film crew, just waiting to be consumed and repurposed.
The haunted house and grounds concept comes over fairly well, as does the mood music to help heighten the tension. While the idea that a group of terrorizing ghosts led by their enigmatic and definitely psychotic leader will go out into the world to feed like demonic poltergeisty vampires on the living can work, the mind of their leader might have been a little too crazy for even the audience to understand. It takes a bit away from the good haunting vibe the film boasts.
You can get haunted by The Veil on Netflix right now!
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The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
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Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
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A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.
The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.
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Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.
The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.
For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.